该剧围绕一名乡村女教师展开，讲述了她远离繁华都市，心甘情愿地为山村教学无私奉献的故事。 李良伟，他早年是一名知青，钟爱教育事业，把毕生的精力都投入其中。后来李良伟被城市老板展旗聘为柳崖子村小学的校长，他一直为孩子们的教育事业而废寝忘食、兢兢业业。山村的生活虽然很清贫，但他一直无悔。也正因为他是有文化的知青出身，即使是清贫也骨子里透出高贵。李良伟对自己的妻子巧云心存内疚，因为她曾是村里最美的女人，跟自己结婚后却没有享福。他对柳晓月则是心存感激，心底很希望她留在山村协助自己继续教学，但又不愿意影响她进城当老师的美好的前途。

该剧围绕一名乡村女教师展开，讲述了她远离繁华都市，心甘情愿地为山村教学无私奉献的故事。 李良伟，他早年是一名知青，钟爱教育事业，把毕生的精力都投入其中。后来李良伟被城市老板展旗聘为柳崖子村小学的校长，他一直为孩子们的教育事业而废寝忘食、兢兢业业。山村的生活虽然很清贫，但他一直无悔。也正因为他是有文化的知青出身，即使是清贫也骨子里透出高贵。李良伟对自己的妻子巧云心存内疚，因为她曾是村里最美的女人，跟自己结婚后却没有享福。他对柳晓月则是心存感激，心底很希望她留在山村协助自己继续教学，但又不愿意影响她进城当老师的美好的前途。

2003年，周大荣欣喜赴越南娶妻。当时，大荣以为完成了父亲的遗愿！阿兰也以为可以像堂妹一样幸福美满，未料却事与愿违！语言不通，让她与患有精神疾病的婆婆无法沟通。避免婆媳起衝突，阿兰带著儿子搬到附近租屋，直到婆婆往生后才搬回家。大荣长期失业，家计全落在阿兰身上，为了工作及孩子，阿兰努力突破不识字问题到学校学国语，她知道终究还是要得靠自己才能扶持一个家。@爱笑聚

父亲在美珍小时候离家出走，再也没有回来，留下母亲、大哥和她。一家三口表面和睦相处，但每个人心中都各有秘密。美珍在便利店卑微地工作，每日受经理的气，只能将心神寄托在交友软件上认识的男生；大哥生意不顺，与妻子分居，却在家人面前假装恩爱；母亲为家人劳心劳力，其实仍对多年前一件令丈夫离去的事感到内疚。人有悲欢离合，他们终会意识到，相聚一刻就是最大幸福。

2003年，周大荣欣喜赴越南娶妻。当时，大荣以为完成了父亲的遗愿！阿兰也以为可以像堂妹一样幸福美满，未料却事与愿违！语言不通，让她与患有精神疾病的婆婆无法沟通。避免婆媳起衝突，阿兰带著儿子搬到附近租屋，直到婆婆往生后才搬回家。大荣长期失业，家计全落在阿兰身上，为了工作及孩子，阿兰努力突破不识字问题到学校学国语，她知道终究还是要得靠自己才能扶持一个家。@爱笑聚

父亲在美珍小时候离家出走，再也没有回来，留下母亲、大哥和她。一家三口表面和睦相处，但每个人心中都各有秘密。美珍在便利店卑微地工作，每日受经理的气，只能将心神寄托在交友软件上认识的男生；大哥生意不顺，与妻子分居，却在家人面前假装恩爱；母亲为家人劳心劳力，其实仍对多年前一件令丈夫离去的事感到内疚。人有悲欢离合，他们终会意识到，相聚一刻就是最大幸福。

战国时代，武士疾风与僧侣醉狂为了不让具有神秘之力的宝剑落入魔界之手，接受了城主的委托，展开寻找宝剑秘密的长途之旅，途中他们遇到了美丽的少女莲华，以及其他三名来至别处的朋友一起追踪一股弥漫在森林中久久未能散去的妖气，但是等待她们的却是强大的邪恶力量......

战国时代，武士疾风与僧侣醉狂为了不让具有神秘之力的宝剑落入魔界之手，接受了城主的委托，展开寻找宝剑秘密的长途之旅，途中他们遇到了美丽的少女莲华，以及其他三名来至别处的朋友一起追踪一股弥漫在森林中久久未能散去的妖气，但是等待她们的却是强大的邪恶力量......

Carmen is 16. She spent her childhood in Berlin’s Kreuzberg district, but now lives with her mother Ruth and her brother Tito in estate housing on the edge of the city. Her father, a Puerto Rican soldier, abandoned the family. All that’s left to remind them of him is a handful of exotic postcards and his record collection of Caribbean and Hawaiian music. Mother Ruth works as a cleaning lady. Carmen dreams of becoming a dancer. She talks thoughtfully about her daily life and her dreams. Replete in lavish make-up and flamboyant robes, she acts out her fantasies in front of the camera – “I dream of a great love”. Inspired by the camp aesthetics of American underground films, Elfi Mikesch’s documentary celebrates, without fear of pathos or bombast, a teenager’s “small escape” from the restrictions and routines of everyday life. Approaching her protagonist on equal terms, the director uses both picture and sound to develop a vision of an alternative tropical world as a counterpoint to West Berlin’s barren Gropiusstadt projects. And with that, it suddenly seems as if the conditions in those petty bourgeois living rooms could, in fact, be changed.

Carmen is 16. She spent her childhood in Berlin’s Kreuzberg district, but now lives with her mother Ruth and her brother Tito in estate housing on the edge of the city. Her father, a Puerto Rican soldier, abandoned the family. All that’s left to remind them of him is a handful of exotic postcards and his record collection of Caribbean and Hawaiian music. Mother Ruth works as a cleaning lady. Carmen dreams of becoming a dancer. She talks thoughtfully about her daily life and her dreams. Replete in lavish make-up and flamboyant robes, she acts out her fantasies in front of the camera – “I dream of a great love”. Inspired by the camp aesthetics of American underground films, Elfi Mikesch’s documentary celebrates, without fear of pathos or bombast, a teenager’s “small escape” from the restrictions and routines of everyday life. Approaching her protagonist on equal terms, the director uses both picture and sound to develop a vision of an alternative tropical world as a counterpoint to West Berlin’s barren Gropiusstadt projects. And with that, it suddenly seems as if the conditions in those petty bourgeois living rooms could, in fact, be changed.