舞台设定在一个将昭和40年代左右的氛围与现代交织而成的虚构时代。故事从某位实业家的宅邸中，被怪人二十面相盗走宝石这一事件开始展开。 　　本剧改编自江户川乱步的同名原著小说。

二战结束不久，日本东京出现一个专门盗窃国宝的大盗，传说他有20张面孔，且无人看过他的真正长相，故人们称其为“怪人二十面相”（北野武 饰）。 　　国立博物馆馆长北小路（北村总一朗 饰）不胜其饶，转而求助中村警部（伊东四朗 饰），却仍无法阻挡二十面相在众目睽睽之下行窃。最终，侦破过诸多离奇案件的明智小五郎（田村正和 饰）登场。几番交手，双方各有胜负。小五郎为探究二十面相真正身份四处收集线索，而二十面相则向这个对手发出挑战，声称将要盗取小五郎朋友母亲（黑木瞳 饰）的绿宝石。 　　高手对决，胜负难料……

用八个大字来讲述本作故事的话，那就是——“男女搭配，怪盗之路” 被养父母盯上性命，每天都孤独生活着的美甘家大小姐千津子与世纪怪盗二十面相相遇，开始踏向了未知和冒险世界的旅途。 初次接触到自由的空气，包围在新同伴之间并找到了自己所应在之处的千子，慢慢开始有了改变。 围绕着“二十面相的遗产”这个巨大的谜团，引起了无数奇怪的事件。即便如此，千子还是决定要继续前行，等待在她之前的将是何种的命运……

用八个大字来讲述本作故事的话，那就是——“男女搭配，怪盗之路” 被养父母盯上性命，每天都孤独生活着的美甘家大小姐千津子与世纪怪盗二十面相相遇，开始踏向了未知和冒险世界的旅途。 初次接触到自由的空气，包围在新同伴之间并找到了自己所应在之处的千子，慢慢开始有了改变。 围绕着“二十面相的遗产”这个巨大的谜团，引起了无数奇怪的事件。即便如此，千子还是决定要继续前行，等待在她之前的将是何种的命运……

黑帮继承人之间为了争夺下一任社团领袖之位在地底展开厮杀，却引出某种未知的生物，这是作家夫妻二人笔下的故事，也是他们现实生活的映照，小说中的角色要在虚构的世界对抗未知的怪物，而作家夫妻二人能否在真实世界对抗已知的痛苦？一切，都交给爱去解答。

黑帮继承人之间为了争夺下一任社团领袖之位在地底展开厮杀，却引出某种未知的生物，这是作家夫妻二人笔下的故事，也是他们现实生活的映照，小说中的角色要在虚构的世界对抗未知的怪物，而作家夫妻二人能否在真实世界对抗已知的痛苦？一切，都交给爱去解答。

Scientists and American Air Force officials fend off a blood-thirsty alien organism while at a remote arctic outpost

Mr. and Mrs. Loomis are two newlyweds who have recently endured a family tragedy and are now having bad luck on their honeymoon. Their car has a flat tire -- and so does the spare. A stranger named Mr. Moon passes by and fixes the tire. But this Good Samaritan proves to be a crackpot. Mr. Loomis trips and falls onto Moon, dirtying his white suit. The man becomes enraged and threatens to kill him, before driving off. Later, the couple arrive at their hotel. And they realize their bad luck has gotten worse when the crackpot is in the suite right next to theirs.

Thirteen years after the "Lawnmower Killer" killed her sister, high school student Mary Graves and obsessed detective Dick Harbinger are on the lookout for the killer to reappear during the annual Halloween Pumpkin Prom.

Ten Skies 　　Directed by James Benning. 　　US 2004, 16mm, color, 109 min. 　　Filmed around Val Verde, California, this series of skyscapes gracefully visualizes human civilization's interaction with, and impact on, the landscape. The skies and cloud formations chosen by Benning are affected by pollution from an industrial factory, jet trails, and smoke from an accidental wildfire, all clearly legible upon the firmament. And yet, despite these ominous environmental undercurrents, Benning conceived Ten Skies as an anti-war film, describing his work to be "about the antithesis of war, [about] the kind of beauty we're destroying." This intention is affirmed in the reflective serenity of his images; the varying tones, textures and colors of the atmosphere, and the shifting transformations of billowing clouds that produce astonishing perceptual revelations about scale, ephemerality, and the cinematic frame. 　　http://hcl.harvard.edu/hfa/films/2009marapr/benning.html