迟煜离开后，江暖暖生活混乱，还与嘲讽迟煜的林文若争吵，又梦到迟煜的复仇宣言。后知迟煜开咖啡店、收集林文若与张经理罪证，还赠她 5% 江氏股份，江暖暖赶往咖啡店认错，迟煜虽冷脸却给她录音。江暖暖用录音与林文若对峙，迟煜带警方将其带走。江暖暖还股份遭拒，迟煜要她学会爱与尊重。江暖暖慢慢改变，雨夜主动关心，迟煜签股份文件，受赠人是未来孩子。最终两人在别墅依偎，满是温馨。

金戈是男化妆造型师兼摄影师，他得知父亲的犯罪事实，亲手将其举报送进监狱后，为了防止父亲仇家寻仇回到镇上保护母亲，接手了家里的婚庆公司，由于他化妆技术专业，使得不少新人找他办婚礼，他也借着办婚礼的机会，见识到了什么叫极品。

因一场车祸，父亲脚受伤，母亲变成植物人，妹妹被烧伤，一天父亲带着苏醒的母亲回家“我是母亲，我醒了”，小花却觉得那个人不是母亲！

程家老爷在濒死时请求神医卓一辰出山，卓一辰却在家门口被程家的私人医生文姬百般刁难。卓一辰悍然出手，救下了程家老爷，也让程家大小姐程百灵成为了自己的未婚妻，同时和文姬结下了仇怨。在卓一辰告知程百灵自己的医术实际上是灵魂附身术的真相时，死亡悄然降临在了二人身边。

宋姚从伦敦归来成画家，面对魏家叔侄追求。魏子轩戒恶习表心意，魏峥资助画展支持其梦想，两人从对立到尊重她的选择。宋姚得知父亲病情真相，明白两人都曾付出，领悟爱不是比较是成全，拒绝仓促选择。结尾三人默契搀扶，她决定珍惜情感，画面定格在相视而笑，传递真挚感情经得起考验的信念。

主角蕾娅为我们讲述了凯布拉达斯加油站的故事，如电影般真实的情节，在巴西联邦区巴西利亚女子监狱“蜂巢”的墙壁上回响。影片融合了纪录片与剧情片的边界，由非职业演员扮演自己，拍摄于具备强烈电影感的真实环境，灯火忽明忽暗、干旱地貌让人联想起西部片的氛围，导演们坚信：当虚构的东西被剥离，留存下来最重要的，就是最真实的生活。

罗刹魂殿为祸人间，南宫乘风甲子荡魔，创立天下会，隐居龙云山。时过境迁，南宫乘风传位弟子林梵，天下会在林梵的带领下夜夜笙歌，纸醉金迷…… 南宫乘风闭关期间发现罗刹魂殿死灰复燃，又见林梵贪图享乐，一怒之下将众人赶出山门，入世对付罗刹魂殿。

受真实事件的启发，六集黑暗喜剧《Totally Completely Fine》由托马辛·麦肯齐主演，讲述一个有自杀倾向的女孩薇薇安在继承了爷爷的海滨别墅后，被迫帮忙那些离悬崖边缘太近的人。（@秃炮怪字幕组）

10 hours of paint drying on a wall.

Part One, shot in Sweden and released in August 2006, combines accounts from prominent players in the Swedish piracy culture (The Pirate Bay, Piratbyrån, and the Pirate Party) with found material, propaganda-like slogans and Vox Pops. 　　It includes interviews with The Pirate Bay members Fredrik Neij (tiamo), Gottfrid Svartholm (anakata) and Peter Sunde (brokep) that were later re-used by agreement in the documentary film Good Copy Bad Copy, as well as with Piratbyrån members Rasmus Fleischer (rsms), Johan (krignell) and Sara Andersson (fraux). 　　The film is notable for its critical analysis of an alleged regulatory capture attempt performed by the Hollywood film lobby to leverage economic sanctions by the United States government on Sweden through the WTO. Evidence is presented of pressure applied through Swedish courts on Swedish police to conducting a search and seizure against The Pirate Bay to disrupt its BitTorrent tracker service, in contravention of Swedish law. 　　The Guardian's James Flint called Part One "at heart a traditionally structured 'talking heads' documentary" with "amusing stylings" from film-makers who "practice what they preach." It also screened at the British Film Institute and numerous independent international events, and was a talking point in 2007's British Documentary Film Festival. In January 2008 it was featured on BBC Radio 4's Today, in a discussion piece which explored the implications of P2P for traditional media.[citation needed] 　　Material found in Steal This Film includes the music of Can, tracks "Thief" and "She Brings the Rain"; clips from other documentary interviews with industry and governmental officials; several industry anti-piracy promotionals; logos from several major Hollywood studios, and sequences from The Day After Tomorrow, The Matrix, Zabriskie Point, and They Live. The use of these short clips is believed to constitute fair use.