这是一部针对恐怖电影里的俗套而大肆吐槽的伪预告片。比如有年轻人春假时候来到林中的小木屋，但他们果断选择去一个明亮的海滩度假。拉拉队辣妹约男孩去一间神经病院玩占卜板，青年斩钉截铁予以拒绝。小男孩走进阁楼，他却死活不打算释放困在画中的恶魔。朋友拿来诅咒录影带，号称谁看谁死，另一个哥们儿则迅速将其毁掉。某片海域出现嗜血狂魔，市长理智地选择相信，在水域边上竖起了警示牌子。外星人入侵地球，POV的哥们儿关键时刻扔掉摄影机，绝不记录至死。 　　所有的老梗都被嘲弄一番，这是一部预告片等同于正片的恐怖片。

Sarah, a pagan high school student, is sexually assaulted. In an emotional felt revenge, she summons the likes of Freddy Krueger, Ghostface, Jason Voorhees, Michael Myers, and other horror movie icons to kill her peers.

Sarah, a pagan high school student, is sexually assaulted. In an emotional felt revenge, she summons the likes of Freddy Krueger, Ghostface, Jason Voorhees, Michael Myers, and other horror movie icons to kill her peers.

本部拍摄于1958年的实验先锋电影短片，极具拼贴主义风格。取材自B级片、新闻短片、软性色情片段、新奇的电影短片以及旧好莱坞电影的镜头等。影片中包含了许多毫无关联的空镜头，动物照片混杂着人类的图像，来往的行人穿插拥挤的车流，暴力以及战争。影片构造出严重的失衡感，颠覆了以往的审美取向，却创建出拼凑片段中的独特拼贴主义风格。 　　本片在1994年被美国国会图书馆评为极具“文化、历史和美学的意义”。

在这部嬉笑怒骂的历史修正主义动画里，挥舞着链锯的乔治·华盛顿集结了一批惹事生非者，包括热爱啤酒的塞缪尔·亚当斯、知名科学家托马斯·爱迪生、优秀…

这部跨类别纪录片剖析墨西哥以至全世界最备受争议的团队：警队。警员其身不正却得以逍遥法外，大大削弱司法系统，究竟这种风气是怎样形成的呢？

A collective project with students at a junior high school in a Paris suburb, about friendship, emancipation, trust, and the act of filmmaking for a generation raised by selfies and YouTube.

电影主要讲诉发生在一家午夜恐怖电影院内外的一连串诡异故事。漆黑的影院放映厅、午夜十字路口，诸如此类的场景使得整部影片凸显了“午夜时分、身临其境…

Three-part series in which actor and writer Mark Gatiss (The League of Gentlemen, Doctor Who, Sherlock) celebrates the greatest achievements of horror cinema. 　　Mark uncovers stories behind the films of his favourite period - the 1950s and 60s - which fired his lifelong enthusiasm for horror. These mainly British pictures were dominated by the legendary Hammer Films, who rewrote the horror rulebook with a revolutionary infusion of sex and full-colour gore - all shot in the English Home Counties. 　　Mark meets key Hammer figures to find out why their Frankenstein and Dracula films conquered the world, making international stars of Christopher Lee and Peter Cushing. He looks at the new boom of horror that followed in Hammer's wake, including the ravishing Italian movie Black Sunday, and talks to the influential American producer Roger Corman about his disturbing and dreamlike Edgar Allan Poe films. He also explores the intriguing cycle of British 'folk horror' films, such as The Wicker Man and Mark's personal favourite, Blood on Satan's Claw. 　　Mark also speaks to leading horror ladies Barbara Steele and Barbara Shelley about their most famous roles, makes a pilgrimage to Whitstable, home of Peter Cushing, and finds out why Dracula's bedroom activities got the British censor steamed up.

电影主要讲诉发生在一家午夜恐怖电影院内外的一连串诡异故事。漆黑的影院放映厅、午夜十字路口，诸如此类的场景使得整部影片凸显了“午夜时分、身临其境”的暗黑气质。