明明遮断机已经放下，车辆却依然冲了进去的事故现场进行采访时，恐怖的幽灵袭来了。河川因洪水泛滥，有几个人依然下落不明。当在那里进行采访时，果然工作人员也面临了危险！

孤独死や無縁死への補助金を利用した悪徳業者に霊障が「納骨業者」、コスプレ好きの女の子の身に起こった戦慄の事件「兄妹愛憎中継」、毎日の路上での勧誘にキレ、カメラを持って迫ると霊が「路上勧誘キック」、凄惨な事件現場に謎の…「ホームレス殺人現場」ほか衝撃的な日常の裏側に映った投稿心霊映像を収録

生命は、進化する。衝撃なラストは内緒にしてください。 　　『ゴーストパイターズ』『呪いの黙示録』のウンノヨウジ監督が送る新しいゾンビ映画。

A young woman returns to the site of her broken engagement, Newport's Valley, a sleepy tourist town with an all-consuming secret.

生命は、進化する。衝撃なラストは内緒にしてください。 　　『ゴーストパイターズ』『呪いの黙示録』のウンノヨウジ監督が送る新しいゾンビ映画。

「ゴーストパイターズ」「呪いの黙示録」のウンノヨウジ監督が放つ新しいゾンビ映画。空から降ってきた液体。それを浴びてゾンビ化する人々、街にあふれる死者たち。そして15年後、大人になった湖古子は山奥で一人生きていた。そこに男が加わり生活が少しずつ変わっていくのだった。

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

Jean-Luc Godard did not attend the world premiere of his new film, ADIEU AU LANGAGE (GOODBYE TO LANGUAGE), at Cannes. But instead, he sent a letter in motion to Gilles Jacob and Thierry Fremaux, the directors of the Festival. 　　Made public the 21/05/2014.

After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’s new friend removes his hood – and reveals that he is her husband Georg... 　　Das Wandernde Bild marked the beginning of the fruitful collaboration of director Fritz Lang with writer Thea von Harbou. They married in 1922 and the couple would become the creative force behind some of the greatest German films of the pre-WWII era, works such as Dr. Mabuse, der Spieler (1922), Metropolis (1927) and M (1931). 　　Until quite recently, Das Wandernde Bild was thought to have been lost, the fate suffered by the majority of films made in the silent era. Fortunately, an incomplete print surfaced in Brazil and the film was partially restored in the late 1980s. Around a third of the film is missing, along with the script and inter-titles. Despite this, the restored film is surprisingly coherent and the lacuna are hardly noticed. 　　Das Wandernde Bild may not be Lang at his best (its main weaknesses being its slightly ludicrous plot and some embarrassing Perils of Pauline moments), but it amply demonstrates the director’s mastery of technique and flair for expression through the silent image. The film is most memorable for its beautifully realised location sequences, which appear to show the influence of Lang’s contemporaries, notably D.W. Griffith. (© James Travers 2009 )

这是一部关于美国国会图书馆的纪录片，从1989年起，美国国会图书馆每年都会选取25部电影归档保存，它们并非一定要是最好的作品，而是要能够广泛代表美国文化，体现美国电影的整体水平，展现美国波澜壮阔的历史进程。众多电影人讲叙那些电影被选取的原因和独特之处，又一部关于迷影文化的纪录片。