影片聚焦一个处于崩溃边缘的男人度过疯狂的一天，他的女儿给予他无条件的爱，帮助他平复心态。巴登和海耶克饰演青梅竹马的恋人/夫妻，范宁饰演他们的女儿。

影片聚焦一个处于崩溃边缘的男人度过疯狂的一天，他的女儿给予他无条件的爱，帮助他平复心态。巴登和海耶克饰演青梅竹马的恋人/夫妻，范宁饰演他们的女儿。

Uncertain what to say, the priest who has come to visit clasps the grieving mother's hands. When she closes her eyes, she sees her young son settling the baby into the bathtub, as the water is running. And then the water is everywhere. - A cancer patient grown mad at God; a Ku Klux Klansman seeking redemption; an elderly woman who was never not in love; an inmate who's been waiting weeks in his cell for a letter; the mother blamed for her baby's death. Unscripted, shaped from a dozen life stories, both documentary and fiction, Thy Kingdom Come reveals life in a small mid-America town as alternately precious and harsh, wanting and hopeful.

小路自出生以来便不与人交谈，饱受众人与同学的不解，生活里矛盾接连不断。最终父亲也因此逃离，而母亲选择与他一起走向未来…

小路自出生以来便不与人交谈，饱受众人与同学的不解，生活里矛盾接连不断。最终父亲也因此逃离，而母亲选择与他一起走向未来…

这部纪录片讲述了两位韩国性少数人士的母亲为争取性少数平等权益而做出的抗争和她们理解孩子的心路历程：当Nabi的孩子Hankyeol向她出柜为非二元性别的跨儿（以及一名践行多角关系的无性恋者），Nabi试图理解孩子的身份以及ta面对的困难；Vivian的儿子Yejoon向她出柜为男同性恋之后，她从不知所措到逐渐接纳儿子的性取向，并最终决定以自己的实际行动去支持他，让更多拥有类似经历的人生活在一个更包容的社会。

A short documentary on the first term of President Barack Obama's administration. 　　对奥巴马的总统的第一个任期进行了总结

A short documentary on the first term of President Barack Obama's administration. 　　对奥巴马的总统的第一个任期进行了总结

The Way We Get By by Aron Gaudet (2009, 84 min.). A seemingly idiosyncratic story about "troop greeters"—senior citizens who gather daily at a small airport to thank American soldiers departing and returning from Iraq—the film quickly turns into an unsettling and compassionate story about aging, war, and morality. When the three greeters aren't at the airport, they wrestle with their own problems: failing health, depression, and mounting debt. Seeking telling details rather than sweeping generalizations, the film carefully builds stories of heartbreak and redemption.

The Way We Get By by Aron Gaudet (2009, 84 min.). A seemingly idiosyncratic story about "troop greeters"—senior citizens who gather daily at a small airport to thank American soldiers departing and returning from Iraq—the film quickly turns into an unsettling and compassionate story about aging, war, and morality. When the three greeters aren't at the airport, they wrestle with their own problems: failing health, depression, and mounting debt. Seeking telling details rather than sweeping generalizations, the film carefully builds stories of heartbreak and redemption.