The short story begins with the prologue: “I began seeing the creatures about a week before Zoe’s visit.” I don’t want to give too much of it away, but the story centers around a mother of a young daughter whose life unravels when she suffers unbearable migraines that cause her to hallucinate as she begins to see creatures. It is the template for a grounded sci-fi story about a mother forced to defend her family against a threat only she can see.

The short story begins with the prologue: “I began seeing the creatures about a week before Zoe’s visit.” I don’t want to give too much of it away, but the story centers around a mother of a young daughter whose life unravels when she suffers unbearable migraines that cause her to hallucinate as she begins to see creatures. It is the template for a grounded sci-fi story about a mother forced to defend her family against a threat only she can see.

方佳莹原本以为完美的两人世界，在与交往三年的杨大和分手之后全毁。分手的当下，大和表示自己渴望一个人的自由自在，佳莹不甘示弱逞强地表示自己也可以「一个人」。没有大吵大闹，也没有谁失去风度，但从分手的那一刻起，佳莹的人生变了。分手的这一年，佳莹过着自以为平静的生活，但同事张一瑞的眼中，她根本是在死撑。一瑞是佳莹在编辑部的同事，他看着佳莹这一年过的生活，决定和女友丁秀欢帮佳莹介绍恋爱对象，秀欢第一个就想到她的表哥丁志明，决定大力推荐给佳莹。但丁志明却是那种笃信「这个世界上没有谁一定要谁」、「一个人才是王道」的人，而这种人在佳莹眼里，叫做怪咖。

年轻的勒内·马格里特受邀参加了在英国一座奢华庄园举办的私人艺术展，他的生活由此改变，而庄园主人正是爱炫耀的詹姆斯勋爵。1936年，超现实主义在艺术界逐渐兴起。一同参展的客人有萨尔瓦多·达利、李·米勒、曼·雷和马克斯·恩斯特，他们都是即将享誉全球的艺术家。然而在一个狂欢夜过后，马格里特醒来发现自己躺在一具年轻女子的尸体旁，且对前一晚发生的事毫无记忆。随着越来越多的尸体出现，苏格兰场赶来封锁了庄园，马格里特必须揭开真相，还自己一个清白。一切真的如表面所见吗？

Coming from Belgium is This is not a Murder Mystery, a whodunit in genuine Agatha Christie style, but riddled with surrealist motifs and elements.

An illuminating – and extremely rare – documentary profile of one of the greatest filmmakers of our time, Béla Tarr. Filmed during the production of his final masterpiece, The Turin Horse, this film features clips, behind-the-scenes footage and interviews with longtime collaborators. 　　From December 2008 until June 2010, Béla Tarr gathered his “cinema family” near Budapest for his last film: The Turin Horse. This shooting family, which has been collaborating with Tarr for years or even decades, includes Tarr's wife/co-director/editor Agnes Hranitzky, cinematographer Fred Kelemen (himself a director of some renown), scriptwriter Laszlo Krasznahorkai, musician Mihaly Víg, composer Akosh Szelevenyi, and lead actors Janos Derzsi and Erika Bok. 　　Tarr Béla: I Used to Be a Filmmaker offers an in-depth window into Tarr’s on set process. While filmmaking is "a feudal system" and “there is no democracy in art” as Tarr declares, this film reveals collaboration is essential to the making of Tarr’s cinematic art. Granted all-access, French anthropologist/filmmaker Lamoure closely follows the construction of the main set, captures intimate exchanges between the director and his actors during rehearsals, and the orchestration of elaborate shots involving heavy equipment, but as the documentary also reveals, economic ingenuity. 　　Lamoure takes occasional detours to Budapest where he elicits revealing interviews from Bok, Vig and Derzsi, and also includes clips from Tarr's best-known previous productions, the 7-1/2 hour Sátántangó (1994) and Werckmeister Harmonies (2000), plus 8mm footage shot during the making of the former.

An illuminating – and extremely rare – documentary profile of one of the greatest filmmakers of our time, Béla Tarr. Filmed during the production of his final masterpiece, The Turin Horse, this film features clips, behind-the-scenes footage and interviews with longtime collaborators. 　　From December 2008 until June 2010, Béla Tarr gathered his “cinema family” near Budapest for his last film: The Turin Horse. This shooting family, which has been collaborating with Tarr for years or even decades, includes Tarr's wife/co-director/editor Agnes Hranitzky, cinematographer Fred Kelemen (himself a director of some renown), scriptwriter Laszlo Krasznahorkai, musician Mihaly Víg, composer Akosh Szelevenyi, and lead actors Janos Derzsi and Erika Bok. 　　Tarr Béla: I Used to Be a Filmmaker offers an in-depth window into Tarr’s on set process. While filmmaking is "a feudal system" and “there is no democracy in art” as Tarr declares, this film reveals collaboration is essential to the making of Tarr’s cinematic art. Granted all-access, French anthropologist/filmmaker Lamoure closely follows the construction of the main set, captures intimate exchanges between the director and his actors during rehearsals, and the orchestration of elaborate shots involving heavy equipment, but as the documentary also reveals, economic ingenuity. 　　Lamoure takes occasional detours to Budapest where he elicits revealing interviews from Bok, Vig and Derzsi, and also includes clips from Tarr's best-known previous productions, the 7-1/2 hour Sátántangó (1994) and Werckmeister Harmonies (2000), plus 8mm footage shot during the making of the former.

电影《你不是一个人》由青年导演钟青执导，演员石承镐、何紫妍、郭文颐、何圣菲、野泽实穗、陈艾熙、南苗、等人倾情献映。 　　该片主要讲述了一个从未谈过恋爱的城市宅男，与四个不同物品变身的女友之间发生的奇幻爱情故事。

该片主要讲述了一个从未谈过恋爱的城市宅男，与五个不同物品变身的女友之间发生的奇幻爱情故事。28岁的阿木由于单身，受到了世界的排挤。单身保险员安…

当清晨第一缕阳光照向这个城市，居住在这里的人们迎来了的新的一天。许许多多上班族独自居住，不过如果放在一个拟人化的社会，冷冰冰的世界似乎就多了几分温情。闹钟聒噪地响起，其实是有个人站在身边剧烈地晃动着铃铛。主人起床后，他洗漱收拾，有人用压力井送来水，有人用喷火装置加热面包。有人站在灯杆上操纵信号灯，有的人负责写下短信，甚至还有人驮着电车飞奔。当然忙乱之际，身边的小人难免出错，比如搞丢了主人的短信，写错了约会时间什么的。 　　不过这都不算什么，无乱何时，要相信你都不是一个人……