The story takes place in the Veneto in the villa of a wealthy landowner from Naples, Antonio, but he is only beneficiary, but the owner of property, by will of his grandfather, is the daughter Rosa, who has vowed to remain "chaste pure, before the dying mother, until his father will survive. E 'vote extorted interest. Twenty years later we find Rose in his thirties, the whole house and church, but psychologically shaken by sexual problems. Here is part of the courting cousin Fernando Rosa and aggravates its sexual situation, until the exasperated woman decides to become a nun and donate all his possessions to the church. To avoid this misfortune the father organizes the feast of Santa Rosa, a legendary Christian martyr. The party turns into orgy When the guests dressed as barbarians, feign an assault and rape Rosa. The event is completely silent, the young woman who becomes independent, he removes the prosecution of his property to his father's cousin liquid with a check and went to the free world. 　　Critics' One of the lowest point touched in recent months by Italian training film that was once said of the author, another stick of willing-ravaged Samperi, which challenge paired with Laura Antonelli (she also starred in The Eroticist), hopes to repeat the success of a hire obtained with "Malizia" and "venial sin".

电影发生在森林深处的一作女子寄宿学校,这所学校的房子散落围绕着一座大森林,不同年纪的女孩以不同颜色的头丝带区分.她们也和同龄人一样,通过舞蹈,自然课了解对于她们来说很遥远的外面的世界.每天晚上深宵时分,年长的女孩都会不约而同沿着小路走向森林深处........

由于父亲的死，10岁的保罗成为家庭的管理人。他努力保护母亲梅尔免受于海洛因的毒害，保罗为了他的母亲外出工作，以贴补家用。面对生活的困苦，保罗和他的母亲相互扶持。这是一个儿子和一个母亲之间令人震撼的故事。

由于父亲的死，10岁的保罗成为家庭的管理人。他努力保护母亲梅尔免受于海洛因的毒害，保罗为了他的母亲外出工作，以贴补家用。面对生活的困苦，保罗和他的母亲相互扶持。这是一个儿子和一个母亲之间令人震撼的故事。

A shimmering tragedy in the Hollywood mold, Virginity concerns a beautiful young woman prepared to sell herself into marriage to obtain money for her dying lover's treatment, while the camera tracks through gaudy nightclubs and overstuffed apartments. This is one of the first films by the great film master Otakar Vávra, a leading fixture in Czech cinema who, at the age of 95 is still directing films! With Lída Baarová, Ladislav Bohác. Directed by Otakar Vávra, Czechoslovakia, 1937, 35mm, 84 mins. 　　http://www.youtube.com/watch?v=dh2OhFzke3s 　　The doomed love of a city girl caught in the vise of poverty is detailed in Otakar Vavra's fluid, romantic work. The lovely Hana finds herself on the street after her lecherous stepfather turns a little too attentive, but her new job in a cafeteria offers no respite. When it's not the customers, it's the boss: lechers all around, except the young composer Pavel, whose heart is as large as his lungs are weak. Soon Hana must make a fateful decision, one that may save his life, but end their love. The film lingers over its characters' habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra's classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood's Frank Borzage. 　　http://en.wikipedia.org/wiki/Otakar_V%C3%A1vra

作为OL，相泽理子凭第一部小说华丽地以小说家出道了。但是，在那之后，她向从出道开始就负责自己的编辑河原秋子多次提出小说企划，却都没能通过，于是理子开始害怕表现自己。 　　在这种情况下，理子帮助了对这个世界充满留恋的天才画家莲井溪。从小就能看到幽灵的理子经常帮助像溪一样的幽灵。溪为了对自己伸出援手的理子，决定帮助她进行写作活动。两人在溪的公寓里共同生活，并且萌生了恋慕之心。 　　但是溪可能会消失… 　　两人的梦想、工作、恋爱的去向是？！ 　　这是幽灵和人类女性之间编织的恋爱短剧！！

Life is like a movie for Zaida, an aspiring filmmaker navigating Barcelona’s queer dating scene after she’s recently been dumped. Taking place over the course of three weeks, La amiga de mi amiga follows Zaida through a series of fast-paced romantic highs and lows, all while she's trying to finish her script. After meeting Lara – her girlfriend’s new girlfriend – at a party and immediately falling for her, they keep bumping into each other at the cinema; their story reflects the three Eric Rohmer films (A Good Marriage, The Green Ray, and My Girlfriend’s Boyfriend) they watch over the course of the film. 　　In this witty, frankly cinephile comedy, queer spaces are at the forefront as you follow Zaida on her nights out at bars, parties and art shows with her tight-knit community of lesbians. Women are constantly celebrated, through the characters in Zaida's life, in shots of books about female artists on shelves and framed pictures of film stars on the walls. Rohmer's influence on Zaida's life is clearly seen throughout the course of her relationship with Lara; their secret love blossoms as they discuss cinema and their love lives while struggling to create their own art. Carmona’s casual elegance toward her subject matter makes La amiga de mi amiga one of the greatest discoveries of 2022. 　　源自：https://iffr.com/en/iffr/2023/films/la-amiga-de-mi-amiga

Life is like a movie for Zaida, an aspiring filmmaker navigating Barcelona’s queer dating scene after she’s recently been dumped. Taking place over the course of three weeks, La amiga de mi amiga follows Zaida through a series of fast-paced romantic highs and lows, all while she's trying to finish her script. After meeting Lara – her girlfriend’s new girlfriend – at a party and immediately falling for her, they keep bumping into each other at the cinema; their story reflects the three Eric Rohmer films (A Good Marriage, The Green Ray, and My Girlfriend’s Boyfriend) they watch over the course of the film. 　　In this witty, frankly cinephile comedy, queer spaces are at the forefront as you follow Zaida on her nights out at bars, parties and art shows with her tight-knit community of lesbians. Women are constantly celebrated, through the characters in Zaida's life, in shots of books about female artists on shelves and framed pictures of film stars on the walls. Rohmer's influence on Zaida's life is clearly seen throughout the course of her relationship with Lara; their secret love blossoms as they discuss cinema and their love lives while struggling to create their own art. Carmona’s casual elegance toward her subject matter makes La amiga de mi amiga one of the greatest discoveries of 2022. 　　源自：https://iffr.com/en/iffr/2023/films/la-amiga-de-mi-amiga

因为一直在相亲但总遇不到喜欢的，于是我把目光瞄准在了官方直播间的警察小姐姐，尤其是位姓柳的小姐姐简直是我的人生理想，于是我开始每天蹲在视频下跟她表白，直到有天有个人回复了我，我发现那个人很有可能就是柳警官，于是我开始我的猛追之路。

导演：马克马巴夫（伊朗） 　　电影的神奇在于能够重建时间，尤如生命可以重来。 　　伊朗导演马克马巴夫年轻时是个激进分子，曾因袭击并刺伤一个警察而被捕入狱，出狱之后，终放弃了政治理想，而把电影当成了信仰，就在他拍《电影万岁》的时候，竟然发现当年他袭击的警察也在一群试镜者当中。后来，他就以他们二人的故事拍了这部《无知时刻》。 　　导演试图重建当年自己制造的袭击事件，并且邀请了另一位当事人--那位警察一起来完成这次重建：找来二位小演员，分别扮演年轻时的马克马巴夫和警察，马克马巴夫和警察分别去跟自己的扮演者讲述当年自己的行为始末，然后拍摄行刺过程。当然导演也就不只是马克马巴夫，还有那个警察。事实上，他也的确一直在重建过程中表达他的愿望和理想，开始是教他的扮演者给过来问他时间的女孩送盆花，后来又教他朝她开枪，而这二样，都是他当年没有做的。 　　还有一位人物，是马克马巴夫的表妹，马克马巴夫当年行刺的时候，以她去问那位警察时间做掩护，而警察却始终不知道这情况，把当年那个总是来问他几点的女孩当作心上人念念不忘，直到拍摄时他看到一个小女孩演员和马克马巴夫的扮演者一同走向自己的扮演者的时候才恍然大悟。 　　他感到被欺骗和伤害之后，自行篡改了历史：他告诉自己的扮演者，不论是谁靠近和他说话，你就向她开枪，包括那位女孩。他也企图在对过去的重建中表达他受伤害的愤怒，如果生命可以重来！ 　　在重建的企图下，导演的却是一出巧妙的虚构，而正是这一虚构，把过去的故事转换成了现在时态，也使得导演对于过去的反思显得更有诚意。 　　纪录片样的拍摄手法，质朴而坦诚。电影开始的时候，马克马巴夫在试镜找二个17岁的演员扮演他自己和那位警察，扮演他的那位说他的理想是拯救人类；而警察的扮演者却一副老实巴交的样子，警察十分不满，拒绝出演，说导演如果改变主意就到哪里哪里去找他，愤然而去，摄影师问导演要不要把他追回来，而导演说，这个角色对他很重要，他会回来的。演员如同在生活般演戏，导演也如同生活般在拍电影：看，这是我的生活，也就是我的电影。 　　当警察在教他的扮演者应该怎么送上盆花的时候，马克马巴夫表妹的扮演者刚好路过，问他几点。跃然而出电影穿越时间的神奇，仿佛浑然天成的回文诗。 　　二位导演的企图最后都被几个小演员给颠覆了：激进分子递上的是大饼，警察掏出的是盆花，代替了匕首和手枪。