本剧聚焦主人公原田幸太郎（阿部隆史 饰），他是一位战绩辉煌、多次赢得无罪判决的出色律师。不仅在法庭上表现卓越，还作为法律节目的评论员十分活跃，在社会上颇具知名度。50年来，他秉持“独身主义”，一心专注工作，不愿让生活琐事干扰事业。然而，命运的齿轮突然转动，某天他意外邂逅了铃木奈露拉（松隆子 饰），二人迅速决定步入婚姻殿堂。本以为甜蜜的新婚生活就此开启，却隐藏着一个不能向任何人透露的“秘密”。身为律师和丈夫，幸太郎内心纠结不已，时常担忧“能否与这位妻子携手走下去”。随着时间推移，逐渐浮出水面的“秘密”开始冲击着这对夫妇之间的爱情，幸太郎也迎来了人生中最大的考验。

本剧讲述了主人公·原田幸太郎（阿部隆史 饰）是赢得过无数次无罪判决的能干律师。作为法律节目的评论员也很活跃，在社会上的知名度也很高。他讨厌工作被影响，50年来一直坚持“独身主义”。但是某天，他突然遇到了命运的安排，邂逅了铃木奈露拉（松隆子 饰），决定与她闪电结婚。然而，本应过着幸福的新婚生活，却有着不能对任何人说的“某个秘密”。作为一名律师，同时也是一名丈夫，幸太郎担心“与这位妻子能活下去吗？”一边纠结着，一边面对人生最大的考验，而逐渐明朗化的“秘密”动摇着夫妇之间的爱情…

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

The medieval church cannot be understood without recognising that death was at its heart. Richard Taylor shows how churches were design ed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. 　　He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted in the decoration of windows, floors and walls at such remarkable sites as Malvern Priory in Worcestershire. 　　Taylor explains the medieval obsession with purgatory and how this again transformed our churches with the building of elaborate chantry chapels, where Masses could be said to ease the journey of departed souls into heaven. 　　Information 　　Author Richard Taylor examines how the imagery, symbols and architecture of English parish churches have inspired, moved and enraged people down the centuries. 　　Part 1: Dark Beginnings 　　Presenter Richard Taylor explains how churches were originally simple buildings intended to protect the altar and the most important Christian rite of all, the Eucharist. He visits Britain's finest early medieval churches to untangle the mystery of why the Anglo-Saxons and Normans seem to have been unwilling to shake off their pre-Christian past and to have continued to fill their sacred buildings with mysterious pagan images. An ancient book in an Oxford library helps Richard find an answer. 　　Part 2: Medieval Life 　　Richard Taylor uncovers evidence that shows how and why our parish churches came to play such a crucial role in the everyday life of the Middle Ages. He looks at how humorous wall paintings and intricate carvings were used to teach moral lessons and how carved angels in such churches as Blythburgh were used to create a heaven on earth. He finds out how rites such as baptism and the largely forgotten ritual known as the 'churching of women' offered people protection from the cradle to the grave. 　　Part 3: Medieval Death 　　Richard Taylor shows how churches were designed to give medieval people a way to escape death, with their Judgement scenes, cadaver tombs and graphic depictions of the crucifixion. He explains why scenes of suffering on the cross became so prominent and why the instruments used in the persecution of Jesus were depicted on the windows, floors and walls of sites like Malvern Priory. Taylor explains how the medieval obsession with purgatory transformed churches with the building of chantry chapels. 　　Part 4: Reformation - Chaos and Creation 　　With the help of art historian Sister Wendy Beckett and a stained-glass window, Richard Taylor tries to understand the intense medieval devotion to the Virgin Mary and how this fuelled the anger of the Reformation that followed. Richard 'reads' a ruined church and explains how it was not Henry VIII but his boy-king successor, Edward VI, who was responsible for the greatest changes in the Reformation. He also traces how the Book of Common Prayer and the translation of the Bible into English transformed the way that the English worshipped and the appearance of their churches. 　　Part 5: Restoration and Reason 　　Church life in the 18th century is often thought to have been genteel and dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time. He shows how the symbols in the everyday parish church reveal the ever-closer identification between church and state and he tries out the triple-decker pulpit at St Mary's in Whitby, and he discovers how the London churches of Christopher Wren and Nicholas Hawksmoor reflect the latest scientific insights and archaeological discoveries of the age. 　　Part 6: The Victorians and after 　　Richard Taylor discovers how, during the industrial revolution, medieval imagery and ritual make a surprise return to Victorian places of worship and plunge the Anglican Church into conflict. Richard retraces the controversy surrounding this Oxford Movement of Anglo-Catholics and explores their finest churches. He sees how the impact of war in the 20th century is reflected on imagery in our churches and how the First World War brought a return to another medieval practice - the commemoration of the dead.

不论有多大的风雨，家总是会让你得到温暖的保护，没有家的人是可怜的人。吕大磊在事业和家庭中选择了事业，他的妻子因为忍受不住长年的孤独，跟吕大磊离了婚，她带着大儿子吕晓辉走了，二女儿吕晓勇和三儿子吕晓阳暂时交到托儿所去照顾……吕大磊退休之后，要重组家庭把缺失补回来，到上海去跟亲人团聚。这一次团聚之后，吕大磊才发现大儿子变得有点娘娘腔，二女儿半人半鬼的，25岁还单身，三儿子冷漠，但三个孩子都有一个共同的地方，就是对他一样的充满敌意，生活都充满了缺失，没有家的概念，过着一些冷淡没有朝气的日子。经过努力，吕大磊把孩子都帮助好了，到了功成身退的时候，就在他离开的那一刻，孩子们都来求他留下，以往的一切都化为云烟，让他们一家人重新组织一个幸福家庭。

三个有血缘关系却互不相识的家庭，因一份遗嘱，不得不搬入同一栋别墅共同生活。这三个家庭来自截然不同的阶层，活跃于不同的领域，秉持着不同的思想观念。他们凑到一起，究竟会“惹”出怎样的故事呢？让我们拭目以待……

讲述三个有血缘关系但并不认识彼此的三个家庭，因为一份遗嘱，不得不搬入一栋别墅开始一起生活。三个来自完全不同阶层，不同领域，不同思想的三个家庭能“惹”出来一些什么呢？拭目以待...

在这部改编自休·赫克小说的影片中，一名会计师将未婚夫的背叛视为性觉醒的机会，但最终带来了危险的后果。

Babi discovers a betrayal by her long-term partner and decides to embark on a new adventure in life. On this journey, she meets judge Marco and they begin to live a story permeated by a lot of sexual tension.