二十年代未，秀珍（张敏饰）和丈夫林天祥在郑从义的影响下参加了革命。红军主力北上后，郑的小儿子小龙（李平饰）也要上前线参战。秀珍和吴红英在带领群众转移途中被俘，生死关头，红英抱敌人跳崔，大难不死的红英在崔下发现林天祥的女儿小芳（叶丽肥饰）。十几年后，小芳（尹达饰）成长为优秀的游击队员，小龙也改名郑云龙，成为部队一名基层干部。1947年，刘邓大军挺进大别山，郑云龙和已经是师长的林天祥回到魂牵梦绕的故乡，百感交集。当地游击队负责人就是当年的吴红英，见到部队重新打回来，她和小芳非常高兴。

《风雪大别山》讲述了大别山区革命根据地林、郑两家革命者在艰难的革命斗争中生离死别，直到全国解放才得以相聚的悲欢离合的故事。意在表现深厚的战友之情和阶级之爱，以及在斗争中成长和成熟起来的两代革命者的形象。

经过长达一年的艰苦鏖战，刘伯承（傅学诚 饰）、邓小平（卢奇 饰）的大军成功撕破黄河的缺口，在国民党统治区插入一把寒光毕露的尖刀。但是二野却突然调转方向，大有撤回黄河之势。蒋介石（孙飞虎 饰）误认为刘邓疲惫不堪试图逃跑，遂调集14万大军意图将对手在黄泛区彻底歼灭。泥泞坎坷的征途，二野遭受国军无情炮弹的洗礼，被困在黄泛区不得动弹。另一方面，陈赓迟迟找不到渡河方案，战略反攻的设想眼看落空，解放战争到了生死存亡关头。邓小平果断建议丢掉包袱，朝向大别山做着最后的挺进。 　　以无数血肉艰苦换来的战果，对国家的历史走向起着决定性的作用……

经过长达一年的艰苦鏖战，刘伯承（傅学诚 饰）、邓小平（卢奇 饰）的大军成功撕破黄河的缺口，在国民党统治区插入一把寒光毕露的尖刀。但是二野却突然调…

电视连续剧《千里跃进大别山》反映的是解放战争时期,我晋冀鲁豫野战军执行毛泽东同志的伟大战略部署,从内线作战转入外线作战,实行中央突破,千里跃进大别山,从而揭开了解放战争战略反攻序幕的伟大壮举。

改编自藤萝为枝在晋江连载的小说《山主之女》

改编自藤萝为枝在晋江连载的小说《山主之女》

本短片是加拿大动画电影教父级人物Norman McLaren在纽约繁华街头的一次有关动画的极具创新精神的实验。 　　霓虹闪烁的纽约街头，原本是各种品牌你争我夺的阵地的大型户外广告电视屏上，出现了好玩的动画。画面虽然简单，不过是与“Canada”有关的字母、图画的“变形计”，却吸引许多路人驻足——即便无意瞥见后依旧行色匆匆，他们在看到动画的瞬间也是一脸惊奇甚至天真，全不似平日般面无表情。

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.