A somber retrospective on the final days of the Sakura-tai theatrical troupe that had arrived in the island of Hiroshima to begin preparations for the staging of a play and, at 8:15 on the morning of August 6, 1945, became victims of the atomic bombing, Sakura-tai Chiru is a thoughtful examination of artistic imperative in a time of uncertainty and national crisis. Using the 1987 commemorative ceremony in Hiroshima and the dedication of a memorial to Sakurai-tai at Gohyaku-Rakanji Temple as a springboard to the re-examine the life and careers of the actors (and in particular, the troupe's director, renowned film and theater actor Sadao Maruyama who had appeared in such notable films as Mikio Naruse's Wife! Be Like a Rose!), the film is composed of a series of interviews with friends, family, and colleagues (among them, Nobuko Otawa, Eitaro Ozawa, Haruko Sugimura, and Osamu Takizawa) and re-enactments of the remaining survivors' tragic fate (four actors had survived the immediate bombing - Maruyama, Keiko Sonoi, Shozo Takayama, and Midori Naka - only to inevitably succumb to death days later). The film traces the evolution of the theatrical troupe within the context of Japanese history, from its early permutation as a government-mandated propaganda tool in the 1930s, to established actor, Maruyama's creative directorship of the splinter organization, to the Great Tokyo Air Raid of March 10, 1945 that caused several (predominantly male) actors to take indeterminate leaves of absence from the troupe in order to help their families (and city) rebuild, to the troupe's decision to send out two of the four remaining male actors in order to scout for replacement actors for their August Hiroshima engagement. These seemingly mundane operational decisions - to continue with the performance despite personal hardship and wartime uncertainty - would inevitably lead to the fate of Sakura-tai in light of the tragic context of world history. Tracing the fates of the four survivors as they sought the safety of family and friends after the atomic bombing only to endure lingering, agonizing deaths from incurable radiation poisoning, what emerges from the film's harrowing and deeply personal account is a sense of exploited and trivialized humanity in the face of military aggression and inhuman politics.

顾瑾深前女友出国深造，何宛洛因与他的前女友倪雪长得有几分相似，顾瑾深和何宛洛结婚。结婚三年顾瑾深一直对何宛洛冷淡，倪雪回国，何宛洛发现自己只是顾瑾深前女友的替身，伤心悲痛，决心与顾瑾深离婚，去法国生活。

颖光集团总裁江天宇大婚，怀孕的姐姐，从国外回来为弟弟庆婚，却被弟弟的未婚妻误会成小三...未婚妻不听解释，最终导致姐姐流产，婚宴上总裁发现这一切后，怒不可遏，誓要为姐姐讨回公道，而得知真相的未婚妻一家，也悔不当初。

普通家庭出身的苏悦，打拼十年创立星悦集团，却十年未归家。三十岁时，奶奶催其相亲，弟媳姜甜为用彩礼买学区房，介绍离异带娃的表哥庄大海。苏悦察觉庄大海或想找保姆，拒绝后遭奶奶道德绑架，只好用名牌包装作嫌彩礼少才作罢。 姜甜怀恨偷苏悦的包变卖，执意买苏悦公司旗下学区房。苏悦告知学校将关停，姜甜不听仍借钱买下，最终房子失学区房效应。她怨苏悦不拦着，联合庄大海绑架苏悦父母逼赎金，苏悦妥协时警方已到场。

在森林的入口，“雪成”与少女“永久”邂逅了。接受了永久说的“如果你听到了森林的声音，就不能乱走动”的忠告后，雪成走进了森林。 雪成在森林里为了守护被猎人追捕的“雪拉比”，被“穿梭时空的力量”卷入，带到了40年后的未来。在40年后的世界，雪成认识小智他们。但是在这世界里，火箭队史上最强的男人“比夏斯”正打算捕猎雪拉比。 比夏斯拥有能将一切神奇宝贝变得凶恶的黑暗球，将雪拉比从小智他们的身边夺走。为了拯救被比夏斯捕捉的雪拉比，小智与雪成拚命奋战。可是，温柔的雪拉比已经发生了很大的变化…… 激烈的对战中，传说的宝可梦“水君”出现了！小智他们能否拯救雪拉比和森林呢！？

《爱悦》是两个家族争夺游乐场的故事。绿地游乐场是由受人尊敬的资本家开设，诺杰斯特游乐场则是由贩卖啤酒和小玩意的商贩开设，这两个游乐场家族为了在他们的小游乐场“命运之轮、棉花糖”中争夺势力而冲突不断，与此同时，他们年轻的继承人妮妮和约翰却坠入爱河。在第二次世界大战的阴影下，他们的禁忌之爱又能否冲破家庭的阻碍呢？

《爱悦》是两个家族争夺游乐场的故事。绿地游乐场是由受人尊敬的资本家开设，诺杰斯特游乐场则是由贩卖啤酒和小玩意的商贩开设，这两个游乐场家族为了在他们的小游乐场“命运之轮、棉花糖”中争夺势力而冲突不断，与此同时，他们年轻的继承人妮妮和约翰却坠入爱河。在第二次世界大战的阴影下，他们的禁忌之爱又能否冲破家庭的阻碍呢？

中山裕介饰演的废柴词作家阿碌和女儿小悦相依为命。又要忙事业，又要照顾女儿，还被女儿撺掇着续弦。昭和废柴爸爸的恋爱物语就此展开。本剧饰演小悦的小演员#平尾菜菜花# 实在是可爱，已经被她领衔献唱的片尾曲洗脑了。