23岁的德仔与15岁的盈情不自禁犯下天条，被盈的母亲控告强奸未成年少女而惹来一身蚁。德妈为儿子赔钱从命，但盈母反口，两小口子无路可退。徐天祐演平凡男人爱得无助，单亲妈妈惠英红为爱牺牲，力压全场，戏路纵横，最后一镜尽是戏味。

讲述一个年轻女孩坚称有一个怪物正在蚕食她，而一位有预知能力的治疗师必须直面自己内心的困扰，赶在那个女孩被完全怪物吞噬之前拯救她。

讲述一个年轻女孩坚称有一个怪物正在蚕食她，而一位有预知能力的治疗师必须直面自己内心的困扰，赶在那个女孩被完全怪物吞噬之前拯救她。

故事发生在民国初年，一家小酒馆里发生了一起命案，乡绅林子卿的儿子林继尧被发现死在了酒馆老板娘贞娘的床上，而最大的犯罪嫌疑人就是老板曾家驹。负责此案的知事唐崇陶听取了林管家的证词，将曾家驹定罪。然而，曾家驹不服判决，他坚称是林继尧勾引贞娘在先，而当他闯入房中时，林继尧已经死了，而贞娘下落不明。 　　林子卿在暗地里花重金买通了唐崇陶，虽然唐崇陶对案件的真相也持有着怀疑的态度，但最终，曾家驹被执行了死刑，贞娘也因此而自杀。事后，一直受到良心谴责的唐崇陶陷入了自责的情绪之中，而曾家驹和贞娘的鬼魂也出现在他的面前。

故事发生在民国初年，一家小酒馆里发生了一起命案，乡绅林子卿的儿子林继尧被发现死在了酒馆老板娘贞娘的床上，而最大的犯罪嫌疑人就是老板曾家驹。负责此案的知事唐崇陶听取了林管家的证词，将曾家驹定罪。然而，曾家驹不服判决，他坚称是林继尧勾引贞娘在先，而当他闯入房中时，林继尧已经死了，而贞娘下落不明。 　　林子卿在暗地里花重金买通了唐崇陶，虽然唐崇陶对案件的真相也持有着怀疑的态度，但最终，曾家驹被执行了死刑，贞娘也因此而自杀。事后，一直受到良心谴责的唐崇陶陷入了自责的情绪之中，而曾家驹和贞娘的鬼魂也出现在他的面前。

Herr Marcel L'Herbier, an excellent French director of the silent era, made his most important works during the 20's of the last century. These are astounding silent oeuvres in which the modern, fashionable artistic tendencies that were in vogue in those early days are much in evidence. These avant-garde works have remarkable art-decó settings and are highly appreciated nowadays by silent connoisseurs for their modernity and Herr L'Herbier very personal style. 　　"Le Diable Au Coeur" (1928) is, in some ways, a completely different film in comparison with those avant-garde and "modern" films mentioned before; this time Herr L'Herbier forgets those fashionable experimental tendencies for the sake of a most conventional and realistic setting of a little French fishing town. 　　The beautiful maritime background and the little seaside village where the main characters live, condition the life and troubles of our heroine, Frau Ludivine Bucaille ( Betty Balfour ) . She is a madcap girl who leads a gang of boys who play continual childish pranks in the small village. She lives with her father and her two brothers (who are terrors like herself).She will maintain a troubled love relationship with Delphin ( Herr Jaque Catelain ) until, acting on the advice of her father who is looking out for his own interests, she gets engaged to Gaston Lauderin ( Herr Leo Da Costa ) an old satyr and owner of the town tavern. 　　This Herr Von can say also that "Le Diable Au Coeur" tells a conventional love story that from time to time seems monotonous and gives to this German count a feeling of "déjà vu" but thanks to Herr L'Herbier's skillful artistic intentions and the emphasis he gives to village life (very credible atmosphere with a strong regional flavour) and an excellent gallery of supporting characters, the familiar love story floats along on the waters of realism. 　　The beautiful scenery was photographed by an excellent trio, Herr Lucien Bellavoine, Herrr Jean Letort und Herr Louis Le Bertre, who capture the proper maritime background from the beautiful harbour to the decadent tavern. The art direction adds immeasurably to the film's effectiveness. 　　"Le Diable Au Coeur" is a remarkable film, less avant-garde, more humanistic than l'Herbier's other works but just as memorable ( as a curiosity, this film was produced together with UFA and Gaumont-British ). It depicts the greed, ambition and the human miseries of men, primal human feelings that can found in the most avant-garde of settings or in the life of a small town by the sea. 　　And now, if you'll allow me, I must temporarily take my leave because this German Count has other fish to fry.

"Devil in the Brain" is a bona fide Giallo (Italian murder-mystery) but not the type where an eerily masked and black-gloved killer cuts up scarcely dressed young girls every couple of minutes

肥胖或超重会对一个人产生多大的影响？在镜子面前自我否定，在他人面前抬不起头，在梦想面前望而却步。由于一次分手便开始以暴饮暴食来处理情绪导致最终超重的肯尼·塞勒斯，终于决定做些改变。他将开始为期40天的清水禁食，并用他的故事告诉全世界的肥胖人群，要从此时此刻开始给自己定下目标，持之以恒地努力，不放弃不屈服，用坚定的信念走出困境，才能真正活着。要成为自己理想中的样子，永远都不晚

肥胖或超重会对一个人产生多大的影响？在镜子面前自我否定，在他人面前抬不起头，在梦想面前望而却步。由于一次分手便开始以暴饮暴食来处理情绪导致最终超重的肯尼·塞勒斯，终于决定做些改变。他将开始为期40天的清水禁食，并用他的故事告诉全世界的肥胖人群，要从此时此刻开始给自己定下目标，持之以恒地努力，不放弃不屈服，用坚定的信念走出困境，才能真正活着。要成为自己理想中的样子，永远都不晚。

本片走进日本，韩国，英国和意大利，遇见世界上的工匠们。在日本有一对父子，他们试图让家族1200年的传统墨水制作工艺活过来。威士忌调酒大师吉米·贝弗里奇的鼻子，也许是酒行业最具价值的鼻子。 在韩国工匠们试图恢复传统的冶铁工艺，一位意大利造纸商的植物来自于自家花园。在一个消费主义的纪元中，大规模的生产和即时满足感，让艺术家们开始致力于古老的手工艺。