Truman Capote's semi-autobiographical first novel about coming of age in the Deep South during the 1930s centers on 13-year-old Joel Sansom (David Speck), who reunites with his estranged father at the family's shabby plantation, where he must contend with his father's feisty mistress and a strange cousin. Against this less-than-ideal backdrop, Joel slowly matures into an upstanding young man.

意外穿越修仙世界，本以为会踏上常规修炼路，却意外觉醒美食系统。身为外卖依赖者，面对做饭任务虽万般抗拒，但系统食谱与新手礼包让他重拾信心。凭借脑海中烙印的精湛技艺，他做出的拉面品相绝佳、味道惊艳。以一碗拉面开张迎客，用极致美味打破质疑，在修仙世界开启独特的美食逆袭路。

这部VR寓言作品将我们沉浸于奥托（Oto）和斯基比（Skippy）在他们的星球上的宁静生活，直到一艘飞船的碰撞打破平静，宇航员埃克索（Exo）意外降临。他们之间的共同生活，将面临意想不到的挑战。

这部VR寓言作品将我们沉浸于奥托（Oto）和斯基比（Skippy）在他们的星球上的宁静生活，直到一艘飞船的碰撞打破平静，宇航员埃克索（Exo）意外降临。他们之间的共同生活，将面临意想不到的挑战。

当奥托的初恋鲍里斯甩了他，而他最好的朋友伦特搬离这座城市后，奥托决定用短暂的网络恋情来填补内心的空虚，并开始在充满活力的布鲁塞尔酷儿群体中寻找属于自己的位置。

When Otto’s first love Boris dumps him and his best friend Lente moves out of the city, Otto decides to fill his heart with fleeting online love and goes looking for his place within the vibrant Brussels queer community.

Community of Parting traces a different approach to borders, translation, and artistic expression by invoking the ancient shamanic myth of the Abandoned Princess Bari and engaging female Korean shamanism as an ethics and aesthetics of memory and mutual recognition across time and space. 　　Rooted in oral storytelling and embodied by female shamans, the myth about Bari and her abandonment at birth for being born a girl has been mainly understood as a story of filial piety. However, Kaisen frames the myth as an initial story of gender transgression that transcends division logics but has the experience of othering and loss at its core. According to the myth, Bari regains the community’s acceptance after reviving the dead and is offered half the Kingdom. Yet, the heroine refuses to abide by human borders and chooses instead to become the goddess who mediates at the threshold of the living and the dead. This is what distinguishes the myth of the abandoned from other Korean myths about women. 　　Community of Parting derives from Kaisen’s extensive research into Korean shamanism since 2011 and her long-term engagement with communities effected by war and division. The piece is composed of imagery filmed in locations such as Jeju Island, the DMZ, South Korea, North Korea, Kazakhstan, Japan, China, the United States, and Germany. Combining shamanic ritual performances, nature -and cityscapes, archival material, aerial imagery, poetry, voiceover, and soundscapes, the piece is configured as a multi-scalar, non-linear, and layered montage loosely framed around Bari’s multiple deaths. 　　Both inter-subjective and deeply personal, Kaisen treats the myth of the abandoned as a gendered tale of migration, marginalization, and resilience told from a multi-vocal site. In the shamanic ritual the shaman abandons herself to mediate and gathers an assembly of the living, the dead, and multiple spirits witnesses. In a similar vein, a Community of Parting is formed in the piece around the shared sentiment of the abandoned: Ritual performances and chants by shaman Koh Sunahn, a survivor of the 1948 Jeju Massacre in South Korea constitutes a recurring rhythm and culminates in a ritual for the dead that involves the artist. The myth is also reflected in the poetry of Swedish poet Mara Lee and in the poetics of Kim Hyesoon from whose book ‘Woman, I Do Poetry’ the translated title Community of Parting derives. It further resonates in various narratives by South Korean, North Korean, and diasporic women who negotiate how gender bias along with colonialism, modernity, and war have resulted in radical ruptures while unfinished histories continue to linger. 　　Infused by the living, the dead, and those yet to come, Community of Parting is actualized through a process of dissolution, revival, and becoming. Informed by shamanic practice, properties integral to the filmic medium are employed to contest and diffuse spatiotemporal boundaries and hierarchies of knowledge and being. Doing so, Community of Parting proposes other ways of thinking and being with others, including the relationship to nature and other life-forms.

男人总是无所顾忌，永远不会认输；而女人不能相信，女人笑一下就能摆平任何麻烦。两性不能融洽地相处，男人和女人是不同的物种吗？五个男人，五个女人，全世界最大规模的两性调查、秘密实验，和世界上第一种能改变大脑的药物。准备好探索两性真正的差异。本纪录片邀请了五男五女来参与一系列特别的测验。选出的测试小组尽可能包括社会各个阶层的人。志愿者知道他们在参与一个研究男女差异的节目，但是，他们不知道的是，在节目最后，有些人会完全改变对自己的认识。

“毒舌老大爷”奥托在妻子离世后郁郁寡欢、愈发暴躁，他一边对社区里不遵守规则的邻居吹毛求疵、横加指责，一边悄悄计划着“一场有尊严的离世”。随着一个活力满满的年轻家庭搬入社区，奥托一成不变的生活迎来了喧闹与惊喜，他的“计划”也屡遭破坏。当邻里间的温暖与善意重新填满奥托的内心，他的人生会发生什么变化呢？改编自温暖全球的高分畅销小说《一个叫欧维的男人决定去死》。