影片反映了泰国儿童的处境问题。

「此片最大亮點，就是以親密關係的角度，探討感情受創的陌生人，是如何藉由肉體關係打開彼此的心房。」——《好萊塢報導者》 　　牛仔凱西決定擺脫鄉村生活，來到繁華大都會雪梨。沒有任何當地人脈或豐富的資金，寂寞催化之下，決定透過交友軟體邂逅了提柏。不打算將關係貼上任何標籤，但隨著時間走去，兩人的關係越靠越近，帶來的卻是嫉妒、危險也隨之蔓延。 　　在《寂寞禁忌》中，導演克雷格・柏漢以大膽、不避諱的鏡頭語言，直白描繪其中的情慾意象和肉體情慾。同時也將五光十色雪梨夜生活，呈現得目眩神迷，令人目不轉睛。

「此片最大亮點，就是以親密關係的角度，探討感情受創的陌生人，是如何藉由肉體關係打開彼此的心房。」——《好萊塢報導者》 　　牛仔凱西決定擺脫鄉村生活，來到繁華大都會雪梨。沒有任何當地人脈或豐富的資金，寂寞催化之下，決定透過交友軟體邂逅了提柏。不打算將關係貼上任何標籤，但隨著時間走去，兩人的關係越靠越近，帶來的卻是嫉妒、危險也隨之蔓延。 　　在《寂寞禁忌》中，導演克雷格・柏漢以大膽、不避諱的鏡頭語言，直白描繪其中的情慾意象和肉體情慾。同時也將五光十色雪梨夜生活，呈現得目眩神迷，令人目不轉睛。

两个帅哥在厕所里HING，其中一个用尽办法让对方挺起来~可是都不见效，最后两人尝试了一种最简单最普及最浪漫的方法....你猜呢！！

Eager to land a journalistic position, Adam White goes to work as an advice-giving newspaper columnist. His editor, Shrike, takes pleasure in browbeating his alcoholic wife Florence for her past adultery, and assigning his employees journalistic jobs for which they have little aptitude or interest. Shrike goads Adam into meeting one of his correspondents, Fay Doyle, a teary, self-pitying woman who makes a play for him. Adam is torn between his loyalty to the newspaper and his girl Justy.

实验电影之父、设计界与电影界都特立独行的另类大师、追逐自己的行者——安迪·沃霍尔（《帝国大厦》、《雀西女郎》）执导的异类大作 　　《寂寞牛仔》是关于一群同志牛仔住在一个只有一个女人的偏远小城的故事，是沃霍尔最具爆炸性的影片之一，影片中Viva被集体的场面更是争议不断…

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)

Shot in stunning black and white, with scenes that could be outtakes from some surreal haute-couture photo shoot, Phantom Love might just be the most beautiful film of the year. Looks aren't everything, however, and this is no hollow aesthetic exercise. As we follow alienated protagonist Lulu (Marina Shoif) on an impromptu trip into the darkest reaches of her own psyche - seemingly undertaken as a distraction while an unsatisfactory lover labours away on top of her - writer/director Nina Menkes creates a dreamscape of epic imaginative reach. There are shades of Alain Resnais and David Lynch here, but this film's lush mysteries are all its own - and the road that Lulu travels makes Mulholland Drive look like a layby. 　　(source: http://www.edfilmfest.org.uk/films/phantom-love/)

大平洋戦争末期。目黒にある山田照子の家も勤めのある父栄三を残し、母歌子、妹英子と直子が疎開の準備。だが照子は海軍予備学生として学徒出陣し土浦航空隊にいる恋人伊東敏郎と離れてしまうのが辛かった。二人の願いは戦争終結だけ。硫黄島陥落の頃戦局は急迫、特攻隊の体当り戦法が採られた。敏郎の戦友三島少尉は出撃の日、許婚の写真を敏郎に託し、敵艦に突入、自爆した。ある日、照子は疎開先から敏郎の隊を訪ね、戦友秋田少尉の計いで二人は海岸で話し合う。死んで行く身で彼女を拘束したくないという敏郎に、一日でもよいから妻にと照子は泣く。やがて簡素な結婚式が行われ、月二度の外出日にお互の無事を確かめ合う新婚生活が続いた。間もなく敏郎は三重県へ転属。面会も許可されぬ照子は不安に襲われる。ある夜、急病で倒れた秋田に代り、敏郎が出撃することになる。彼はガソリンタンクの被弾で基地に戻るが分隊長に面罵され、翌朝再び秋田らと出撃を命令される。敏郎は最後の外出で照子一家を訪れたが明日の出撃を口にだせない。だが照子は懐中の遺書をみつけ、彼のあとを追う決心を固める。翌朝、敏郎と駅頭で永遠の別れを告げた照子は、帰宅して最後の日記をしたためた上、薬をのんだ。帰隊途中で爆撃を受けた敏郎は、よろめきつつも照子の部屋に辿りつき、その死顔に号泣した。彼は照子の横に寝て拳銃をとり出す。やがて敵機の轟音が響く中に発射音が聞えた。