本片改编自查兰·辛格·帕提克的短篇小说《多贝宁》，该片讲述了两个长期不和的姐妹在婚姻破裂后才意识到彼此关系本质的故事。

Min-seok is captivated by Na-ri's beauty when they met by chance on the street. The new house in front is noisy and as he knocks on the door, Na-ri and Yeong-hee appears from within. Min-seok drinks with these two sister neighbors. Min-seok spends the night with Yeong-hee while drinking. Na-ri beings to misunderstand these two people and Min-seok confesses his feelings to Na-ri. However, relationship between Jae-hyeon and Na-ri is not serious. Can Min-seok find love?

我坐车时不幸遭遇严重事故，身上受了伤，我妈特地从县城坐车赶来医院看我刚下车，她就给我发了张照片，还附了消息，儿子，妈买了你最爱的酱牛肉，这就来看你。可当我点开照片的瞬间，却眉头瞬间皱紧。照片的一角竟有个四脚着地的诡异人影，姿势怪的像一只巨大的蜘蛛。我心头一紧，立刻给我妈发消息，妈，记住，人的五官是不会随便变的。还有他追来了

In 2018, artist and filmmaker Janaína Nagata bought an old reel for a 16mm projector online. It turned out to contain a vacation film of a couple and their young daughter in South Africa. The movie included scenes of a safari in Kruger Park, rickshaw drivers dressed in “traditional” costume in Durban, Bantu women in the parched countryside, and white women amusing themselves at a swimming pool. 　　Private Footage starts with the vacation film; then Nagata uses open sources on the Internet (Google, YouTube, etc.) to find the other reality, the one not shown in the film. Using split screen, she presents fragments from the vacation movie on one side and her research findings on the other. In the course of this fascinating documentary she completely deconstructs the vacation footage, pretty much shot by shot. 　　The apparently innocent images conceal the appalling apartheid system; meanwhile its architect, Hendrik Verwoerd, can be seen enjoying dinner with fellow members of the white elite. The jarring, dissonant soundtrack intensifies the queasy atmosphere and the sense that there is something fundamentally wrong with the scenes from this vacation.

In 2018, artist and filmmaker Janaína Nagata bought an old reel for a 16mm projector online. It turned out to contain a vacation film of a couple and their young daughter in South Africa. The movie included scenes of a safari in Kruger Park, rickshaw drivers dressed in “traditional” costume in Durban, Bantu women in the parched countryside, and white women amusing themselves at a swimming pool. 　　Private Footage starts with the vacation film; then Nagata uses open sources on the Internet (Google, YouTube, etc.) to find the other reality, the one not shown in the film. Using split screen, she presents fragments from the vacation movie on one side and her research findings on the other. In the course of this fascinating documentary she completely deconstructs the vacation footage, pretty much shot by shot. 　　The apparently innocent images conceal the appalling apartheid system; meanwhile its architect, Hendrik Verwoerd, can be seen enjoying dinner with fellow members of the white elite. The jarring, dissonant soundtrack intensifies the queasy atmosphere and the sense that there is something fundamentally wrong with the scenes from this vacation.

能登半島の青蛾小学校の教員笠原が観音崖の上から遂落死を遂げたという、毎朝新聞地方版を読んだ記者の小宮は「極端な高所恐怖症だった笠原がなぜ危険な断崖の上を歩いたか」という疑問を持った。小宮は能登へ急行した。小宮は笠原夫妻とは学校友達であり、笠原の妻雪子の妹良子とも面識があった、笠原は事件のその日、猿谷郷に住む長期欠席児童宇田清の家庭訪問に行ったまま消息を断ったのだ。小宮は地方通信員坂根と協力、笠原の足取りを追った。その結果、笠原はその日、富山の薬売りと一緒に猿谷郷から山を下ったという情報から、その薬売りは松本貞次郎という名で、もう一人の連れの男と東京へ発ったことも分った。また、宇田清の叔父甚平の身元調査をしている、興信所の井関と名乗るえたいの知れない男の動きも知った。小宮は東京へ帰り、デスクと緊密な連絡をとりながら、井関、宇田甚平の身辺調査にあたった。井関の住所はでたらめであったが、その名刺のビルには最近、六千万円の手形詐欺の事件があったビルで、その取引きを仲介したのが宇田甚平であった。毎朝新聞社会部はこれを知って総力をあげた。薬売りの松本は手形詐欺の野見山で、その秘書役をやったのが杉山怜子らしいと毎朝新聞では仮説をたてた。ちょう度、その頃、松本が宇田建設の工事場でコンクリートの下敷きになって死亡するという事件がおきた、詐欺にあった石田社長は、その死体をみて野見山と名乗った男に間違いないと証言した。その頃、坂根は猿谷郷に出かけ宇田本家を張った。宇田の土蔵には、もと国務大臣の豪田が秘書と共にかくれていた。坂根は急拠山を下り、本社に通報した。これで事件の全貌が割れた、裸一貫で国を飛びだした甚平は、豪田に拾われ宇田建設の社長にまでなった。国務大臣をやめた豪田は密輸に関係、身辺が危くなって国外脱出を図った。その資金稼ぎが、六千万円の手形詐欺なのだ。笠原は清を家庭訪問の際に、土蔵にかくれて船を待つ豪田の姿をみたのだった、司直の手は、猿谷郷に向った。...

NHK的第94部晨间剧。小桥常子（高畑充希饰）是家中长女，凡事充满好奇心，大胆又富有行动力。她与爱家明理的父亲（西岛秀俊饰）、温柔贤淑的母亲（木村多江饰）以及两个妹妹，一家五口和乐融融、过着无忧无虑的生活。没想到在她11岁时，父亲突然因病去世，临终前交代常子要姊代父职。身为家中大姊，常子从此成为一家之主，担负起照顾母亲和两个妹妹的重任。为求三餐温饱，她们寄人篱下。常子更四处打工、吃尽苦头，全都为了守护这个家！在战后经济起飞的年代，她不但坚强撑起家庭的希望，更创办了知名女性杂志，成为新时代女性的典范。

철없는 놀기 좋아하는 영지. 항상 엄마에게는 구박덩이다. 하지만 옆집에 사는 학수에게는 여신으로만 보이는데 학수는 항상 영지를 지켜보고 그런 영지가 부모님이 외국간 사이에 폰섹스 알바를 하고 있다는걸 알게된 학수는 알바하는 모습을 촬영해 영지와 어떻게든 자보고 싶어 계획은 세우는데

철없는 놀기 좋아하는 영지. 항상 엄마에게는 구박덩이다. 하지만 옆집에 사는 학수에게는 여신으로만 보이는데 학수는 항상 영지를 지켜보고 그런 영지가 부모님이 외국간 사이에 폰섹스 알바를 하고 있다는걸 알게된 학수는 알바하는 모습을 촬영해 영지와 어떻게든 자보고 싶어 계획은 세우는데