A tramp steals a girl's handbag, but when he tries to pick Charlie's pocket loses his cigarettes and matches. He rescues a hot dog man from a thug, but takes a few with his walking stick. When the thief tries to take some of Charlie's sausages, Charlie gets the handbag. The handbag makes its way from person to person to its owner, who is angry with her boyfriend who didn't protect her in the first place. The boyfriend goes to throw himself in the lake in despair. Charlies helps him.

A tramp steals a girl's handbag, but when he tries to pick Charlie's pocket loses his cigarettes and matches. He rescues a hot dog man from a thug, but takes a few with his walking stick. When the thief tries to take some of Charlie's sausages, Charlie gets the handbag. The handbag makes its way from person to person to its owner, who is angry with her boyfriend who didn't protect her in the first place. The boyfriend goes to throw himself in the lake in despair. Charlies helps him.

Following Afternoon Landscape (2020) and Night Walk (2023), Sohn Koo-yong presents his third feature documentary. A cinematic wanderer who savors spaces and finds poetry in nature, Sohn ventures into a park this time with Oh Kyu-won’s poem The Breath of the Garden in his hand. As the 24-verse poem that begins with the line “At 2 in the afternoon, a butterfly fluttered close to the ground” appears as text on the screen, at the park, a bird settles down on a branch, clouds cover the sun, a cat washes its face, a water wheel turns, a fountain sprays water, a koi swims across the pond, and ants diligently go about their work. This “230 square meters of universe,” where the world of text and image merge seamlessly, is perfectly complete in its meaningful meaninglessness. Sohn presents a world that glimmers with fragile transparency, using the repetition, variation, and circulation of minimal things. The film captures a walker’s world, both empty and full at once.

Following Afternoon Landscape (2020) and Night Walk (2023), Sohn Koo-yong presents his third feature documentary. A cinematic wanderer who savors spaces and finds poetry in nature, Sohn ventures into a park this time with Oh Kyu-won’s poem The Breath of the Garden in his hand. As the 24-verse poem that begins with the line “At 2 in the afternoon, a butterfly fluttered close to the ground” appears as text on the screen, at the park, a bird settles down on a branch, clouds cover the sun, a cat washes its face, a water wheel turns, a fountain sprays water, a koi swims across the pond, and ants diligently go about their work. This “230 square meters of universe,” where the world of text and image merge seamlessly, is perfectly complete in its meaningful meaninglessness. Sohn presents a world that glimmers with fragile transparency, using the repetition, variation, and circulation of minimal things. The film captures a walker’s world, both empty and full at once.

故事围绕着四位毕业生兼好友——柳芭（Lyuba）、安雅（Anya）、索尼娅（Sonya）和阿丽娜（Alina）展开。十七岁的她们憧憬着光明美好的未来。柳芭打算成为一名演员，并嫁给疯狂爱着她的同学、年轻诗人谢廖扎（Seryozha）。阿丽娜想嫁给维尔卡（Wilka）。而索尼娅只梦想着能遇到一位非常聪明、博闻广识又有趣的爱人，在前夕……

In the center of the plot is the story of four graduates and friends: Lyuba, Anya, Sonya and Alina. At seventeen, they dream of a bright and happy future. Lyuba is to become an actress and marry a classmate and a young poet Seryozha, who is madly in love with her. Alina - to marry Wilka. And Sonya only dreams of meeting her lover - very smart, well-read, interesting, and in eve...

2024年7月，我将隐私性极强的手机和厕所置于同一个空间，虚构了我在一家伦敦西部的酒吧公共厕所捡到一个未上锁的手机的故事，并以此开启对话。经过剪辑重组制造了一个类似社会实验的故事，在故事中，手机作为一个暴露在公众面前的“私人空间”，引发人们对于“窥视”和“打破个人空间边界”的好奇和尝试，我所扮演的角色则是以艺术之名将这种探索行为合理化，试图在逐步的探索与对话中暴露更多问题。 　　 　　作为一个伪纪录片，其中故事的发生和发展都是虚构的。但同时，它也是一个关于我们每个人在探索个人与社会之间边界的真实纪录片。

少年误入古墓，捡到一个小姜丝。带他回家之后，发现他没有记忆，天真善良，最好的朋友是青花瓷，最爱喝的是小牛奶，最喜欢的人是你。

少年误入古墓，捡到一个小姜丝。带他回家之后，发现他没有记忆，天真善良，最好的朋友是青花瓷，最爱喝的是小牛奶，最喜欢的人是你。

架空朝代的大乾皇太子李元良与现代古董铺子老板韩雪二人因“大乾宝玉”触发穿越而结识，开始了穿越古今、鸡飞狗跳、妙趣横生的生活。