在方块大陆唯一的怪物学院，人类少年史蒂夫与僵尸、末影人等怪物同学共度奇幻校园时光。当校园突遭危机 —— 地狱岩浆海啸冲破屏障、猪人帮派与末影人爆发领土争端，史蒂夫凭借人类的创造力组建冒险小队，在调查中意外揭开学院地下埋藏的远古封印。

在方块大陆唯一的怪物学院，人类少年史蒂夫与僵尸、末影人等怪物同学共度奇幻校园时光。当校园突遭危机 —— 地狱岩浆海啸冲破屏障、猪人帮派与末影人爆发领土争端，史蒂夫凭借人类的创造力组建冒险小队，在调查中意外揭开学院地下埋藏的远古封印。

这里没有严肃的老师，只有一群古灵精怪的小怪物学生，每一天的校园生活，都像一场惊喜不断的奇幻冒险。这不仅是一个让孩子笑不停的快乐课堂，更是一座悄悄成长的情商与智慧启蒙乐园，成长就在欢声笑语中自然发生。一起加入怪物学院，和我们笑在一起、学在一起、成长在一起吧！

改编自同名网络漫画 Play, Plii / Secret Playlist，讲述音乐YouTuber宋汉珠和人气偶像李道国之间的爱情故事。

真船佳奈漫画作品《做不到直播啦！》宣布TV动画化，本作将于2022年1月播出。 　　【制作】 　　原作：真船佳奈「オンエアできない！」「オンエアできない！Deep」（朝日新聞出版） 　　监督・系列构成：青木純 　　音乐：山田淳平 　　音乐制作：ワーロック 　　音乐协力：テレビ東京ミュージック 　　音响效果：稲田祐介 　　动画制作：神南スタジオ、スぺ―スネコカンパニー 　　製作：オンエアできない！製作委員会 　　【声优】 　　まふねこ：大地葉 　　鬼河原ディレクター：間宮康弘 　　よりちゃん：杉山里穂 　　横山チーフAD：広瀬裕也

描写了电视幕后工作的《不能播放！》居然决定改变成电视动画了！！ 原作者真船佳奈目前在BS东视工作，她的漫画《不能播放！》《不能播放！Deep》讲述的故事是以她在东京电视台当副导演时的经历为原型创作的。 隐隐约约知道，但又一知半解。“副导演”真实的工作究竟是什么样的！？

December 1969, Thelonious Monk in Paris. Before his evening concert, he records a programme for French television. 　　The rushes show a Thelonious Monk who is in the grip of the violent factory of stereotypes from which he tries to escape. 　　The film becomes the crossing of this great artist, who would like to exist only for his music. And the portrait in hollow of a media machine as ridiculous as it is revolting. 　　Here is the machine in action. Deconstructing these rushes as phantasms. To see the factory of caricatures at work. Deaf, smiling, ambiguous, admiring and sickening. To hold the microphone without listening, to marvel without seeing. 　　Trying to overturn the point of view. 　　Here is Thelonious going through the ordeal, at work, as if he had landed on a strange planet, where a portrait is being made that he cannot do anything about. Tired by the years spent undergoing this painful exercise. 　　Fortunately, he plays, and in doing so, he makes more than anything else be said. 　　“It brings tears to my eyes when I see the shit that my father was going through” T.S Monk Jr.

December 1969, Thelonious Monk in Paris. Before his evening concert, he records a programme for French television. 　　The rushes show a Thelonious Monk who is in the grip of the violent factory of stereotypes from which he tries to escape. 　　The film becomes the crossing of this great artist, who would like to exist only for his music. And the portrait in hollow of a media machine as ridiculous as it is revolting. 　　Here is the machine in action. Deconstructing these rushes as phantasms. To see the factory of caricatures at work. Deaf, smiling, ambiguous, admiring and sickening. To hold the microphone without listening, to marvel without seeing. 　　Trying to overturn the point of view. 　　Here is Thelonious going through the ordeal, at work, as if he had landed on a strange planet, where a portrait is being made that he cannot do anything about. Tired by the years spent undergoing this painful exercise. 　　Fortunately, he plays, and in doing so, he makes more than anything else be said. 　　“It brings tears to my eyes when I see the shit that my father was going through” T.S Monk Jr.