A running-addicted clerk and a bipolar bistro owner form an unlikely bond in Shanghai, only to clash over values and reunite in a psychiatric ward—where they discover they share the same lonely mark of life.

One of the first gay films produced by a major pink film director, the film also brought together three members of the shitenno for the first time. Takahisa Zeze worked as Sato's assistant director for the film, and through him began hiring future-director Kazuhiro Sano as an actor in his films. Zeze later recalled, "I remember once there was a gay pink film, and Sato wanted to use Sano, so I was the go-between and negotiated with him to appear in it. That's how we all started working together."

One of the first gay films produced by a major pink film director, the film also brought together three members of the shitenno for the first time. Takahisa Zeze worked as Sato's assistant director for the film, and through him began hiring future-director Kazuhiro Sano as an actor in his films. Zeze later recalled, "I remember once there was a gay pink film, and Sato wanted to use Sano, so I was the go-between and negotiated with him to appear in it. That's how we all started working together."

封面

封面

「不能說再見，我仍然隨你的迴聲漂流」 　　 　　高中生上山立夏，因受到佐藤真冬的歌聲衝擊，邀請並說服他加入自己與好友中山春樹、梶秋彥合組的樂團擔任主唱。在初次Live表演成功後，樂團以「GIVEN」的團名開始活動，立夏也意識到自己對真冬的感情，兩人開始交往。進入暑假後，為了取得搖滾祭現場演出機會的團員們正反覆地練習，然而，真冬在創作新曲上陷入瓶頸，立夏想幫忙卻只能在一旁靜靜守護，這兩人卻因小小的摩擦而產生衝突……

「不能說再見，我仍然隨你的迴聲漂流」 　　 　　高中生上山立夏，因受到佐藤真冬的歌聲衝擊，邀請並說服他加入自己與好友中山春樹、梶秋彥合組的樂團擔任主唱。在初次Live表演成功後，樂團以「GIVEN」的團名開始活動，立夏也意識到自己對真冬的感情，兩人開始交往。進入暑假後，為了取得搖滾祭現場演出機會的團員們正反覆地練習，然而，真冬在創作新曲上陷入瓶頸，立夏想幫忙卻只能在一旁靜靜守護，這兩人卻因小小的摩擦而產生衝突……

老码头热干面因每天限卖200碗而闻名武汉，店铺房东称此为饥饿营销法，欲将从爷爷手中租出的房子收回开咖啡馆，便与热干面店家打赌......

老码头热干面因每天限卖200碗而闻名武汉，店铺房东称此为饥饿营销法，欲将从爷爷手中租出的房子收回开咖啡馆，便与热干面店家打赌......

On 6 May 1945, soldiers of the 88th US Infantry Division occupied the Himmlers’ family home in Gmund on Lake Tegernsee where they discovered hundreds of private letters, documents, journals and photographs. The film makes use of these materials and copious archive footage to sketch the biography of SS commander Heinrich Himmler who committed suicide at the end of May 1945 by taking a cyanide capsule. How did this nationalistic lower-middle-class man become Hitler’s henchman responsible for developing and executing the strategies that led to the murder of millions of Jews, homosexuals, Communists and Romany people? Where did his ideology originate? How did he see himself and how was he perceived in private by his wife Margarete, his daughter Gudrun and his mistress Hedwig? How could the man who often referred to so-called German virtues such as order, decency and goodness also write home in the midst of the war and Holocaust: ‘I am well in spite of my heavy workload’? What was it that caused his daughter to say after a visit to Dachau concentration camp: ‘It was lovely …’ A film about the pretensions of a mass murderer and the repression of any sense of guilt. 　　Berlinale 2014