性格迥异的两姐妹艾西（Margit Dajka 饰）和吉莎（Elma Bulla 饰）拥有快乐无忧的少女时代，然突如其来的噩耗夺走了这份幸福。她们的父亲因被当局指责为革命分子，愤而饮弹自尽。随着时代和社会的变迁，两姐妹开始经历不同的人生。未婚的艾西和吉莎分居匈牙利和西德两地，年迈之后，两姐妹只能通过书信联系。信中的姐妹俩亲密无间，聊着生活琐事和心中的小秘密，虽然偶尔牵涉政见但也一带而过，更多还是对童年的回忆以及艾西那绵亘一生却终未完满的爱情。 　　时间飞逝，一切终将老去，仅存的也许只有那信中的记忆和相片中模糊的青春倩影…… 　　匈牙利著名电影大师Karoly Makk（卡罗利•马克）经典作品。

性格迥异的两姐妹艾西（Margit Dajka 饰）和吉莎（Elma Bulla 饰）拥有快乐无忧的少女时代，然突如其来的噩耗夺走了这份幸福。她们的父亲因被当局指责为革命分子，愤而饮弹自尽。随着时代和社会的变迁，两姐妹开始经历不同的人生。未婚的艾西和吉莎分居匈牙利和西德两地，年迈之后，两姐妹只能通过书信联系。信中的姐妹俩亲密无间，聊着生活琐事和心中的小秘密，虽然偶尔牵涉政见但也一带而过，更多还是对童年的回忆以及艾西那绵亘一生却终未完满的爱情。 　　时间飞逝，一切终将老去，仅存的也许只有那信中的记忆和相片中模糊的青春倩影…… 　　匈牙利著名电影大师Karoly Makk（卡罗利•马克）经典作品。

《躲猫猫！》是NHK自1996年起制作并持续至今的幼教节目，专为0 - 2岁婴幼儿设计。每集时长15分钟，节目内容丰富，涵盖唱歌、跳舞、画画、手工和体操等多种幼教课程。主持人小优、乌糖、汪汪形象经典，节目节奏欢快，深受广大家长和孩子的喜爱。

《躲猫猫！》是NHK从1996年开始出品至今的，专为0-2岁婴幼儿量身打造的幼教类节目。每集片长15分钟，其内容涵盖了唱歌、跳舞、画画、手工和体操等多方面的幼教类课程。主持人小优、乌糖、汪汪的经典主持形象以及欢快的节目节奏深得广大家长与孩子们的喜爱。

Once you reach the sky it's all downhill from there.

影片根据台湾著名女作家李昂的同名小说改编。《暗夜》是一部描写权力、金钱、欲望与道德冲突的小说，导演但汉章将小说搬上了银幕，表现了股票记者、商人、商人之妻三个人间的爱欲纠缠。

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

The Israeli-Palestinian conflict manifests in its most complicated form over one night, and the encounter between two Israeli soldiers and the two Palestinian residents of the house to which the soldiers escape after their vehicle is attacked.

《暗夜》一个恐怖的故事，发生在夜里，血腥、残暴、癫狂只要是能刺激你眼球的东西一样不少。而且全部都是用动画表现出来。 　　Malena 和 Pablo 兄妹俩旅行到阿根廷，发现了一本日记记载了20年前发生的罪案。这一晚一个家庭随着日记的历史重演被谋杀了，这个 Malena 和 Pablo 去查处究竟什么是真实的，什么不是真实的？……

Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.