在大学期间，苏蕴然向谢琰白表白了99次，但每次都遭到拒绝。然而，她后来才得知，谢琰白其实早就对她一见钟情，之所以不答应，是因为他想看苏蕴然为他生气、被欺负。苏蕴然在得知真相后，决定不再追求谢琰白，并为了报复他，一边暗示一个月后会进行第100次表白，一边悄悄准备永远离开。然而，谢琰白却满心欢喜地等着她的告白

一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯．梅卡斯以第一人稱的日記體，闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常，也在他方尋找自己的家，如同片中的自述：「我是攝影機的眼睛，我是見證者，我記錄了這一切。我不知道，我是在歌唱還是哭泣？」

一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯．梅卡斯以第一人稱的日記體，闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常，也在他方尋找自己的家，如同片中的自述：「我是攝影機的眼睛，我是見證者，我記錄了這一切。我不知道，我是在歌唱還是哭泣？」

Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

柳敏绘约徐念见面，请教带父母旅游事宜，并提及沈渡邀她去家过年。徐念惊讶觉得太快，建议她与沈渡好好沟通。柳敏绘回家后与沈渡商量，沈渡坚持邀她年前见父母，柳敏绘为难，坦言未将恋情告知自己父母。沈渡找徐念询问柳敏绘情绪，徐念建议暂缓见父母。两人再次沟通，沈渡承诺给足安全感，柳敏绘承诺今年向父母介绍他，明年去沈家过年。沈渡开心拥抱柳敏绘，两人达成共识。

Those two would really like to stop and pretty soon they will. 　　The landscape does not have a name as they neither do. 　　This day lasts long, every hour looks like the other and night doesn’t fall. Then they meet two kids with guns, two women that have been lost together inside the same opera and two men that exist separately inside the same music. 　　They are forced to rest. They decide to change roles so they can continue their walk. They lose their image and they find their proper voice. 　　They recall at once everything that happened during that endless day 　　and they give a name to this landscape.

Pelu, a lonely projectionist in a dying cinema, loses his home and secretly moves into the theatre after being demoted. He turns it into a nocturnal refuge, hosting homeless friends and renting it to a camgirl, thereby reclaiming a sense of purpose. When his secret is exposed and the cinema closes down, Pelu defiantly breaks in to reclaim his home. A bittersweet ode to seventh art, which is not an escapist gesture, but rather a reminder of the inspiration that comes from togetherness and the essential need for community spaces, especially in times like these under the Milei administration.

Those two would really like to stop and pretty soon they will. 　　The landscape does not have a name as they neither do. 　　This day lasts long, every hour looks like the other and night doesn’t fall. Then they meet two kids with guns, two women that have been lost together inside the same opera and two men that exist separately inside the same music. 　　They are forced to rest. They decide to change roles so they can continue their walk. They lose their image and they find their proper voice. 　　They recall at once everything that happened during that endless day 　　and they give a name to this landscape.

10 hours of paint drying on a wall.

八年前，沈云初隐瞒病情与男友陆野分手。分手后，沈云初独自生下儿子昊昊并寄住在舅舅家，生活拮据受尽冷眼。八年后，沈云初穷困潦倒以做保洁为生，却没想到陆野从穷小子摇身一变成了江城首富。两人意外相遇后，陆野原本对这位抛弃自己的昔日恋人心存怨恨，却在得知当年真相后幡然醒悟并勇敢追爱，可沈云初却因错位误会再一次选择离开。