重活一世，谢妙仪约了个“穷书生”重金求子，计划有了子嗣后，就丧夫掌管侯府！殊不知，穷书生其实是人人畏惧的“活阎王”摄政王，还对她蓄谋已久，而她的人生也迎来了最强逆袭！上一世，她被渣夫联手外室陷害吃绝户，家破人亡；这一世，她怀拥美男，脚踩渣夫一家，成功反向吃了绝户！

重活一世，谢妙仪约了个“穷书生”重金求子，计划有了子嗣后，就丧夫掌管侯府！殊不知，穷书生其实是人人畏惧的“活阎王”摄政王，还对她蓄谋已久，而她的人生也迎来了最强逆袭！上一世，她被渣夫联手外室陷害吃绝户，家破人亡；这一世，她怀拥美男，脚踩渣夫一家，成功反向吃了绝户！

《想得美》讲述了（大花牛影视公司）花总、刘柳、陈木三人想拍电影便找到了富二代贺帅筹集资金，贺帅同意了三人的要求，并亲自担任了这部影片的男主…

有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

有没有哪一处能完美容下我，让我不再哭泣？女子穿梭于充满容器的未知世界，寻觅安身之处，也摸索自己内心空缺的形状。她四下张望，向往丛生，然而他人的目光，能否带来心底的安详？以容器隐喻安全场所，运用2D动画与陶艺、黏土等媒材，反映出自我认同的不同追寻状态。

主持黎諾懿請來多位圈中好友結伴同遊，藉着貼心的旅程、不同的挑戰，展現各人的新面貌！ 　　李佳芯到日本東京賞櫻並學習「華道」；田蕊妮則參觀當地情趣酒店，大開眼界！薛家燕及李家鼎一同到訪福岡、平戶，並試玩VR遊戲，可會難倒他們？鄭伊健舊地重遊電視城，首要任務竟是到飯堂當廚師？ 　　楊明、麥美恩兵分兩路，遊遍馬來西亞各地，盡情吃喝玩樂。楊明還帶領畏高的諾懿進行高空挑戰；美恩經過多重考驗，勢要奪得「完美女人」的頭銜！

主持黎諾懿請來多位圈中好友結伴同遊，藉着貼心的旅程、不同的挑戰，展現各人的新面貌！ 　　李佳芯到日本東京賞櫻並學習「華道」；田蕊妮則參觀當地情趣酒店，大開眼界！薛家燕及李家鼎一同到訪福岡、平戶，並試玩VR遊戲，可會難倒他們？鄭伊健舊地重遊電視城，首要任務竟是到飯堂當廚師？ 　　楊明、麥美恩兵分兩路，遊遍馬來西亞各地，盡情吃喝玩樂。楊明還帶領畏高的諾懿進行高空挑戰；美恩經過多重考驗，勢要奪得「完美女人」的頭銜！

The title and subtitle of this French miniseries are "Six Times Two; Over and under the media". The "six" refers to the fact that there are six episodes; the "two" has a double meaning. Each of these episodes is a collaboration between two people: Jean-Luc Godard and his long-time partner Anne-Marie Miéville, but the "two" also refers to the fact that each episode has a two-part structure. The individual episodes run 100 minutes each, split almost precisely into two 50-minute sections. 　　Each episode deals with a specific theme -- history, women, labour -- with the first half being an overview of that topic, and the second half being a documentary interview with one person who somehow represents that very broad topic! 　　This is a thoroughly Gallic documentary series, with everything that the term implies; despite my passion for Godard's films, I found 'Six Times Two' to be extremely talkative and static. Reportedly, Godard himself did not have a high opinion of this miniseries.

Nine filmmakers for one extraordinary archive. The Istituto Luce turned ninety in 2014, its long history intertwined with that of Italy itself, through cinema and that unique treasure trove of images known to all as the Luce Archives. To celebrate its anniversary, some of the most acclaimed rising filmmakers in Italy were invited to make a small film, with each director selecting ten minutes of footage from the archives, out of the thousands of hours of footage to be found there. 　　The result is an album full of different narratives. The film footage speaks of the outbreak of war, implorations of peace; building collapses and reconstruction; recollections of (possibly) lost landscapes, and lost realities; miracles, superstitions and dreams. It´s a weave of themes: women´s rights, sexuality, the meaning of a song, the Moon, in the form of fairy tales or diaries, pseudo-history or poetry; the words of great writers alongside the voices of the man on the street; starring real people, historical figures, and characters made up out of thin air. 　　Marco Bonfanti Tubiolo e la luna 　　Claudio Giovannesi Il mio dovere di sposa 　　Alina Marazzi Confini 　　Pietro Marcello e Sara Fgaier L´Italia umile 　　Giovanni Piperno Miracolo italiano 　　Costanza Quatriglio Girotondo 　　Paola Randi Progetto Panico 　　Alice Rohrwacher Una canzone 　　Roland Sejko L´entrata in guerra