In the early 1980s, director Bonnie Sherr Klein and professional stripper Lindalee Tracey set off to examine the pornography industry and its effects on society. 　　Klein and Tracey were driven by the desire to know more about pornography – why it exists, the forms it takes and how it affects relations between men and women. Not a Love Story offered insights and perspectives from men and women who earn their living in the sex industry, alongside some of pornography's most outspoken critics who reflected the wave of feminist anti-pornography sentiment at that time. Strident anti-porn statements are accompanied by live sex shows, carefully chosen for maximum impact.

In the early 1980s, director Bonnie Sherr Klein and professional stripper Lindalee Tracey set off to examine the pornography industry and its effects on society. 　　Klein and Tracey were driven by the desire to know more about pornography – why it exists, the forms it takes and how it affects relations between men and women. Not a Love Story offered insights and perspectives from men and women who earn their living in the sex industry, alongside some of pornography's most outspoken critics who reflected the wave of feminist anti-pornography sentiment at that time. Strident anti-porn statements are accompanied by live sex shows, carefully chosen for maximum impact.

怪兽们生活在一个远离人类的隐秘世界，他们害怕人类。这些怪兽形态各异，兴趣大相径庭，因此他们之间也难免存在一些纷争。然而，尼斯、雪人、母狼和可可却组成了一个临时的家庭。但是，一天晚上，一个名叫汉娜的4岁女孩在她的房间里发现了可可，并跟着他来到了怪兽村。当她到达那里时，怪兽们陷入了恐慌：如果汉娜不能及时返回，她可能会永远被困在怪兽村，人类也会来找她。怪兽们害怕她，但他们仍然设法接受了她的不同。然而，当竞争对手独眼怪和石像鬼绑架了女孩后，他们必须搁置分歧，从黑暗的计划中救出汉娜。

怪兽们生活在一个远离人类的隐秘世界，他们害怕人类。这些怪兽形态各异，兴趣大相径庭，因此他们之间也难免存在一些纷争。然而，尼斯、雪人、母狼和可可却组成了一个临时的家庭。但是，一天晚上，一个名叫汉娜的4岁女孩在她的房间里发现了可可，并跟着他来到了怪兽村。当她到达那里时，怪兽们陷入了恐慌：如果汉娜不能及时返回，她可能会永远被困在怪兽村，人类也会来找她。怪兽们害怕她，但他们仍然设法接受了她的不同。然而，当竞争对手独眼怪和石像鬼绑架了女孩后，他们必须搁置分歧，从黑暗的计划中救出汉娜。

迈克尔·弗兰提是世界著名的音乐家、诗人和活动家。他怀着开阔的心胸，抱着吉他，与一队朋友一起游至中东去探索人类为战争付出的代价。 　　这部记录片捕捉到了人性的美好图景和战争带来的可怕毁灭，音乐的蒙太奇和电影配乐贯穿迈克尔·弗兰提的纪录片始终。 　　因为它的艺术性和使用原生素材的编辑技术，这部记录片不同于业界许多新闻和政治题材的影片。它把旅途的风景带到观众眼前，并让观众有机会能聆听普通人的心声——他们艰难地生活在严酷坎坷的、充满战争的环境中。 　　对巴格达的第一印象，是严重地缺乏安全，没有电，没有清水，而且到处都是被轰炸的楼房。迈克尔和他的朋友们惊喜地发现他们受到了仁慈善良的伊拉克家庭和年轻人的欢迎，还有美国驻军都想要分享他们的故事，听音乐和跳跳舞。 　　Michael Franti, world-renowned musician, poet and activist, travels to the Middle East to explore the human cost of war with a group of friends, an open heart and his guitar. 　　The documentary captures beautiful imagery of humanity and the terrible destruction war brings, incorporating musical montages and a soundtrack written during and after the experience performed by Michael Franti. 　　With its artistic film and editing techniques using raw production elements, the documentary is unlike the many informational and politically driven pieces in the marketplace, instead offering the audience a sense of journey and the opportunity to hear the voices of everyday people living with the harsh conditions of war and occupation. 　　First impressions of Baghdad are the tremendous lack of security, no electricity, no clean water and an immense amount of bombed buildings, Michael and the group are pleasantly surprised as they are welcomed with generosity and kindness by everyone from proud Iraqi families and youth, to US Occupation Forces all wanting to share their stories, hear the music and just dance.

迈克尔·弗兰提是世界著名的音乐家、诗人和活动家。他怀着开阔的心胸，抱着吉他，与一队朋友一起游至中东去探索人类为战争付出的代价。 　　这部记录片捕捉到了人性的美好图景和战争带来的可怕毁灭，音乐的蒙太奇和电影配乐贯穿迈克尔·弗兰提的纪录片始终。 　　因为它的艺术性和使用原生素材的编辑技术，这部记录片不同于业界许多新闻和政治题材的影片。它把旅途的风景带到观众眼前，并让观众有机会能聆听普通人的心声——他们艰难地生活在严酷坎坷的、充满战争的环境中。 　　对巴格达的第一印象，是严重地缺乏安全，没有电，没有清水，而且到处都是被轰炸的楼房。迈克尔和他的朋友们惊喜地发现他们受到了仁慈善良的伊拉克家庭和年轻人的欢迎，还有美国驻军都想要分享他们的故事，听音乐和跳跳舞。 　　Michael Franti, world-renowned musician, poet and activist, travels to the Middle East to explore the human cost of war with a group of friends, an open heart and his guitar. 　　The documentary captures beautiful imagery of humanity and the terrible destruction war brings, incorporating musical montages and a soundtrack written during and after the experience performed by Michael Franti. 　　With its artistic film and editing techniques using raw production elements, the documentary is unlike the many informational and politically driven pieces in the marketplace, instead offering the audience a sense of journey and the opportunity to hear the voices of everyday people living with the harsh conditions of war and occupation. 　　First impressions of Baghdad are the tremendous lack of security, no electricity, no clean water and an immense amount of bombed buildings, Michael and the group are pleasantly surprised as they are welcomed with generosity and kindness by everyone from proud Iraqi families and youth, to US Occupation Forces all wanting to share their stories, hear the music and just dance.

The monster, which looks like a nastier version of "The Creature from the Black Lagoon," invades a sleepy lighthouse town. The superstitious lighthouse keeper is worried for the safety of his beautiful teenage daughter, so he leaves food for the monster, who dwells in a nearby cave. When bodies wash up ashore, the locals take notice.

由晚年的実相寺昭雄总监修的关于高山良策的纪录片。高山良策以制造了奥特Q、初代、赛文中的绝大部分怪兽皮套而被称为“怪兽之父”，本片一方面展现了高山良策的创作生涯，另一方面收录了当时工作人员的证言，以珍贵的史料揭示了日本特摄界的黎明期

The monster, which looks like a nastier version of "The Creature from the Black Lagoon," invades a sleepy lighthouse town. The superstitious lighthouse keeper is worried for the safety of his beautiful teenage daughter, so he leaves food for the monster, who dwells in a nearby cave. When bodies wash up ashore, the locals take notice.