武功高强、嫉恶如仇的大侠青衫客游走江湖，惩恶扬善。青衫客受人误导，误认新上任的县令李榜甲是贪官，要将其刺杀，多亏县城内的富商叶万均之女叶清妍相救，县令李榜甲才得脱一死。叶万均与城内另一富商曾延龄误以为青衫客是江湖上盛传的皇帝派出的钦差大臣，百般献媚，更欲借青衫客之手除掉李榜甲，一时间县内冤狱横出、私盐变银、绑架捕快等各种怪事发生，使一直在暗中监视李的青衫客也大惑不解，发誓要查明真相…

傅义（葛香亭饰）是公司总经理，为人傲慢，对员工不是打就是骂，但董事会不敢开除傅义，准许他回家休养。郑耀发（梁修身饰）是傅的下属，在傅的家里做些打杂的工作，郑想给自己放个假，就把乡下的妹妹阿薇（汤兰花饰）叫了过来，郑对自己的妹妹也是打骂毫不手软。总经理活了半百，家里都没有一个至亲相伴，年轻漂亮的阿薇一下就进入总经理的眼里，对阿薇是百依百顺。堂堂的总经理也做起家务活，被阿薇骂了还不敢反嘴，着实感受到了女性的伟大。本片的几首曲子由陈盈洁，蒋光超主唱。

An uptight advertising exec has his entire life in a filofax organizer which mistakenly ends up in the hands of a friendly convict who poses as him.

年逾古稀的阿兹海默老人某天误坐上一辆非正常接单“网约车”，在走马灯里陆续拼车四位邻座乘客，熟悉隐秘揭开于陌生下。

冰球是令加拿大举国疯狂的体育项目，电视上，多伦多与蒙特利尔两地的评论员唇枪舌剑，电视前，分处两地的警员马丁（Colm Feore 饰）与大卫（Patrick Huard 饰）却同样面对和子女沟通的障碍。一起发生在州界上的凶杀案让两人走到了一起，但法语区和英语区的差异为他们貌合神离的合作增加了不少佐料。以死者身上的纹身以及现场的直升机为线索，两人逐渐接近事情的真相，但那位纹身杀人狂的动作始终快他们一步，甚至在电视节目中直接向二人挑衅。在办案过程中，马丁和大卫求同存异增进了了解，幕后那位视出卖球队为叛国行为的狂热冰球爱好者也浮出了水面…… 　　本片获2007年加拿大吉尼奖最佳动作电影、最佳全片配乐奖，加拿大喜剧电影节最佳剧本奖。2008年朱特奖最佳国际动作电影、剪辑奖。

Lou和Henry是太平洋西北地区一个小警队中的姐弟侦探组合，他们必须面对各式各样的居民、严重缺乏的资源，以及二人彼此之间、二人与警局局长Big Hank之间非常复杂的关系，而Hank恰好是他们的父亲。

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. 　　At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. 　　One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. 　　At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. 　　One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.

Charlie is released from prison and immediately swindled by a fake parson. A fellow ex-convict convinces Charlie to help burglarize a house, but Edna, the house's owner, catches them and calls the police. Charlie, however, manages to charm his way out of trouble .... at least for the moment.