一位绝望的母亲从小就遭受到恶灵的侵扰，但她为了挽救身患绝症的女儿的生命决定向恶灵送上自己的躯壳。

"Angel In The Wardrobe" is a film about responsibility, towards ourselves and others. A film about conscience; about the memory, without which we are nothing. The fears and anxieties in us and around us". (Stanislaw Rozewicz) 　　With allusions to Antonioni's Blow Up and particularly De Palma's Blow Out. Rozewicz's film focuses on the character of John, a sound designer for films. Years ago, while spending the night with his beloved Elizabeth, he failed to respond to the cries of men calling for help. During the recordings for his current film he hears a strange noise in the headphones....

"Angel In The Wardrobe" is a film about responsibility, towards ourselves and others. A film about conscience; about the memory, without which we are nothing. The fears and anxieties in us and around us". (Stanislaw Rozewicz) 　　With allusions to Antonioni's Blow Up and particularly De Palma's Blow Out. Rozewicz's film focuses on the character of John, a sound designer for films. Years ago, while spending the night with his beloved Elizabeth, he failed to respond to the cries of men calling for help. During the recordings for his current film he hears a strange noise in the headphones....

2025FIRST超短片单元【年度超短片】 　　45岁Freda陷于都市隐形围剿：身体衰退、社会排斥、“一个人”的异化。最终，她以“取消”自己的反常之举，向规训宣战，掷出寻求自由的宣言。

2025FIRST超短片单元【年度超短片】 　　45岁Freda陷于都市隐形围剿：身体衰退、社会排斥、“一个人”的异化。最终，她以“取消”自己的反常之举，向规训宣战，掷出寻求自由的宣言。

今天，日高佐菜（立花慎之介 配音）回到了曾经居住过的小镇上，他即将在那个充满了欢乐回忆的地方开始新的生活。可是，今日的日高早已不同于往日，曾经饱受欺辱的日子彻底改变了他单纯的性格，更有一道永远无法抹去的伤疤要陪伴日高度过他的余生。 　　在小镇上，日高遇见了曾经的初恋对象八代菜菜香（小清水亚美 配音），从前活泼可爱的她，如今却变成了少言寡语态度冷淡的傲娇女，这些年究竟发生了什么使得她发生了如此巨大的变化呢？在善于插科打诨的好友若月修辅（子安武人 配音）的陪伴下，日高找回了昔日的快乐时光，但总有一份不安在心中默默的酝酿。日高知道，一场回忆的狂风暴雨即将袭来。

迷失在自我陶醉之中，记录片制作者艾旦.普利维特试图去寻求一个使自己能够摆脱Ipod之瘾的方法。

Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with racially charged poet-provocateur James Kepple. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.

Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with racially charged poet-provocateur James Kepple. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.

《疫起》導演林君陽的《我殺了我自己》撥開雙重人格深埋的創傷