A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

温婉刚到陆家咀就出名了，出名的美，出了名的慢，出了名的牙尖嘴利却又软绵绵。 刚刚到的时候，陆东平看见温婉的第一眼他在想，这么个小东西怎么下地干活挣工分，这分哪个队哪个队倒霉，这带回去就是一祖宗。 后来，温婉成了他一个人的小祖宗。

Joe（鄧光榮飾）為人正直、有義氣、處事從不拘泥苟且。Joe之兄長誤交損友，被亡命之徒所謂「兄弟」（張國柱、江富德、周比利分飾）陷害，身陷囹圄。Joe替其兄不值，向匪徒討回其兄應得之鉅款，豈料匪徒們因財失義，頓起殺機。Joe不防暗箭，急逃以避其鋒。危急之際，幸遇一美麗動人的芭蕾舞教師Ann（鄭文雅飾）義助，得以脫險……

他（她）们作为不被目前社会所认知的一小部分人群，饱受着社会、家庭带来的不解和歧视，他们经历着各种暴力问题、工作歧视问题以及医疗问题。通过8位跨性别者以及他们的家人、医生，和我们最真实的镜头故事，带你走近、了解、认识他（她）们。该纪录片由野心视频出品。

查理（塞米•鲍亚吉拉 Sami Bouajila 饰）、比拉奥（让-马切•波特Jean-Michel Portal 饰）、利奥（罗曼•达瑞斯 Romain Duris 饰）是三个被父母抛弃的孩子，幸好被雕塑家巴布罗（亚历桑德罗•佐杜洛夫斯基 Alejandro Jodorowsky 饰）收留。在巴布罗的照料下，他们都顺利长大成人了。如今巴布罗年事已高，在人生的最后时光，他最大的愿望就是再看一眼红色的圣母玛丽亚雕塑。几个年轻人一头雾水，因为养父可是坚决的反基督人士，现在居然会提出这种要求，而那个价值连城、被严密看管的雕塑竟还远在西班牙！这下可给查理等人出了难题，但为了报答养父的养育之恩，几个年轻人只好硬着头皮上路了……

江离前世是是南诏国太子慕容彦的暗卫，三岁时被卖进千机营训练，十三岁成为千机营的紫衣蝶者，慕容彦将其从训练营带出，让女主心甘情愿为他扫清障碍，却没想到自己最后却被慕容彦其一剑刺穿心脏； 在被慕容彦一刀捅死以后，重生到大幽的嘉和郡主阮昭宁身上，她忘不了慕容彦的背叛，为了复仇，在北尧一点一点斩掉慕容彦的势力，但如今她的力量太小，决定引诱摄政王裴渊为自己所用，利用他来快速斩掉慕容彦的眼线，一次次的试探，诱惑，最终让其动心，但与此同时，在种种巧合下，裴渊开始怀疑了阮昭宁的身份，误以为她是南诏的细作，阮昭宁好几次化险为夷，二人也在暧昧中逐渐动心

江离前世是是南诏国太子慕容彦的暗卫，三岁时被卖进千机营训练，十三岁成为千机营的紫衣蝶者，慕容彦将其从训练营带出，让女主心甘情愿为他扫清障碍，却没想到自己最后却被慕容彦其一剑刺穿心脏； 在被慕容彦一刀捅死以后，重生到大幽的嘉和郡主阮昭宁身上，她忘不了慕容彦的背叛，为了复仇，在北尧一点一点斩掉慕容彦的势力，但如今她的力量太小，决定引诱摄政王裴渊为自己所用，利用他来快速斩掉慕容彦的眼线，一次次的试探，诱惑，最终让其动心，但与此同时，在种种巧合下，裴渊开始怀疑了阮昭宁的身份，误以为她是南诏的细作，阮昭宁好几次化险为夷，二人也在暧昧中逐渐动心

从小特别怕狗的周明轩，阴差阳错之下，接了帮暗恋女神照顾狗狗的任务，结果弄得手忙脚乱狼狈不堪，幸有死党赵心宁和陈大川救场。在两人帮助下，周明轩尝试各种办法克服恐犬症，过程中各种啼笑皆非......