In the aftermath of an attack, Amy is left voiceless, trapped in a whirlwind of incompetence. She must find a way to confront what has happened, in order to save what matters to her most.

In the aftermath of an attack, Amy is left voiceless, trapped in a whirlwind of incompetence. She must find a way to confront what has happened, in order to save what matters to her most.

故事的主人公其貌不扬，他有着大大的脑袋，稀疏的头发和水汪汪的眼睛，可是现实中的他看不出有任何聪颖过人之处，似乎也格外不受人待见。小时候骑自行车，被长自己几岁的女孩欺负。念书时磕磕绊绊，让老师大失所望。向心仪的女孩表达爱意，结果被三振出局。年龄一点点增长，糟糕的状况却愈演愈烈。他愤怒，他绝望，他希望警告地铁里的凡夫俗子不要再随便撞他，他也恨不得让滔滔不绝一嘴废话的同伴收声，他同样打算对着琵琶别抱的女人大喊一声“贱货”，他觉得自己是个快要爆炸的暴徒，推搡驱赶一切挡住他路途的渣滓们。 　　他是一个暴虐英雄，只在想象的世界里，无奈他只是一个平凡的人而已……

故事的主人公其貌不扬，他有着大大的脑袋，稀疏的头发和水汪汪的眼睛，可是现实中的他看不出有任何聪颖过人之处，似乎也格外不受人待见。小时候骑自行车，被长自己几岁的女孩欺负。念书时磕磕绊绊，让老师大失所望。向心仪的女孩表达爱意，结果被三振出局。年龄一点点增长，糟糕的状况却愈演愈烈。他愤怒，他绝望，他希望警告地铁里的凡夫俗子不要再随便撞他，他也恨不得让滔滔不绝一嘴废话的同伴收声，他同样打算对着琵琶别抱的女人大喊一声“贱货”，他觉得自己是个快要爆炸的暴徒，推搡驱赶一切挡住他路途的渣滓们。 　　他是一个暴虐英雄，只在想象的世界里，无奈他只是一个平凡的人而已……

如此阳光明媚的一天，世人期待的圣诞节即将到来，可是女主角乐乐（许玮宁 饰）兀自窝在被子里，脸上满是凄然与哀伤。相片中另一个人的脸被贴纸挡住，她期待有人对她说圣诞快乐和新年快乐，可是那人却已不在人世。这时门铃响起，一个穿着圣诞老人服装的快递员将包裹交到乐乐手中，她诧异地拆开包裹，发现居然是已故男友阿洲（陈建州 饰）寄来的手机。手机里有阿洲生前录好的视频，里面承载着两人美好与忧伤的甜蜜回忆。 　　生死两隔的二人，通过手机重新建立起联系……

When Parisian accountant Alex (Gilbert Melki) stumbles upon a routine identity check, he stops to watch. The police tell him to move along, but he insists on his right to do what he likes in public, a point of view that earns him a night in the cells. Still outraged in the morning, he is committed to a psychiatric clinic. Then starts an absurd and implacable machinery that plunges Alex inside a sort of kafkaian world. Once in the system, how is he meant to get out? 　　Emmanuelle Cuau's Very Well, Thank You is a very realistic story of a normal man who got caught up in a system where giving a late sick leave's certificate to your employer can be a motive of dismissal, where watching policemen doing their job can be considered as an "offence". A system, eventually, that shows us that today's society don't take into account the individual, but on the contrary play with him through laws, abuses of power, lies and paperwork. 　　A subtle, unsentimental political drama that is comic and horrifying by turns. 　　任職會計的阿歷士﹙基拔．梅爾基飾﹚有日在街上碰到警察進行身份的例行檢查便停下來觀看。警察叫他離開，但他堅持他有權在公共地方作他喜歡的事，這觀點使他被羈留了一晚。到了早上他依然是暴跳如雷，因而被送進精神病院。阿歷士亦因為制度的荒謬和部門的互不協調而無辜陷入某種卡夫卡式的世界中。一旦進入了制度內，他有甚麼辦法離開呢？ 　　《多謝夾唔該》以寫實的手法講述一個普通人因社會的制度而陷入困境，這制度容許僱主可以用僱員遲遞交病假紙作為解僱的理由，或是看警察辦公可被視作“違法行為”。這制度最後向我們証實現今的社會並不重視人權，相反，它透過法律、濫用權力、謊話及文書工作來玩弄人。 　　這是一部既幽默但又令人心驚膽跳，導演手法寫情細膩但毫不感情用事的政治意識寫實電影。

When Parisian accountant Alex (Gilbert Melki) stumbles upon a routine identity check, he stops to watch. The police tell him to move along, but he insists on his right to do what he likes in public, a point of view that earns him a night in the cells. Still outraged in the morning, he is committed to a psychiatric clinic. Then starts an absurd and implacable machinery that plunges Alex inside a sort of kafkaian world. Once in the system, how is he meant to get out? 　　Emmanuelle Cuau's Very Well, Thank You is a very realistic story of a normal man who got caught up in a system where giving a late sick leave's certificate to your employer can be a motive of dismissal, where watching policemen doing their job can be considered as an "offence". A system, eventually, that shows us that today's society don't take into account the individual, but on the contrary play with him through laws, abuses of power, lies and paperwork. 　　A subtle, unsentimental political drama that is comic and horrifying by turns. 　　任職會計的阿歷士﹙基拔．梅爾基飾﹚有日在街上碰到警察進行身份的例行檢查便停下來觀看。警察叫他離開，但他堅持他有權在公共地方作他喜歡的事，這觀點使他被羈留了一晚。到了早上他依然是暴跳如雷，因而被送進精神病院。阿歷士亦因為制度的荒謬和部門的互不協調而無辜陷入某種卡夫卡式的世界中。一旦進入了制度內，他有甚麼辦法離開呢？ 　　《多謝夾唔該》以寫實的手法講述一個普通人因社會的制度而陷入困境，這制度容許僱主可以用僱員遲遞交病假紙作為解僱的理由，或是看警察辦公可被視作“違法行為”。這制度最後向我們証實現今的社會並不重視人權，相反，它透過法律、濫用權力、謊話及文書工作來玩弄人。 　　這是一部既幽默但又令人心驚膽跳，導演手法寫情細膩但毫不感情用事的政治意識寫實電影。

英国BFI制作的纪录片《电影百年》之斯堪的纳维亚（可理解为北欧）电影

英国BFI制作的纪录片《电影百年》之斯堪的纳维亚（可理解为北欧）电影