年轻少年季飞车祸后醒来，发现自己被困诡异密室。冰冷机械音宣布：唯有通过七重人性试炼，方能重生归来。傲慢、嫉妒、暴怒、懒惰……每扇门后都是他过往人生的镜像倒影。在这里，他曾欺负过的女孩化为审判者，被忽视的真心成为致命利器。财富与权势第一次毫无用处，他必须直面那个连自己都厌恶的灵魂。

A compilation of performances including extracts from 'Raymonda', 'Romeo And Juliet' and 'Swan Lake'. Also an interview with Maya Plisetskaya about her life and career. 　　 　　This DVD has two parts. The first, 71 minutes long, called “In Performance,” is a visual retrospective of Maya Plisetskaya’s career; an assemblage of film clips highlighting the virtuosity of her dancing and variety of the roles she assumed. She was an outstanding dancer, combining technical brilliance with a keen understanding of the characters she played. Plisetskaya not only had charisma, she had dramatic flare and stage presence. Blessed with an extremely flexible body, she was capable of bending backwards to a remarkable degree, a feat used to great effect when combined with high leaps. In her roles as a swan, Odette and The Dying Swan, she could produce a ripple that undulated through the length of her arms effectively creating the illusion of beating wings. 　　 　　Plisetskaya graduated from the Moscow Bolshoi Ballet School in 1943, when she joined the Bolshoi Ballet as a soloist. Two years later, she became a Ballerina and danced the standard ballerina roles, including Raymonda, Odette/Odile, Kitri, Juliet, and Princess Aurora. In the early 1960s, Plisetskaya was hailed prima ballerina assoluta of the Bolshoi. Julia Lukjanova, in the accompanying booklet, describes Plisetskaya as the “Maria Callas of the ballet.” Unlike Callas, Plisetskaya has lived a long life, and by changing the direction of her career, has enjoyed a long professional life. Plisetskaya was instrumental in expanding the Bolshoi’s repertoire to include modern and experimental works, some of which are glimpsed in this video. 　　 　　With the exception of three works (the Bach Prélude, Saint-Saëns’s The Dying Swan, and Ravel’s Boléro), glimpses are all we get, leaving the viewer begging for more. The snippets from the full-length ballets, most filmed before an audience—a few on soundstages, reveal dancing on an extraordinary level. The film quality varies from acceptable to quite good; some segments are in black and white, others in color. The picture is full screen (NTSC 4: 3), and although the sound format is described as PCM stereo, many segments are monophonic. 　　 　　The second part of the DVD, titled “In Conversation,” is a lengthy (53 minutes) aural memoir by Ms. Plisetskaya and her husband, composer/conductor Rodion Shchedrin. Additional clips of her dancing are included, as well as a number of still photographs of events and people in her professional and personal lives. She and her husband tell of life in the Soviet Union, how she was stalked by the KGB, how her father was murdered and her mother imprisoned, and how she was denied an international career by the Soviet government. Shchedrin’s outpouring of devotion and affection for his wife is a touching finale to this very interesting interview. 　　 　　The two sections, the dance retrospective and the interview, are accessed separately from the main menu. The dance portion is divided into 12 chapters; the interview has 19 chapters. Subtitles for the interview are available in four languages (English, German, French and Spanish). Both parts are pleasures to watch. The film clips of her dancing, many of which are regrettably brief, allow us to glimpse her extraordinary talent; the conversation is interesting and it, too, leaves the viewer wishing for more. If you love ballet, spending two hours with Maya Plisetskaya is a valentine.

A compilation of performances including extracts from 'Raymonda', 'Romeo And Juliet' and 'Swan Lake'. Also an interview with Maya Plisetskaya about her life and career. 　　 　　This DVD has two parts. The first, 71 minutes long, called “In Performance,” is a visual retrospective of Maya Plisetskaya’s career; an assemblage of film clips highlighting the virtuosity of her dancing and variety of the roles she assumed. She was an outstanding dancer, combining technical brilliance with a keen understanding of the characters she played. Plisetskaya not only had charisma, she had dramatic flare and stage presence. Blessed with an extremely flexible body, she was capable of bending backwards to a remarkable degree, a feat used to great effect when combined with high leaps. In her roles as a swan, Odette and The Dying Swan, she could produce a ripple that undulated through the length of her arms effectively creating the illusion of beating wings. 　　 　　Plisetskaya graduated from the Moscow Bolshoi Ballet School in 1943, when she joined the Bolshoi Ballet as a soloist. Two years later, she became a Ballerina and danced the standard ballerina roles, including Raymonda, Odette/Odile, Kitri, Juliet, and Princess Aurora. In the early 1960s, Plisetskaya was hailed prima ballerina assoluta of the Bolshoi. Julia Lukjanova, in the accompanying booklet, describes Plisetskaya as the “Maria Callas of the ballet.” Unlike Callas, Plisetskaya has lived a long life, and by changing the direction of her career, has enjoyed a long professional life. Plisetskaya was instrumental in expanding the Bolshoi’s repertoire to include modern and experimental works, some of which are glimpsed in this video. 　　 　　With the exception of three works (the Bach Prélude, Saint-Saëns’s The Dying Swan, and Ravel’s Boléro), glimpses are all we get, leaving the viewer begging for more. The snippets from the full-length ballets, most filmed before an audience—a few on soundstages, reveal dancing on an extraordinary level. The film quality varies from acceptable to quite good; some segments are in black and white, others in color. The picture is full screen (NTSC 4: 3), and although the sound format is described as PCM stereo, many segments are monophonic. 　　 　　The second part of the DVD, titled “In Conversation,” is a lengthy (53 minutes) aural memoir by Ms. Plisetskaya and her husband, composer/conductor Rodion Shchedrin. Additional clips of her dancing are included, as well as a number of still photographs of events and people in her professional and personal lives. She and her husband tell of life in the Soviet Union, how she was stalked by the KGB, how her father was murdered and her mother imprisoned, and how she was denied an international career by the Soviet government. Shchedrin’s outpouring of devotion and affection for his wife is a touching finale to this very interesting interview. 　　 　　The two sections, the dance retrospective and the interview, are accessed separately from the main menu. The dance portion is divided into 12 chapters; the interview has 19 chapters. Subtitles for the interview are available in four languages (English, German, French and Spanish). Both parts are pleasures to watch. The film clips of her dancing, many of which are regrettably brief, allow us to glimpse her extraordinary talent; the conversation is interesting and it, too, leaves the viewer wishing for more. If you love ballet, spending two hours with Maya Plisetskaya is a valentine.

露丝（刘玉玲 饰）和丈夫克里斯（克里斯·苏利文 饰）带着儿子泰勒（艾迪·马代 饰）和女儿克洛伊（卡莉娜·梁 饰），一家四口一起搬进郊区一处新家。克洛伊因为失去挚友而陷入悲伤，同时又常因为和哥哥不合引发争执，加上妈妈对哥哥的偏爱，让她感到无依无靠。来到新家之后，她默默感受到这个家中， 似乎有股诡异的灵异力量存在，而这股力量从一开始就围绕在她身边，并逐渐转移至影响整个家庭，让这家人必须搞清楚，这股神秘力量究竟想要告诉他们什么。

露丝（刘玉玲 饰）和丈夫克里斯（克里斯·苏利文 饰）带着儿子泰勒（艾迪·马代 饰）和女儿克洛伊（卡莉娜·梁 饰），一家四口一起搬进郊区一处新家。克洛伊因为失去挚友而陷入悲伤，同时又常因为和哥哥不合引发争执，加上妈妈对哥哥的偏爱，让她感到无依无靠。来到新家之后，她默默感受到这个家中， 似乎有股诡异的灵异力量存在，而这股力量从一开始就围绕在她身边，并逐渐转移至影响整个家庭，让这家人必须搞清楚，这股神秘力量究竟想要告诉他们什么。

由《贝多芬病毒》的李才圭导演执导的60分钟广告片，原本只是通过网络公开，但高度的完成度让它得到了在影院上映的机会。影片由3个短片组成，讲述了一个横跨100年岁月的爱情故事。主人公李秉宪分饰三角，贯穿三个故事，韩彩英饰演的神秘女子则被关在巨型水槽内。一百年里，这对情侣只能隔着玻璃墙相望。

由《贝多芬病毒》的李才圭导演执导的60分钟广告片，原本只是通过网络公开，但高度的完成度让它得到了在影院上映的机会。影片由3个短片组成，讲述了一个横跨100年岁月的爱情故事。主人公李秉宪分饰三角，贯穿三个故事，韩彩英饰演的神秘女子则被关在巨型水槽内。一百年里，这对情侣只能隔着玻璃墙相望。

笃信风水命理的许文强年约30岁，自出娘胎便被述数师批命为克星，更因犯下了「残酷一钉」的诅咒，将于30岁便走到生命的大限。 当大限将至走投无路之时，误打误撞来到博览馆工作，可惜博览馆亦因游客越来越少，面临倒闭的危机，又是死路一条，文强绝望失意之时，竟遇上一神秘人(上帝)，同时博览馆内的历史人物亦神迹地翻生，文强心生一计，将他们组成一队奇兵令博览馆声名大躁，重拾光芒。 正以为命运可以从此改写之际，宿命的威胁又再次临到文强与一班奇兵当中，究竟死亡的大限以及「残酷一钉」的诅咒，又能否被解开。 在展馆内，文强与一众历史人物，会经历一场怎样的冒险旅程？他们又能否找到真正命运的主人?

笃信风水命理的许文强年约30岁，自出娘胎便被述数师批命为克星，更因犯下了「残酷一钉」的诅咒，将于30岁便走到生命的大限。 当大限将至走投无路之时，误打误撞来到博览馆工作，可惜博览馆亦因游客越来越少，面临倒闭的危机，又是死路一条，文强绝望失意之时，竟遇上一神秘人(上帝)，同时博览馆内的历史人物亦神迹地翻生，文强心生一计，将他们组成一队奇兵令博览馆声名大躁，重拾光芒。 正以为命运可以从此改写之际，宿命的威胁又再次临到文强与一班奇兵当中，究竟死亡的大限以及「残酷一钉」的诅咒，又能否被解开。 在展馆内，文强与一众历史人物，会经历一场怎样的冒险旅程？他们又能否找到真正命运的主人?

麦迪森（安娜贝拉·沃丽丝 Annabelle Wallis 饰）在梦中不断看到恐怖谋杀案现场的幻象，而这些幻象实际上是真实发生过的凶案，她决定挖掘真相和自己的过去，却发现这一切与一位名叫“盖博瑞”的魔鬼有关。