山折与谷折的历险，与反派作战的过程中，谁能够获得电王的力量？变身为假面骑士纸板王吧！

山折与谷折的历险，与反派作战的过程中，谁能够获得电王的力量？变身为假面骑士纸板王吧！

Dan has just been released from prison, and Lois is terrified. While he was behind bars, Dan's brother was shot and killed while trying to escape from the police, because Lois had told the police where he was hiding. Everyone whom Lois asks for help knows that Dan holds her responsible, and will not help her. So Dan confronts her in her room alone, prepared to kill her no matter how hard she begs for mercy. Dan is then baffled when Lois tells him to go ahead, since she is in despair and has nothing to live for

按下快门，镜头记录下每一个精彩的瞬间，纵使岁月流逝，相纸斑驳，当年那被定格下来的时刻却永远保留。遥远的笑容，你却不会觉得离你咫尺万里。曾几何时，艺术家苏文发现北京有一个专门收集硝酸银垃圾的回收人员，其中自然含有大量的摄影底片。苏文据此和对方达成协议，定期购买底片，重新洗印，并据此创立了《北京银矿》项目计划，该计划从2009至今从未停止。在此之后苏文和中国新生态的动画导演雷磊合作，将相关联的照片挑选出来，制作成短片动画。静止的图像活动起来，遥远的生活被瞬间拉近。 　　画面中呈现了一个时代的过去，我们曾经经历，从未远离……

제때 정리하지 못한 가슴 속 찌꺼기 　　마음도 분리수거가 필요해! 　　남자친구의 배신에 충격을 받은 ‘재연’ 　　돌연, 제주도로 떠난다. 　　과거를 숨긴 게스트하우스 주인 ‘재화’, 　　현실의 벽에 가로막혀 이별을 택한 ‘범주’와 　　원치 않는 사랑을 받고 있는 뷰티 유튜버 ‘채원’, 　　마지막 이별 여행을 온 연인 ‘진석’과 ‘다혜’까지 　　여행에서 만난 각양각색의 연애담들! 　　어쩌면 우리 모두의 이야기!

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

【垃圾】是一齣發生在一個香港老社區的迷你「公路電影」。 　　「社區 」(Community) 是一個奇怪的詞，它不像「家庭」般溫暖，但對一些人來說，像故事中的角色，他們並沒有一個模範的家，然而在這個晚上，他們「有著」彼此。 　　七十多歲的笑姨，在家中再次受到兒子無情無理的恐嚇虐待。忍養一生，她決定把一早就應拎掉的梳化推出家外，獨自步行到垃圾站。在夜半的街角，笑姨碰上認識了卅多年的老街坊堂哥。 　　這一個夜，二人行行停停，推著破舊沉重的梳化，走過夜靜的老街、便利店、公園、天橋底、垃圾站......；路上遇見不同的人、物、以及孤獨的風景......。這段路，看出二人與家人的問題，也看到了那血濃於水的羈絆；老朋友的相助，給悲傷的笑姨帶來了點點溫暖和生氣；可是，殘忍的現實卻仍舊荒涼重復。 　　隨着燈光、場景、聲音、剪接，觀眾彷如置身其中，和兩個主角一起在炎熱的夜空中，在香港的老社區遊走。透過溫婉溫和的視角，感受他們的疲憊、失望、關注、擔憂、無奈與及「放下」......。 　　老和死之間，還隔著一段人生。

16mm胶片拍摄。姐姐前来告知自己多年未见的弟弟关于母亲的丧事，家庭中积压多年的情绪在暗中发泄出来。

腕っ節が強く地元では向かうところ敵なしの青年・本堂ケント（ELLY）は勢いで上京するも何もかもが順調に進まず、さらにもめ事を起こしたことで仕事先からも追われてしまう。地元に戻った彼は、高校時代に付き合っていた女性が、夫の借金によってトラブルに巻き込まれていることを知る。夫の行方を捜しに東京に戻ったケントは闇金に殴り込みをかけるが、そこは元暴走族が仕切る地下組織に関わる店だった。