Carmen is 16. She spent her childhood in Berlin’s Kreuzberg district, but now lives with her mother Ruth and her brother Tito in estate housing on the edge of the city. Her father, a Puerto Rican soldier, abandoned the family. All that’s left to remind them of him is a handful of exotic postcards and his record collection of Caribbean and Hawaiian music. Mother Ruth works as a cleaning lady. Carmen dreams of becoming a dancer. She talks thoughtfully about her daily life and her dreams. Replete in lavish make-up and flamboyant robes, she acts out her fantasies in front of the camera – “I dream of a great love”. Inspired by the camp aesthetics of American underground films, Elfi Mikesch’s documentary celebrates, without fear of pathos or bombast, a teenager’s “small escape” from the restrictions and routines of everyday life. Approaching her protagonist on equal terms, the director uses both picture and sound to develop a vision of an alternative tropical world as a counterpoint to West Berlin’s barren Gropiusstadt projects. And with that, it suddenly seems as if the conditions in those petty bourgeois living rooms could, in fact, be changed.

Carmen is 16. She spent her childhood in Berlin’s Kreuzberg district, but now lives with her mother Ruth and her brother Tito in estate housing on the edge of the city. Her father, a Puerto Rican soldier, abandoned the family. All that’s left to remind them of him is a handful of exotic postcards and his record collection of Caribbean and Hawaiian music. Mother Ruth works as a cleaning lady. Carmen dreams of becoming a dancer. She talks thoughtfully about her daily life and her dreams. Replete in lavish make-up and flamboyant robes, she acts out her fantasies in front of the camera – “I dream of a great love”. Inspired by the camp aesthetics of American underground films, Elfi Mikesch’s documentary celebrates, without fear of pathos or bombast, a teenager’s “small escape” from the restrictions and routines of everyday life. Approaching her protagonist on equal terms, the director uses both picture and sound to develop a vision of an alternative tropical world as a counterpoint to West Berlin’s barren Gropiusstadt projects. And with that, it suddenly seems as if the conditions in those petty bourgeois living rooms could, in fact, be changed.

「很想把全世界的好，都给你」，2019年的炎炎夏日裡，18歲的陳子豪和楊宇航相遇了，這是他們最美好的青春與情書。全班最後一名的班草陳子豪，意外發現高冷帥、功課又好的楊宇航，竟是他二年來的秘密筆友，二人因此無話不說，關係也越來越親密。然而隨著疫情爆發、大學考試的逼近，他們會如何走下去？「當我每次想起你，現在的你，又在想誰呢？」

Based on a true story, a young man, despite being stricken with muscular dystrophy and confined to a nursing home, fights to bring an end to the neglect and abuse that take place there.

我想我喜欢的始终是那份像夏天一样炙热的感情。至于白船他们作为演员不可能永远只被这两个角色困住，当我看到预告的时候先是激动万分，随即有一点失落，因为我很难从现在这个英俊帅气的船身上找到闹闹的青涩和烂漫。那个小平头200斤大腿和基友们弹吉他唱歌的音乐社社长，长大了更帅气也更成熟了。这可能是成长的过程是不可逆的，所以我想算了船会长大，闹闹又何尝不是呢，能够现在发糖让我们怀念一下初心，怀念一下曾经追剧的欢乐时光也没什么不好。而白白深情的杏仁眼真的还是那个学生会秘书长啊～

我想我喜欢的始终是那份像夏天一样炙热的感情。至于白船他们作为演员不可能永远只被这两个角色困住，当我看到预告的时候先是激动万分，随即有一点失落，因为我很难从现在这个英俊帅气的船身上找到闹闹的青涩和烂漫。那个小平头200斤大腿和基友们弹吉他唱歌的音乐社社长，长大了更帅气也更成熟了。这可能是成长的过程是不可逆的，所以我想算了船会长大，闹闹又何尝不是呢，能够现在发糖让我们怀念一下初心，怀念一下曾经追剧的欢乐时光也没什么不好。而白白深情的杏仁眼真的还是那个学生会秘书长啊～

我想我喜欢的始终是那份像夏天一样炙热的感情。至于白船他们作为演员不可能永远只被这两个角色困住，当我看到预告的时候先是激动万分，随即有一点失落，因为我很难从现在这个英俊帅气的船身上找到闹闹的青涩和烂漫。那个小平头200斤大腿和基友们弹吉他唱歌的音乐社社长，长大了更帅气也更成熟了。这可能是成长的过程是不可逆的，所以我想算了船会长大，闹闹又何尝不是呢，能够现在发糖让我们怀念一下初心，怀念一下曾经追剧的欢乐时光也没什么不好。而白白深情的杏仁眼真的还是那个学生会秘书长啊～

男与女，情与爱，相聚与分离，憎恶与爱恋，千百年来困扰无数人的难题。几乎没有什么可以称得上永恒的，所谓永恒的爱情也终将随着生命的气息和人们的记忆烟消云散，更何况刹那之间的激情。男人与女人，汹涌人潮中擦肩而过，似是心有灵犀，若有感悟，指尖碰触的刹那宛如电流通过，叩开了彼此的心扉。你追她就跑，你跑她就追，情人之间猫捉老鼠的捉迷藏游戏，互相折磨有如不知厌倦的残酷把戏，任你如何付出，如何求索，那爱偶仍旧如梦如幻，如电如烟，到头来两手空空，徒增烦恼。可是，真正拥有之时，似有不再那么珍贵了…… 　　片中音乐：The Weepies《World Spins Madly On》。

男与女，情与爱，相聚与分离，憎恶与爱恋，千百年来困扰无数人的难题。几乎没有什么可以称得上永恒的，所谓永恒的爱情也终将随着生命的气息和人们的记忆烟消云散，更何况刹那之间的激情。男人与女人，汹涌人潮中擦肩而过，似是心有灵犀，若有感悟，指尖碰触的刹那宛如电流通过，叩开了彼此的心扉。你追她就跑，你跑她就追，情人之间猫捉老鼠的捉迷藏游戏，互相折磨有如不知厌倦的残酷把戏，任你如何付出，如何求索，那爱偶仍旧如梦如幻，如电如烟，到头来两手空空，徒增烦恼。可是，真正拥有之时，似有不再那么珍贵了…… 　　片中音乐：The Weepies《World Spins Madly On》。

该片讲述了在不神山上修炼多年的小妖女左冰清下山历劫，遇上“菜鸟”捉妖师鱼三，两个人在不断了解彼此的过程中，暗生情愫，却不知还有一场更大的阴谋在等着他们