长有双翼的食人恶魔再度出现了。它袭击了一座农场，将男主人的小儿子比利掳走，愤怒的父亲与长子杰基在沉默中发誓为亲人报仇……次日，一支高中校队在比赛结束后乘坐校车返回，于路却被尖锐的飞镖刺破了车胎，年轻人们眼见通讯不畅求助无果，只得慢慢行驶前进，夜里，袭击校车的神秘身影显出了真身，食人恶魔令校车彻底瘫痪，在一片恐慌中开始捕捉车中的人们。与此同时，一直追踪食人恶魔的农场父子终于赶到，他们用自制鱼叉阻击恶魔。由于恶魔每次轮回出可以获得23天在人世的时间，如果能坚持到今夜结束，所有人将成功逃生，学生们与农场父子展开了一场同恶魔的拼杀……

长有双翼的食人恶魔再度出现了。它袭击了一座农场，将男主人的小儿子比利掳走，愤怒的父亲与长子杰基在沉默中发誓为亲人报仇……次日，一支高中校队在比赛结束后乘坐校车返回，于路却被尖锐的飞镖刺破了车胎，年轻人们眼见通讯不畅求助无果，只得慢慢行驶前进，夜里，袭击校车的神秘身影显出了真身，食人恶魔令校车彻底瘫痪，在一片恐慌中开始捕捉车中的人们。与此同时，一直追踪食人恶魔的农场父子终于赶到，他们用自制鱼叉阻击恶魔。由于恶魔每次轮回出可以获得23天在人世的时间，如果能坚持到今夜结束，所有人将成功逃生，学生们与农场父子展开了一场同恶魔的拼杀……

翠施现在已经是一个十几岁大孩子的妈妈，他孩子叫戴瑞，以她23年前失去的弟弟为名。翠施最近经常发恶梦，看到她儿子重复遭遇到她弟弟被那只怪物杀害的命…

翠施（第一部女主）现在已经是一个十几岁大孩子的妈妈，他孩子叫戴瑞，以她23年前失去的弟弟为名。翠施最近经常发恶梦，看到她儿子重复遭遇到她弟弟被那只怪物杀害的命运。为了确保恶梦不再重现。翠施利用她现在拥有的金钱和能力决定与老，少杰克（第二部的老爷子和他儿子）完成最终的任务，彻底消除蝙蝠人的恐怖阴影。

Forced to travel with her boyfriend, Laine, she begins to experience premonitions associated with the urban myth of The Creeper. Laine believes that something supernatural has been summoned - and that she is at the center of it all.

Forced to travel with her boyfriend, Laine, she begins to experience premonitions associated with the urban myth of The Creeper. Laine believes that something supernatural has been summoned - and that she is at the center of it all.

身居纽约的人类学家葛瑞拉（Lorraine De Selle 饰）和兄长鲁迪（Danilo Mattei 饰）、好友派特（Zora Kerova 饰）结伴前往亚马逊丛林考察土著的生活习俗。抵达目的地后，他们遇见两个躲避外界追杀的毒贩：麦克（Giovanni Lombardo Radice 饰）和乔（Walter Lucchini 饰）。这两个邪恶的家伙利用当地人帮他们从事毒品生产和交易，稍不顺心便对当地人打骂对待。 　　正所谓恶贯满盈，善恶有报。麦克因残酷杀害包括土著首领女儿在内的当地人，而激起这群善良人的愤怒。他们拿起武器，对这些入侵的白人展开报复，而葛瑞拉他们也被牵连其中……

别以为奥里维拉太公的东西总那么让人昏昏欲睡，其实他也有清醒的时候啊。。。尤其在早期的作品和这部影片里。 　　One of the great unseen films 　　When this film was screened at the San Francisco International Film Festival, the Festival's Director spoke, practically begging the audience to "stay for the last 15 minutes. It will be worth it." In fact, the entire film is "worth it." From start to finish, it is an honest and well-crafted surrealist film, indeed in the tradition of Bunuel. It's tone and assault on bourgeois society is reminiscent of "The Exterminating Angel". But while "Angel" gets bleaker and bleaker as it progresses, "Os Canibais" becomes funnier and funnier, until, in the last reel, it explodes in a frenzy of absurdism that would make a devout Dadaist giggle. 　　Should it ever resurface, British and American viewers will easily understand that "Os Canibais" is a film 20 years ahead of its time. It is not the Thatcher/Reagan pull-yourself-up-by-your-bootstraps world that "Os Canibais" is lampooning, but the obscene world of the New Rich as personified by those who shop for shoes while one of the world's great cities drowns.

别以为奥里维拉太公的东西总那么让人昏昏欲睡，其实他也有清醒的时候啊。。。尤其在早期的作品和这部影片里。 　　One of the great unseen films 　　When this film was screened at the San Francisco International Film Festival, the Festival's Director spoke, practically begging the audience to "stay for the last 15 minutes. It will be worth it." In fact, the entire film is "worth it." From start to finish, it is an honest and well-crafted surrealist film, indeed in the tradition of Bunuel. It's tone and assault on bourgeois society is reminiscent of "The Exterminating Angel". But while "Angel" gets bleaker and bleaker as it progresses, "Os Canibais" becomes funnier and funnier, until, in the last reel, it explodes in a frenzy of absurdism that would make a devout Dadaist giggle. 　　Should it ever resurface, British and American viewers will easily understand that "Os Canibais" is a film 20 years ahead of its time. It is not the Thatcher/Reagan pull-yourself-up-by-your-bootstraps world that "Os Canibais" is lampooning, but the obscene world of the New Rich as personified by those who shop for shoes while one of the world's great cities drowns.