穆森马克马巴夫是伊朗赫赫有名的大导演，因此让一个失业兼影迷的年轻人产生了冒充他的愿望，并以穆森·马克马巴夫的名誉向富翁阿汗赫借了一笔钱。若要人不知除非己莫为，东窗事发后，冒充者很快被逮捕并面临申诉。阿巴斯知道此事后，产生了浓烈兴趣，遂进行了跟踪式调查。在采访中，年轻的冒充者很是后悔，他一方面承认了自己骗钱的行径，另一方面也表达了对电影的热爱。最后，富翁决定不再追求年轻人的责任，撤销了对他的控告。更令人惊喜的是，由于这件事，年轻人居然见到了穆森·马克马巴夫本人。在了解一切之后，阿巴斯为此感叹不已，遂根据这则真人真事改编制作了电影《特写》。

德黑兰，记者法拉兹曼德前去报道年轻人霍塞·萨布齐恩因诈骗被捕的事件。原来，失业的油漆工萨布齐恩是一个影迷，他自称是著名导演穆赫辛·马克马尔巴夫，取得阔绰的阿汉卡赫一家信任，向他们借钱拍片。事发后，萨布齐恩被抓。导演阿巴斯·基亚罗斯塔米就此案展开了纪录片似的跟踪调查，他采访了警察， 阿汉卡赫全家，以及萨布齐恩本人。 　　审讯过程中，萨布齐恩为骗取了阿汉卡赫一家的感情而后悔，但他说之所以这样做是因为对艺术的热爱，如果有钱，他真地会拍摄自己的电影。而且，假扮导演马克马尔巴夫赋予了他自信。最后，原告阿汉卡赫家撤销了起诉，而萨布齐恩也见到了真正的马克马尔巴夫，后者骑小摩托带这个年轻人重访阿汉卡赫。

The French-language film will be shot with close-up camera angles and follow Huppert’s character as she takes on the role of successive female characters through several eras from the 17th century to the modern day. They will include a peasant in 1948, an early 20th-century emigrant, a witch consumed by flames in the late 17th century, a mystic and a woman navigating the challenges of war. 　　Huppert told Screen the origins of the project lie with Medea Miracle, after which Bernardi “wanted to make another film that was just a close up of my face, using the face as a landscape, the face as a mechanism through which to tell a wider story about feminism through the centuries.”

The French-language film will be shot with close-up camera angles and follow Huppert’s character as she takes on the role of successive female characters through several eras from the 17th century to the modern day. They will include a peasant in 1948, an early 20th-century emigrant, a witch consumed by flames in the late 17th century, a mystic and a woman navigating the challenges of war. 　　Huppert told Screen the origins of the project lie with Medea Miracle, after which Bernardi “wanted to make another film that was just a close up of my face, using the face as a landscape, the face as a mechanism through which to tell a wider story about feminism through the centuries.”

Author Henry Hitchings explores the lives and works of Britain's radical and pioneering 18th-century novelists who, in just 80 years, established all the literary genres we recognise today. It was a golden age of creativity led by Daniel Defoe, Jonathan Swift, Henry Fielding, Laurence Sterne, Fanny Burney and William Godwin, amongst others. Robinson Crusoe, Moll Flanders, Gulliver's Travels, Tom Jones and Tristram Shandy are novels that still sparkle with audacity and innovation. 　　On his journey through 18th-century fiction, Hitchings reveals how the novel was more than mere entertainment, it was also a subversive hand-grenade that would change British society for the better. He travels from the homes of Britain's great and good to its lowliest prisons, meeting contemporary writers like Martin Amis, Will Self, Tom McCarthy and Jenny Uglow on the way. 　　Although 18th-century novels are woefully neglected today compared to those of the following two centuries, Hitchings shows how the best of them can offer as much pleasure to the reader as any modern classic

一个男人在进行祭祀屠杀一只危险的雌性美洲豹时渐渐爱上这只凶猛的野兽，同时他也不得不面对自己可怕的往事……

这里没有宏大的历史叙事，有的只是一个个生活在敦煌，被敦煌守 护又守护敦煌的人，他们在敦煌找到自己的乌托邦，在敦煌追求自 己的人生梦想，也把敦煌的文化默默传承。该片以人与敦煌的情感 作为核心内容，通过讲述“敦煌人”的日常生活、情感挣扎与人生追 求，用年轻的视觉和体验诠释古老而神秘的敦煌，《我在敦煌》 ——等你。

成长在艰难的环境中，却又坚强不屈的焊接工人无铁，与俏丽的，又有些公主娇气的摄影师熙野之间命运般的神奇爱情；由于社会的冷待，怀着仇恨长大的常识，与不顾世俗的传统观念，不断挑战自己的熙天，对事业和爱情的追求。该剧以“敢于梦想，尽情相爱”为主题，通过不同个性的年轻人倾情演绎，生动地描绘了他们的事业和爱情，挫折和希望。

1982年凭借《棚户区的人们》出道的裴昶浩导演，直到2009年的《旅行》为止共执导了18部长篇作品。在他时隔15年推出的新作纪录片《裴昶浩的特写》中，裴昶浩导演亲自出镜，重访自己曾执导过的电影拍摄现场，回顾往昔的记忆，同时以平和的语调坦率地讲述自己对电影创作的思考。这也是一部收录了裴昶浩几乎所有导演作品的重要片段的视频随笔。

新冠疫情肆虐全球已逾一年，大家的生活也大受影响，出埠往返更多了一项重要程序－ 隔离。 　　世界各地推行的隔离政策不尽相同，而随着疫情发展，防疫措施也在不断改变。检疫日数曾规定为七天、十四天甚至更久，模式也分有酒店检疫、居家检疫等。 　　节目请来多位专家，检视各式隔离措施。许绍雄、陈贝儿、邵珮诗等曾赴异地并接受隔离的艺人，还会诉说隔离期间的日常。 　　透过节目，观众在家也可认识各地的隔离信息，进一步了解全球抗疫情况。