The series tells the story of an extended family and four young people who are drawn into the world of ska and two-tone music, which exploded from the grassroots of Coventry and Birmingham in the late 70s and early 80s, uniting black, white, and Asian youths. 　　It is expected to open in 1981 at a moment of huge social tensions and unrest. Against this backdrop, it tells the story of a group of young people fighting to choose their own paths in life, and each in need of the second chance that music offers.

The series tells the story of an extended family and four young people who are drawn into the world of ska and two-tone music, which exploded from the grassroots of Coventry and Birmingham in the late 70s and early 80s, uniting black, white, and Asian youths. 　　It is expected to open in 1981 at a moment of huge social tensions and unrest. Against this backdrop, it tells the story of a group of young people fighting to choose their own paths in life, and each in need of the second chance that music offers.

本·普拉特(《致埃文·汉森》)、妮娜·杜波夫、Mena Massoud(《阿拉丁》)和戴米恩·刘易斯将主演新片《主宰这座城》(Run This Town) ， Ricky Tollman编写剧本，并首执导筒。讲述一个年轻记者(普拉特)急于证明自己，他发现了一桩丑闻，涉及到一名浮华的、不可预测的政客(刘易斯)，政客的助手们(杜波夫和Massoud)试图牵制住他们的老板，为保住工作而进行秘密行动。 Randy Manis(《总统杀机》《杀死汝爱》)、 Jonathan Bronfman(《帕蒂蛋糕$》《星图》)制片。

1988年的纽约布鲁克林，鲍比（Joaquin Phoenix 饰）为俄罗斯商人巴斯哈耶夫打理着一家大型俱乐部，女友阿曼达（Eva Mendes 饰）与他互相深爱，事业与爱情颇为顺意，但是鲍比的家庭却让他感到抗拒，身为纽约警察局长的父亲和新近荣升缉毒组队长的哥哥约瑟夫（Mark Wahlberg 饰）所处的职业环境令鲍比厌烦难耐。他毫不迟疑的拒绝了约瑟夫的协查要求，任毒枭瓦汀在自己的俱乐部活动，约瑟夫对俱乐部的突查激怒了鲍比，同时也找来了瓦汀的报复。目睹被瓦汀重伤的兄长，鲍比无法继续置身事外，他接下了警方的卧底任务，使瓦汀的毒品工厂被警方清剿，不甘失败的瓦汀卷土重来，但这次他面对的，是鲍比与约瑟夫的联手出击……

WHAT WE HAVE is is the tale of Maurice, a prisoner of his past who is unable to connect with the people in his new Northern Canadian small town, a community that is only too ready to welcome this European misfit into their arms.

WHAT WE HAVE is is the tale of Maurice, a prisoner of his past who is unable to connect with the people in his new Northern Canadian small town, a community that is only too ready to welcome this European misfit into their arms.

WE'LL NEVER HAVE PARIS is a hilarious, clumsy and at once human account of screwing up on a transcontinental level in a noble effort to win back 'the one.' A romantic comedy.

WE'LL NEVER HAVE PARIS is a hilarious, clumsy and at once human account of screwing up on a transcontinental level in a noble effort to win back 'the one.' A romantic comedy.

A unique portrait of how art and activism for black people in film are indivisible from race and cinema.

Mud Crab (MIFF 2022) director David Robinson-Smith returns with a stirring cine-poem about the rental crisis, starring Thom Green (Of an Age, MIFF Premiere Fund 2022). 　　A landlord is confronted by one of the many tenants (Green) he has evicted, who forces him to read out a verse – repurposed from lyrics taken from the album Hostile Architecture by Ashenspire – about power, greed and culpability. Surreal vignettes depict the winners and losers of a rapacious property market, revealing the human cost of exploiting basic needs to maximise private wealth. 　　源自：https://miff.com.au/program/film/we-used-to-own-houses