日本投降后，内战一触即发。 由刘振和带领的骑兵团正在与敌人展开着激 烈的战斗，即将消灭敌人并击杀敌军师长之时， 国军旅长赵晋鹏回防，救走了敌师长，刘振和只 有带领部队先行撤退。 　　在敌军军力和物资极大于我军之际，王啸志 等人打算用火攻的方法，分割开敌人并一一击灭 敌人。在布置好战场的同时，成功引诱了敌人与 敌人展开了殊死的搏斗。 　　最终成功的占领了敌军师部，成功的剿灭了 所有的敌人。 中国人民解放军骑兵独立团升级成为中国人 民解放军骑兵第一师并奉命参加开国大典阅兵 式。

1942年，日寇对我大青山抗日游击根据地发动了前所未有的“大扫荡”。刘振和带领的骑兵部队奉命阻击敌人，掩护大部队撤退。日军集结优势兵力，飞机大炮连…

《一师亦友》节目是北京广播电视台推出的一档时代人物成长访谈节目。节目由主持人聂一菁对话教科文领军者与成功人士，以嘉宾的成长故事为核心主线，输出闪光的人生智慧，传递温暖的人生态度，达到启迪人生的目的。

上海电影译制厂1986年译制 　　翻 译：肖章 　　译制导演：伍经纬 　　主要配音演员：尚华，盖文源，翁振新，童自荣，于鼎，杨成纯，戴学庐，任伟，程玉珠，杨文元，王建新，程晓桦等 　　【剧情简介】影片取材于前苏联内战时期的一个历史片段。第一骑兵军面对数倍于己的敌军，在处于劣势的情形 下，急需一场胜利来鼓舞士气，扭转战局。军长布琼尼，一个目光深邃，留着一束哥萨克式浓密山羊胡的汉子，抵制了苏维埃最高军事委员会特派员叶戈罗夫（苏俄领导人之一，后死于肃反）所代表的悲观情绪和撤退的命令，决定倾全力给予骄横的敌军以致命的一击。他的决定得到了政委伏罗希洛夫及各师指挥员的拥护。于是，一张伏击和突袭敌军的大网在一个阴雨绵绵的夜晚展开了。影片的上半部分集中描写大战前的不眠之夜，不同的人物对于即将到来的这场残酷大战的不同心态。淅沥不断的雨水，泥泞的道路，昏暗的灯光，军指挥所紧闭的门（军事会议在连夜进行，激烈的争论还在继续），士兵期待的目光，将大战前的紧张、压抑的气氛充分传递给了观众。直到凌晨指挥所的大门打开，布琼尼在众人簇拥下来到等待已久的士兵们面前，象征危机已化解,新的军事领导权已确立,骑兵军将得到挽救,士兵们激动的眼神和欢呼的场面交替展现，影片开始以来的压抑、沉闷、灰暗的基调才一扫而光，胜利的希望随着大雨的停止、天色的渐明而到来。在雾气弥漫的清晨，远处传来敌军马匹嘶鸣和渐渐进逼的辎重行进声，树林中、山凹里静静等待的红军战士急迫的眼神，战马在不安地抖动鬃毛。直到大雾渐渐消散，广阔的草原上两个骑兵阵营遥遥相对，一边是身着笔挺军装，装备齐全、趾高气扬的白色哥萨克，另一边是衣衫混杂，装备简陋但士气高昂的红色哥萨克。颇具戏剧性的是双方士兵都从对方的阵中发现了自己的老乡。白军首先打破了对峙。一名头戴黑毡帽，身披黑斗篷，毫不将对手放在眼里的白军军官一马当先，挥刀挑衅性地向红军阵前冲来。一时间红军官兵似乎被对手的气势所压倒，竟无人出马迎战。一位师长的脸上甚至紧张得渗出了汗珠。敌官在迅速迫近。只见红军阵旁有一骑冲出，迎面直取对手。两马在疾驰中相交，只见刀光一闪，一声闷响，敌官已仰面倒下，被战马拖带着从红军阵前掠过。这一切发生得那样突然,所有人直到此时才反应过来。当红军士兵认出这个率先杀敌的骑士时，顿时沸腾了。“军长！是军长！”自豪写满了战士年轻的脸，军帽纷纷抛向空中。军长布琼尼身先士卒手刃劲敌极大地鼓舞了红军的士气，没等指挥员下令，所有战骑已随军长呼啸着冲向敌阵。 　　 　　http://peiyin.com/bbs/read.php?tid=91927

上海电影译制厂1986年译制 　　翻 译：肖章 　　译制导演：伍经纬 　　主要配音演员：尚华，盖文源，翁振新，童自荣，于鼎，杨成纯，戴学庐，任伟，程玉珠，杨文元，王建新，程晓桦等 　　【剧情简介】影片取材于前苏联内战时期的一个历史片段。第一骑兵军面对数倍于己的敌军，在处于劣势的情形 下，急需一场胜利来鼓舞士气，扭转战局。军长布琼尼，一个目光深邃，留着一束哥萨克式浓密山羊胡的汉子，抵制了苏维埃最高军事委员会特派员叶戈罗夫（苏俄领导人之一，后死于肃反）所代表的悲观情绪和撤退的命令，决定倾全力给予骄横的敌军以致命的一击。他的决定得到了政委伏罗希洛夫及各师指挥员的拥护。于是，一张伏击和突袭敌军的大网在一个阴雨绵绵的夜晚展开了。影片的上半部分集中描写大战前的不眠之夜，不同的人物对于即将到来的这场残酷大战的不同心态。淅沥不断的雨水，泥泞的道路，昏暗的灯光，军指挥所紧闭的门（军事会议在连夜进行，激烈的争论还在继续），士兵期待的目光，将大战前的紧张、压抑的气氛充分传递给了观众。直到凌晨指挥所的大门打开，布琼尼在众人簇拥下来到等待已久的士兵们面前，象征危机已化解,新的军事领导权已确立,骑兵军将得到挽救,士兵们激动的眼神和欢呼的场面交替展现，影片开始以来的压抑、沉闷、灰暗的基调才一扫而光，胜利的希望随着大雨的停止、天色的渐明而到来。在雾气弥漫的清晨，远处传来敌军马匹嘶鸣和渐渐进逼的辎重行进声，树林中、山凹里静静等待的红军战士急迫的眼神，战马在不安地抖动鬃毛。直到大雾渐渐消散，广阔的草原上两个骑兵阵营遥遥相对，一边是身着笔挺军装，装备齐全、趾高气扬的白色哥萨克，另一边是衣衫混杂，装备简陋但士气高昂的红色哥萨克。颇具戏剧性的是双方士兵都从对方的阵中发现了自己的老乡。白军首先打破了对峙。一名头戴黑毡帽，身披黑斗篷，毫不将对手放在眼里的白军军官一马当先，挥刀挑衅性地向红军阵前冲来。一时间红军官兵似乎被对手的气势所压倒，竟无人出马迎战。一位师长的脸上甚至紧张得渗出了汗珠。敌官在迅速迫近。只见红军阵旁有一骑冲出，迎面直取对手。两马在疾驰中相交，只见刀光一闪，一声闷响，敌官已仰面倒下，被战马拖带着从红军阵前掠过。这一切发生得那样突然,所有人直到此时才反应过来。当红军士兵认出这个率先杀敌的骑士时，顿时沸腾了。“军长！是军长！”自豪写满了战士年轻的脸，军帽纷纷抛向空中。军长布琼尼身先士卒手刃劲敌极大地鼓舞了红军的士气，没等指挥员下令，所有战骑已随军长呼啸着冲向敌阵。 　　 　　http://peiyin.com/bbs/read.php?tid=91927

1945年浙江抗战背景中，爱国商人之女韩婉宁(代号"409"共产党员)假借招婿化解家族危机，引来中统特工顾烨廷伪装入赘。二人从对立到相爱，携手对抗日寇山本次郎、汪伪特务苏志成及内奸戴秉(顾烨廷养父，勾结日军害死其生父)。在营救将领之女、夺药、窃取敌特名单等任务中，顾烨廷逐渐认清国民党腐败本质倒向共产党。最终戴秉与苏志成同归于尽，山一本被歼。抗战胜利后，顾烨廷潜伏战线，韩婉宁投身重建，人约定共建学堂迎接新生。

《纸骑兵》是一次文艺和商业结合的探索，根据苏童小说《骑兵》和《纸》改编。贫穷的罗圈腿少年左林有个小小的梦想，骑着马在城市最繁华的地方走一下：忧伤的木马骑兵、快乐的斑马骑兵、凄凉悲怆的铁骑兵、灿烂千阳的纸骑兵融为一体，构成了好看的故事和宏大叙事。表面上用了一个通俗套路：富二代阿正想打败左林赢得他的友谊，青青帮男友骗左林却爱上了他。

This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see.

《纸骑兵》是一次文艺和商业结合的探索，根据苏童小说《骑兵》和《纸》改编。贫穷的罗圈腿少年左林有个小小的梦想，骑着马在城市最繁华的地方走一下：忧伤的木马骑兵、快乐的斑马骑兵、凄凉悲怆的铁骑兵、灿烂千阳的纸骑兵融为一体，构成了好看的故事和宏大叙事。表面上用了一个通俗套路：富二代阿正想打败左林赢得他的友谊，青青帮男友骗左林却爱上了他。

This charming film is practically unknown, but it is one of Klein-Rogge's best performances, as he plays a romantic lead with a dash of villainy. Klein-Rogge is the feared Master who lives in a bleak castle on top of a mountain, and the villagers in the valley below dread his ill-omened arrival at every wedding. The story concerns one couple who marries despite the master's baleful influence, only to have him crash their wedding party and bring about the death of the bride. The bride's sister, seeking revenge, tries to kill the Master but instead they fall in love, as she realizes that he is not really evil, but blighted by a loveless existence. Their love is ill-starred, however, as the Master kills an insolent guest at their wedding who takes liberties with his bride, and this is followed by a peasants' revolt, where the castle is stormed and the Master captured. In the end, the lovers escape, but their love is finally doomed. The year before this film, Klein-Rogge had his great triumph as the evil Dr. Mabuse in Fritz Lang's 'Dr. Mabuse, Der Spieler', and his most memorable roles have been as villains. This movie demonstrates what a really wide range he had as an actor - he starts off with his very characteristic glowering villain, but once the girl enters his life he demonstrates both joy and tenderness, as well as grief and pain when he thinks he has lost everything. I don't know if such an obscure film could be a candidate for restoration, but it would be a worthy project, as the sets, costumes and many of the performances are as classic examples of expressionism as one could hope to see.