沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

在浩瀚的宇宙中，地球宛如沧海一粟。在无尽的历史长河中，人类个体的生命犹如同稍纵即逝的火星。但即便生命如此短暂，自私、愤怒、欢乐、嫉妒、喜悦、忧虑、悲伤、恐惧等情感仍左右着人类的行为举止，他们就像生活的奴隶，每天为同样的事情所奴役驱使，而忽略了生命真正的意义。即使在经过几千几万年的进化，这一情况也不会改变…… 　　本片耗时4年，草图达上千张，未采用任何电脑和数字技术，全部由导演Don Hertzfeldt一人完成。荣获2005年德州国际短片暨录影带展观众大奖、2005年Malibu电影节观众奖最佳动画短片奖。

In the age of vertical screens, a couple of influencers set out to film a short video in a fast-food outlet. When an argument erupts, they forget to stop recording. The camera keeps rolling, capturing a fragment of everyday life they never intended to show. Subtle and incisive, the film peels away the surface of curated images to reveal something raw and unfiltered. Concise, delicate and contemporary, What Remains offers viewers an arresting glimpse into the truths that slip beyond control.

地震により家が倒壊してしまった信三は、心を閉ざし生きる希望を見失っていた。ある日、ボランティアの青年との会話をきっかけに少しずつ笑顔を取り戻し、もう一度生きることに目を向けていく。

A sharp, witty, mind-expanding and exuberant foray into the world of logic with computer scientist Professor Dave Cliff. Following in the footsteps of the award-winning 'The Joy of Stats' and its sequel, 'Tails You Win - The Science of Chance', this film takes viewers on a new rollercoaster ride through philosophy, maths, science and technology- all of which, under the bonnet, run on logic. 　　Wielding the same wit and wisdom, animation and gleeful nerdery as its predecessors, this film journeys from Aristotle to Alice in Wonderland, sci-fi to supercomputers to tell the fascinating story of the quest for certainty and the fundamentals of sound reasoning itself. 　　Dave Cliff, professor of computer science and engineering at Bristol University, is no abstract theoretician. 15 years ago he combined logic and a bit of maths to write one of the first computer programs to outperform humans at trading stocks and shares. Giving away the software for free, he says, was not his most logical move... 　　With the help of 25 seven-year-olds, Professor Cliff creates, for the first time ever, a computer made entirely of children, running on nothing but logic. We also meet the world's brainiest whizz-kids, competing at the International Olympiad of Informatics in Brisbane, Australia. 　　'The Joy of Logic' also hails logic's all-time heroes: George Boole who moved logic beyond philosophy to mathematics; Bertrand Russell, who took 360+ pages but heroically proved that 1 + 1 = 2; Kurt Godel, who brought logic to its knees by demonstrating that some truths are unprovable; and Alan Turing, who, with what Cliff calls an 'almost exquisite paradox', was inspired by this huge setback to logic to conceive the computer. 　　Ultimately, the film asks, can humans really stay ahead? Could today's generation of logical computing machines be smarter than us? What does that tell us about our own brains, and just how 'logical' we really are...?

本片记录了国产B级片演员胡子对“自己到底想要做什么？”的一段探索历程。一个没有意思的人如何才能找到他认为有意思的事来做？如果一个人终于找到了他认为有意思的事，这和他自身的存在意义又有什么关系？还是在某个时机之下两者其实是一回事？如果一个人认为他的存在是没有意义的，那么至少在他头脑中还有意义这个概念。如果他认为意义本身毫无意义，他只是自己想着“什么都不是”然后再根据这个意思否定这个意思有“什么都不是”之外的其他任何意思。把意义的概念定义为“空”不能证明意义不可以“有”。也许他只是还没有找到，也许找到了但不能确定。当然，有可能他永远也无法找到，或者即便找到了也永远无法确定...

给你一千万🤩 你老婆跟我(出去)玩😱！ 【#比悲伤更悲伤的故事】亿万票房製作团队再度出击 原本想拯救爱情，没想到却是出了差错的旅行！？ 陈妍希、张书豪、凤小岳 共同主演 今年春节浪漫爱情首选， 𝟐.𝟏𝟎(三)　小年夜起 全台戏院上映。

《雏逻辑～from Luck ＆ Logic～》改编自卡牌游戏《Luck & Logic》，这款卡牌游戏曾在2016年1月播出一季度TV动画，是以主人公和搭档们与魔神的战斗历程为主线。而此次的新作动画则一扫前作风格，讲述战争结束之后，一所定理者学校内的少女们的故事。主体世界观和合体设定虽然不变，但是少了前作的紧张和热血，转变为了轻百合日常。by:http://www.yakutv.cc/haokan/yingshi12620.html

《雏逻辑～from Luck ＆ Logic～》改编自卡牌游戏《Luck & Logic》，这款卡牌游戏曾在2016年1月播出一季度TV动画，是以主人公和搭档们与魔神的战斗历程为主线。而此次的新作动画则一扫前作风格，讲述战争结束之后，一所定理者学校内的少女们的故事。主体世界观和合体设定虽然不变，但是少了前作的紧张和热血，转变为了轻百合日常。by:http://www.yakutv.cc/haokan/yingshi12620.html