A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon. 　　----- 　　Contemporary movie making at its best is made by sequential IRL images, whose raw presence has become a pivotal element in the progressive affirmation of a saturated account of what reality means. Captured moving images have being progressively contaminated by post-production and CGI detailing making “movies” ever close to a pure engineering process. 　　The advent of CGI imaging technologies directly flooded traditional filmmaking out of blockbuster revenues provided by studios animation productions, diluting purely digitally-achieved fantasies and transforming them in a chemically induced perfection filter applied to almost everything. 　　With Fantasmagorie (1908) Èmile Cohl introduced animation as a wandering initiative, in which space browsing and encountering objects were the main task a protagonist was subject to. An innocuos stylized man that preceded, and in a way determined, pre-rendering structures of animated characters. Bébé Colère is the last investigation by Caroline Poggi and Jonathan Vinel of media structures in contemporary cinema. A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.

A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon. 　　----- 　　Contemporary movie making at its best is made by sequential IRL images, whose raw presence has become a pivotal element in the progressive affirmation of a saturated account of what reality means. Captured moving images have being progressively contaminated by post-production and CGI detailing making “movies” ever close to a pure engineering process. 　　The advent of CGI imaging technologies directly flooded traditional filmmaking out of blockbuster revenues provided by studios animation productions, diluting purely digitally-achieved fantasies and transforming them in a chemically induced perfection filter applied to almost everything. 　　With Fantasmagorie (1908) Èmile Cohl introduced animation as a wandering initiative, in which space browsing and encountering objects were the main task a protagonist was subject to. An innocuos stylized man that preceded, and in a way determined, pre-rendering structures of animated characters. Bébé Colère is the last investigation by Caroline Poggi and Jonathan Vinel of media structures in contemporary cinema. A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.

北京电影学院2014届毕业联合作业。编导：张梦楚，摄影：钱禹澎、杜金穗，美术：朱晓东，录音：乌力吉，制片主任：李天然。 　　黑车司机不小心在路上撞伤一位带着婴儿的女人，惊慌之下他将婴儿抱走，然而回到家之后才发现不知该如何处理这个婴儿。而此时广播中又传来寻找婴儿的新闻，司机惊慌之下决定把婴儿抛弃，却又三番两次把婴儿捡了回来……

婴儿从哇哇落地那一刻起，整个世界便仿佛一个有待探索的宝藏，同时也是感官的游乐场。不论是学会辨认人脸的特征或是被各种声音逗得呵呵笑，婴儿无时无刻不在学习新知。Discovery频道推出系列《婴儿的成长》，继续带领观众探索婴儿奇妙的世界，以及他们从出生到两岁大的成长过程。每集一小时的节目中都将详尽介绍婴儿成长的重要领域：情感的发展、社会化过程与了解他人。 　　在每集节目中，观众将跟随着婴儿的发展过程，看他们如何将各种技巧逐渐变得熟练。节目中将探讨传统及最新的婴儿发展理论，而北美和欧洲的科学家则将进行突破性的实验，并且将他们的婴儿行为实验室公开由Discovery频道进行拍摄。 　　【蹒跚学步】To Walk 　　【认知思考】To Think 　　【牙牙学语】To Talk 　　【感情的启发】To Feel 　　【感情的归属】To Belong 　　【感情的交流】To Relate

婴儿从哇哇落地那一刻起，整个世界便仿佛一个有待探索的宝藏，同时也是感官的游乐场。不论是学会辨认人脸的特征或是被各种声音逗得呵呵笑，婴儿无时无刻不在学习新知。Discovery频道推出系列《婴儿的成长》，继续带领观众探索婴儿奇妙的世界，以及他们从出生到两岁大的成长过程。每集一小时的节目中都将详尽介绍婴儿成长的重要领域：情感的发展、社会化过程与了解他人。 　　在每集节目中，观众将跟随着婴儿的发展过程，看他们如何将各种技巧逐渐变得熟练。节目中将探讨传统及最新的婴儿发展理论，而北美和欧洲的科学家则将进行突破性的实验，并且将他们的婴儿行为实验室公开由Discovery频道进行拍摄。 　　【蹒跚学步】To Walk 　　【认知思考】To Think 　　【牙牙学语】To Talk 　　【感情的启发】To Feel 　　【感情的归属】To Belong 　　【感情的交流】To Relate

在印度农村的一个火车站，一对兄弟目睹了一名贫困母亲的孩子被绑架。其中一位受道德责任的指引，说服另一位去帮助这位母亲，并加入了寻找孩子的危险调查。

An Over-Incubated Baby (AKA: The Wonderful Baby Incubator) is a 1901 British short silent comedy film, directed by Walter R. Booth, featuring a woman who gets an unpleasant surprise after placing her baby in Professor Bakem's baby incubator for 12 months growth in one hour. The film is, "one of the most original of the trick films made by W.R. Booth and R.W. Paul in 1901," and according to Michael Brooke of BFI Screenonline, "one of the less elaborate films made by Booth and Paul that year," "though the concept itself is so imaginative that it arguably didn't need any more than basic jump-cut transformations."

故事围绕上世纪50年代美国一名犹太裔男青年马科斯·梅思纳的苦闷与彷徨展开。

马库斯·梅斯纳是一名性格内向、学习成绩优异的大学新生，他为终于能摆脱因为担心他安全而唠叨不断的父母感到轻松。马库斯在图书馆学习时邂逅了美丽的女学生奥利维亚·赫顿，两人很快便陷入爱河。因与室友发生口角，马库斯搬到学校另外一间宿舍，但却因此被校长训导了一番。校长认为马库斯存在社交问题，并试图就学校中的很多问题说服他屈从，但马库斯坚持己见，与校长据理力争，突发阑尾炎住进医院。入院后的马库斯因为奥利维亚的频频探望感到十分快乐幸福，并畅想着与她未来的生活。听闻他生病的消息，马库斯的母亲匆匆赶来，在发现奥利维亚手腕上因自杀导致的伤痕后要求二人分手。奥利维亚消失了，马库斯找到校长才得知有精神病史的奥利维亚再次精神崩溃被送去医院治疗。面对父母神经质般的过度担忧、学校教条的教育方式、爱人的离开，年轻的马库斯内心压抑的情绪爆发，他走向了硝烟弥漫的战场。 　　影片改编自菲利普·罗斯2008年出版的同名小说。

《愤怒》的故事背景是竞争激烈的时尚业，发生在曼哈顿闹市一家时装商店的谋杀案牵扯出这个行业中千丝万缕的人际关系和恩怨情仇，似乎其中的每一个人都是时尚的名义下光鲜的统领者，每一个人又都是时尚的虚荣中隐身的受害者。