一对陷入困境的夫妇在周末度假时遭遇意外，半夜突然有个孩子找上门来，声称自己是他们的儿子。

Acquire rooms with the syndicate apartment buildings. The film This is our house! explains the solidarity model of the apartment building syndicate, with which even financially weak groups can sustainably secure affordable spaces in common ownership. This is our house! is a film by the authors and producers Burkhard Grießenauer, Daniel Kunle and Holger Lauinger. The production was realized with the help of the SEELAND Medienkooperative eV. This is our house! - Appropriate rooms with the apartment building syndicate This is our house! - Appropriate rooms with the syndicate apartment buildings Common property - self-organization - solidarity - For many years there has been a network structure of more than 100 house projects in town and country to organize the housing question for other values: the apartment building syndicate. Financially weak groups can empower themselves with the solidarity of others and thus secure affordable spaces. That is why there is growing interest in this important civil society initiative. In the 65-minute film This is our house!, Actors of the apartment building syndicate explain the model of collective appropriation of the space and present diverse projects in different spatial contexts. The viewers are motivated to start their own projects in the stable solidarity of the apartment building syndicate. With impressions from the projects: Freie Hütte (Lübeck), LÜDIA (Hadmersleben), Handwerkerhof Ottensen (Hamburg), Youth Housing Project Mittendrin (Neuruppin), Grethergelände (Freiburg), 4-House Project (Tübingen)

陈一舟误将父母购买的1402记成1401，耗资八十万装修了邻居苏念的房屋。面对归国的真房主，双方因赔偿问题陷入僵局。为减少损失，二人达成合租协议，以装修款抵扣租金。在朝夕相处中，两人从最初的尴尬对立逐渐产生情愫，共同应对前男友骚扰及物业纠纷，最终收获爱情与温馨家园。

陈一舟误将父母购买的1402记成1401，耗资八十万装修了邻居苏念的房屋。面对归国的真房主，双方因赔偿问题陷入僵局。为减少损失，二人达成合租协议，以装修款抵扣租金。在朝夕相处中，两人从最初的尴尬对立逐渐产生情愫，共同应对前男友骚扰及物业纠纷，最终收获爱情与温馨家园。

陈一舟误将父母购买的1402记成1401，耗资八十万装修了邻居苏念的房屋。面对归国的真房主，双方因赔偿问题陷入僵局。为减少损失，二人达成合租协议，以装修款抵扣租金。在朝夕相处中，两人从最初的尴尬对立逐渐产生情愫，共同应对前男友骚扰及物业纠纷，最终收获爱情与温馨家园。

種の誕生日祝いに旅行にやってきた上田家と豊。ＢＢＱや温泉を楽しむ一同。二人は些細なことでお互いに勘違いし、気まずい雰囲気に…。果たして二人は誤解を解けるのか?

是什么让我们的世界如此精彩，却又难以理解？是什么让新生命能在看似不适合生存的地方诞生？自然奇观是如何形成的？要让动植物在如今我们所发现它们的地方得以发展，需要哪些力量？两年多来，这部影片的摄制团队……

是什么使得我们的地球如此奇妙，同时又如此让人难以捉摸？是什么让新生命在看似无法孕育生命的地方出现？自然界的奇迹是如何诞生的？为了让植物和动物在今天我们发现它们存在的地方出现、繁衍，需要什么样的力量？该片摄制组耗时两年多，走遍六大洲，探寻各大自然界的奇迹。他们一直不断探寻独特的植被和动物栖息地与洋流、地质构造及气候带之间的关联。在他们的努力下，前所未见、形态各异的各个地区和动物物种得以3D影像的方式呈现在我们眼前。

Mud Crab (MIFF 2022) director David Robinson-Smith returns with a stirring cine-poem about the rental crisis, starring Thom Green (Of an Age, MIFF Premiere Fund 2022). A landlord is confronted by one of the many tenants (Green) he has evicted, who forces him to read out a verse – repurposed from lyrics taken from the album Hostile Architecture by Ashenspire – about power, greed and culpability. Surreal vignettes depict the winners and losers of a rapacious property market, revealing the human cost of exploiting basic needs to maximise private wealth. 源自：https://miff.com.au/program/film/we-used-to-own-houses