姜幼宁因母亲改嫁，与偏执病娇的祁斯峤成为名义继兄妹，两人暗生情愫却被祁父拆散，祁斯峤出国，姜幼宁被迫嫁人。多年后祁斯峤归国，得知姜幼宁已婚便疯狂纠缠。姜幼宁顺势逼迫前夫离婚，彻底斩断过往。离婚后，她撕下小白花伪装，与祁斯峤展开相爱相杀的极致拉扯。

女主本因家庭变故，面临嫁给男主叔叔的困境。女主学生时代就暗恋男主，便设计与他接触，男主也欣然回应。在宋家家宴上，男主搅局婚事，挑明他与女主已婚，女主既摆脱婚约，又能解救自家公司。然而，两人相处中，因各自 “绯闻对象” 误解不断、双向吃醋。一系列闹剧后，却因一场误会，男主伤心签离婚协议。但他回忆往昔，还是心有不甘地表白，这才发现女主也钟情于他。最终误会解开，男主还找到了陷害女主父亲的证据 。

上末世顾进为救我冻亡，我含恨重生回到末日降临前三个月。醒来确认挚爱安好，我决心护他周全。果断约谈父亲拿回母亲独立遗产，斩断沈家纠葛，变卖房产珠宝全部变现。和保镖顾进分工合作，我疯狂采购粮油药品保暖物资，他筹备房车净水户外求生装备，双人合力丧心病狂囤满全屋物资。前世缺衣少食冻死寒冬，今生我富婆兜底搬空仓库，用满配物资当聘礼，双向奔赴安稳求生。

胡轩与妹妹胡瑜互怼，胡瑜得知哥哥有喜欢的人。闺蜜周词玥向胡瑜诉苦心仪对象似有女友，胡瑜提议介绍亲哥给她。周词玥看照片后惊觉心仪之人正是胡轩，胡瑜安排见面。见面后两人坦诚心意，胡轩解释此前误会，双向奔赴的两人顺利表白牵手

想要“做自己”的代价就是被群体抛弃。作为一个“普通孩子”，该如何选择？

想要“做自己”的代价就是被群体抛弃。作为一个“普通孩子”，该如何选择？

初中生李果因为认真完成了老师布置的作业，沦为了班上的笑柄，在经历了一次次被排挤之后，她注意到了班上的另一个女生......

初中生李果因为认真完成了老师布置的作业，沦为了班上的笑柄，在经历了一次次被排挤之后，她注意到了班上的另一个女生......

The second movie of Kiarostami, made in 1972. It calls in my mind some of the very first movies of Brakhage, especially The Way to Shadow Garden. In both cases, a minimalistic gem, nothing explained, a personage without history, without motivation, with the unique role of putting in value a disconcerting universe. 　　Is it the admirable end of Breaktime a negative stasis (like in the movie of Brakhage)? Well, it is somehow a way to the Gardens of Shadow, too, though I think it is, much more, something else: it is an end refusing to be the end (as the movie actually has no beginning, also). This fourteen minutes movie dares to eliminate the story from its structure! It is a shame that Breaktime passed unobserved, because it was marking a new age in the history of cinema.

The second movie of Kiarostami, made in 1972. It calls in my mind some of the very first movies of Brakhage, especially The Way to Shadow Garden. In both cases, a minimalistic gem, nothing explained, a personage without history, without motivation, with the unique role of putting in value a disconcerting universe. 　　Is it the admirable end of Breaktime a negative stasis (like in the movie of Brakhage)? Well, it is somehow a way to the Gardens of Shadow, too, though I think it is, much more, something else: it is an end refusing to be the end (as the movie actually has no beginning, also). This fourteen minutes movie dares to eliminate the story from its structure! It is a shame that Breaktime passed unobserved, because it was marking a new age in the history of cinema.