秦家二小姐秦琳儿因长相丑陋备受屈辱，自杀未遂的她遇上灵境下凡，逆天改命变成美人。正遇皇上微服私访，秦琳儿利用灵境帮助了遇困的皇上，皇上便爱上了她，并将她接入宫中。二人本该开启幸福生活，却在秦家大小姐秦玉娇和灵境的阻拦下面临重重困境，秦琳儿和皇上能否一同战胜困难？

秦家二小姐秦琳儿因长相丑陋备受屈辱，自杀未遂的她遇上灵境下凡，逆天改命变成美人。正遇皇上微服私访，秦琳儿利用灵境帮助了遇困的皇上，皇上便爱上了她，并将她接入宫中。二人本该开启幸福生活，却在秦家大小姐秦玉娇和灵境的阻拦下面临重重困境，秦琳儿和皇上能否一同战胜困难？

1914年，查理·卓别林最早出演的几部影片之一。描写一对酒鬼邻居和他们的妻子之间的闹剧。

1914年，查理·卓别林最早出演的几部影片之一。描写一对酒鬼邻居和他们的妻子之间的闹剧。

纸片人大佬竟从书中出来报复我！钢铁直女、神经大条的淮阳郡主鹿灵，一夕遭到笔下主角谢鉴心的追杀。原因竟是：强迫他与别人谈恋爱？！为了苟住小命，鹿灵软硬兼施：我们签订契约吧！本少女一辈子都为你的幸福负责！你不从也得从。谢鉴心是书里的冷面杀手，然而在相处中鹿灵渐渐发现他傲娇、纯情的柔软一面。两人在磨难中相知，互生好感。只是横亘在他们之间的巨大沟壑仍无法避免：一个纸片人，一个人类少女。风沙一般的画中界，轻而易举就坍塌。为了重塑消失的画中界，二人携手寻找传说中的山海社稷图碎片：百年狐妖为爱牺牲、无情道观的不伦之恋、迷失的双面魅魔……他们发现了更大的世界，也成就了彼此！

漫画家袁七柚意外绑定自创漫画的恋爱系统，未完成任务将变纸片人困于漫画中。她在系统指挥下攻略游戏大佬荣奕，闹出诸多乌龙成欢喜冤家，还发现荣奕是她的 “男友粉” 却不知其身份而毒舌傲娇。相处中两人双向动心，袁七柚真心爱上荣奕，荣奕也偏爱真实的她，二人爱情事业双丰收，完成系统任务时遇突发状况，故事落幕。

该剧讲述了晓舞靠自己的能力艰难地活在大城市里，一夜之间莫名被总经理辞退，从此生活跌入谷底，也相继遇上了各种各样的奇葩事；不仅撞见相亲失败的总经理，莫名其妙发现身体里有另一个自己，隔三差五梦游吓人不说，还和总经理崔子卡开始了鸡飞狗跳的合租生活……

She purchased a ticket of no return to Berlin-Tegel. She wanted to forget her past, or rather to abandon it like a condemned house. She wanted to concentrate all her energies on one thing, something all her own. To follow her own destiny at last was her only desire. Berlin, a city in which she was a complete stranger, seemed just the place to indulge her passion undisturbed. Her passion was alcohol, she lived to drink and drank to live, the life of a drunkard. Her resolve to live out a narcissistic, pessimistic cult of solitude strengthened during her flight until it reached the level at which it could be lived. The time was ripe to put her plans into action. 　　The movement of transformation in this film has the opposite trajectory as the previous film Madame X. There women come from very specific backgrounds to journey into the unknown, here a woman without a name comes from an unknown place and engages in a most specific sight-seeing tour of Berlin based on her interest in alcoholic beverages. In a sense this project also represents the exploration of the unknown, and death and destruction await her equally at the end of each journey, that to the extreme outer regions of adventure as well as that of total narcissistic retreat into the self.

She purchased a ticket of no return to Berlin-Tegel. She wanted to forget her past, or rather to abandon it like a condemned house. She wanted to concentrate all her energies on one thing, something all her own. To follow her own destiny at last was her only desire. Berlin, a city in which she was a complete stranger, seemed just the place to indulge her passion undisturbed. Her passion was alcohol, she lived to drink and drank to live, the life of a drunkard. Her resolve to live out a narcissistic, pessimistic cult of solitude strengthened during her flight until it reached the level at which it could be lived. The time was ripe to put her plans into action. 　　The movement of transformation in this film has the opposite trajectory as the previous film Madame X. There women come from very specific backgrounds to journey into the unknown, here a woman without a name comes from an unknown place and engages in a most specific sight-seeing tour of Berlin based on her interest in alcoholic beverages. In a sense this project also represents the exploration of the unknown, and death and destruction await her equally at the end of each journey, that to the extreme outer regions of adventure as well as that of total narcissistic retreat into the self.

一个有自毁倾向的青少年被寄宿学校停学后回到家中，却发现他的奶奶住进来了，可他压根不晓得他还有个奶奶，这个从天而降的奶奶不仅酗酒成性精力旺盛能将他跟朋友都灌趴下，而且粗俗滑稽天不怕地不怕，甚至老来俏爱卖弄风骚，简直是奶奶中的极品，随之而来的是祖孙之间跨越代沟的搞笑却辛酸的友情故事……