研究表明，上帝在造人的时候并没有偷懒，男女头脑的差异决定了他们行为上的区别。 　　本剧聚焦于两对情侣，在他们日常相处的点滴中折射出生活的种种问题，大到人生选择，小到生活细节。每一集都将以男女生两个不同视角进行呈现。 　　人生喜忧参半，我们进退两难，但爱是坚定答案。

研究表明，上帝在造人的时候并没有偷懒，男女头脑的差异决定了他们行为上的区别。 　　本剧聚焦于两对情侣，在他们日常相处的点滴中折射出生活的种种问题，大到人生选择，小到生活细节。每一集都将以男女生两个不同视角进行呈现。 　　人生喜忧参半，我们进退两难，但爱是坚定答案。

It follows a crew of fierce female convicts who break free and go on the run.

It follows a crew of fierce female convicts who break free and go on the run.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

暂无剧情简介

由梅丽莎·乔治、泰雅·迪格斯、大卫·哈伯、朱丽娅·斯蒂尔斯领衔主演的电影《我们之间》为我们讲述的是：四个曾经的老友在各自结婚后，作为两对夫妇再次相遇，发现各自的生活较之从前已经大有不同，他们在金钱、成功、性以及孩子的影响之下，改变了各自生活的模样。而在彼此的对比过程中，发生了很多出乎意料的事情。

长相帅气却是十足自私的坏男孩儿的Richard（Ringo）在母亲筹办的小镇慈善活动中无意间看到了一个似曾相识 　　的身影，转瞬即逝却又在学校不期而遇，这个人就是柜外男孩儿Yannick，Ringo的旧识，两人似乎有着Ringo不愿 　　再次提及的罗曼史。 　　机缘巧合Yannick与Ringo的胎姐Kira成了好闺蜜，Ringo就只能在纠结与伪装中开始了这段提心吊胆的生活...

长相帅气却是十足自私的坏男孩儿的Richard（Ringo）在母亲筹办的小镇慈善活动中无意间看到了一个似曾相识 　　的身影，转瞬即逝却又在学校不期而遇，这个人就是柜外男孩儿Yannick，Ringo的旧识，两人似乎有着Ringo不愿 　　再次提及的罗曼史。 　　机缘巧合Yannick与Ringo的胎姐Kira成了好闺蜜，Ringo就只能在纠结与伪装中开始了这段提心吊胆的生活...