起先我以为是70年代色情片，但是看完了发现不是，至少不是其他“艾曼妞”系列那种东西-_- 　　总而言之，值得看看的东西...由于简介与条目都被归类于情色片，so，以下的废话不看也罢，会被误导...... 　　By Redwolf 　　—————————————————— 　　In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year old publisher. When he drops her for her older sister, should she seek revenge or recapture? In subplots, she gets along badly with her sister and her father, and she encourages her mother's affair with dad's sister. Axel has problems too besides the determined Sibylle: he must come to terms with the drowning death of his mother years ago.

起先我以为是70年代色情片，但是看完了发现不是，至少不是其他“艾曼妞”系列那种东西-_- 　　总而言之，值得看看的东西...由于简介与条目都被归类于情色片，so，以下的废话不看也罢，会被误导...... 　　By Redwolf 　　—————————————————— 　　In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year old publisher. When he drops her for her older sister, should she seek revenge or recapture? In subplots, she gets along badly with her sister and her father, and she encourages her mother's affair with dad's sister. Axel has problems too besides the determined Sibylle: he must come to terms with the drowning death of his mother years ago.

Athens, today. Seventeen-year-old Aria, who is working at Jimmy’s local kebab place is waiting for a driving lesson with her father. When he finally arrives, it is not to go for a drive; on the contrary, he confides in her the care of a young Chinese immigrant who speaks neither Greek nor English. 　　DIRECTOR’S STATEMENT 　　A film, for me, is a collection of moments, which fall into place to create a whole. Sounds, looks, movements, the colors of Athens today tell the story of Aria, Lu and Petros. Image by image, I await the moment that I merge with them through their journey, just as they merge into mine—together accepting that our freedom exists in merely an instant.

Athens, today. Seventeen-year-old Aria, who is working at Jimmy’s local kebab place is waiting for a driving lesson with her father. When he finally arrives, it is not to go for a drive; on the contrary, he confides in her the care of a young Chinese immigrant who speaks neither Greek nor English. 　　DIRECTOR’S STATEMENT 　　A film, for me, is a collection of moments, which fall into place to create a whole. Sounds, looks, movements, the colors of Athens today tell the story of Aria, Lu and Petros. Image by image, I await the moment that I merge with them through their journey, just as they merge into mine—together accepting that our freedom exists in merely an instant.

SARIA is the tale of two inseparable orphaned sisters, Saria and Ximena, as they fight against daily abuse and unimaginable hardship at Virgen de la asuncion Safe home in Guatemala. Our story follows the events leading up to the tragic fire in 2017 that claimed the lives of 41 orphaned girls. SARIA is premiering at the 2020 Oscar Shorts.

SARIA is the tale of two inseparable orphaned sisters, Saria and Ximena, as they fight against daily abuse and unimaginable hardship at Virgen de la asuncion Safe home in Guatemala. Our story follows the events leading up to the tragic fire in 2017 that claimed the lives of 41 orphaned girls. SARIA is premiering at the 2020 Oscar Shorts.

On the island where the filmmaker’s grandmother is buried, it is the tradition of women to choose the image that will represent them on their grave after they are gone. As director Sara Jurinčič and her mother travel to this island, we enter a world without men, where female ancestors take center stage. This beautifully crafted film, both playful and serious, takes us on a cinematic odyssey to hear what the ancestors are whispering from their silent portraits. 　　源自：https://zinebi.eus/en/listings/valerija/

On the island where the filmmaker’s grandmother is buried, it is the tradition of women to choose the image that will represent them on their grave after they are gone. As director Sara Jurinčič and her mother travel to this island, we enter a world without men, where female ancestors take center stage. This beautifully crafted film, both playful and serious, takes us on a cinematic odyssey to hear what the ancestors are whispering from their silent portraits. 　　源自：https://zinebi.eus/en/listings/valerija/

希腊悲剧三部曲终节章 　　奥斯卡最佳外语片提名(当年仅以一票之差败给布努艾尔的《朦胧的欲望》) 　　戛纳金棕榈提名 　　希腊萨撒隆尼基电影节最佳影片、最佳女演员2项奖

15世纪的俄国，最后一位拜占庭公主索菲娅-帕莱奥尼娜从罗马来到遥远的莫斯科，嫁给沙皇伊凡三世，并且注定要成为俄罗斯帝国第一位举足轻重的女性。她战胜了宫闱的勾心斗角，帮助伊凡巩固四分五裂的国家，赶跑蒙古侵略者，并建造了俄国的象征——克林姆林宫。