很难用文字描述一部如此奇异却有趣的作品。1971年的贝尔格莱德国际电影节上，由南斯拉夫导演Karpo Acimovic-Godina提议，招来美、英、意大利、捷克等国的7位导演共同合作，每人拍摄3分钟的片段组成一部时长20分钟的短片，而且限定规则必须在同一房间里以相同的摄影机位和镜头角度拍摄，每段都要求演员找机会说出"I Miss Sonia Henie!"这句话。影片以一对面贴面互扮鬼脸的情侣开始（由Dusan Makavejev执导），3分钟后其他的所有故事都被交错剪接在一起，最后放上一段索妮娅在电影《太阳谷小夜曲》（1941）里的著名表演为结束。 　　Sonia Henie（1912-1969）是20世纪挪威最伟大的花样滑冰运动员，得过三枚奥运会金牌和十次世界冠军，却也曾因一张她在柏林奥运会上向希特勒挥手致敬的照片而倍受争议。退役后前往美国好莱污发展，在多部经典影片中有过演出。个人感觉此片算不上对她的"怀念"，细细品味倒有一种反讽的意思在内，虽然情节杂乱无章看得人一头雾水，但却不乏荒诞诙谐的场景和让人大跌眼镜的黃色笑話。几位主创中也不乏马卡维耶夫、保罗-莫里森这样的反叛电影鬼才，还有怀斯曼这样的纪实导演，不同的风格混杂在一起，也许只为一场古怪创意的大比拼吧。

电影讲述了印度面临的女性暴力问题，通过描绘年轻的基层女警索妮（吉蒂卡·维迪亚·奥利安 Geetika Vidya Ohlyan 饰）和她的上司卡帕纳（萨洛尼·巴特拉 Saloni Batra 饰）在德里调查女性暴力事件的过程，展示了这一社会严峻的问题。 　　索妮和卡帕纳在办案过程中面临着重大的阻力，这来自于社会对于揭露这类罪行的抵触心态，也涉及到法律和政治层面的复杂问题。然而，这样的环境让索妮变得脾气暴躁，采用非常规的方式来推动案件进展。她的偏离常规导致她在执勤中被裁定为行为不当，令她陷入了职业困境之中，与此同时，索妮的私人生活也受到了影响，她与丈夫之间的疏离和他突然的到访，进一步为她的情感和职业生活增加了复杂性。

印度每年有超过二万宗针对女性的暴力罪案，平均每二十二分钟就有一名女性被强暴，每六小时就有一名妇女因家庭暴力丧命。年轻的基层女警索妮与上司卡帕纳在德里一同接手调查不同的女性暴力事件，在办案过程中往往遭受到了重大阻力，无日无之的罪案令她脾气暴躁，做事方式偏离常规，被裁定在执勤中行为不当，而私人生活也影响到了她的职业表现，与丈夫已经彼此疏离，却要被迫面对他突然的到访。印度电影少见的写实题材，以一场一镜营造出真实迫力，将社会低下层女性受到压迫的问题表露无遗。

在保守的伊朗，作为一个女性说唱歌手，索妮塔的才华却为她带来了困扰。但是索妮塔却在坚持着更大的抱负。她的音乐，节奏坚定如岩石，韵律激烈，她的表演是对女性长期忍受不公正、恐惧和性别歧视的撕心裂肺的吼叫和反抗。一切都只是时间的问题,她那极富魅力的表现和坚定的意志定会改变她的命运。

Since the 1980s, famed cellist Sonia Wieder-Atherton has been present in much of Chantal Akerman’s work, whether through her numerous collaborations soundtracks, or as a protagonist (as in Rue Mallet-Stevens, 1986), or in this case, as the subject of an extended documentary portrait. The film begins with a voiceover from Akerman, describing and situating her subject, after which Wieder-Atherton takes over the narrative, sitting before the camera for an extended presentation of her life and art. Wieder-Atherton then performs some short pieces by Claudio Monteverdi, Luciano Berio, Leos Janacek, Johannes Brahms and Franz Schubert, either solo or accompanied by a small ensemble. As well as insights into an artist, this film offers a precious cinematic moment of listening.

两个时空重叠，只一眼，18岁的少年就明白未来30岁的自己辜负了深爱的她！听完她未来受的所有委屈后，他说：“不要原谅他”，然后强忍痛苦抹去了跟她的一切回忆！只愿她未来没有自己以后她能过的更幸福！可是没想到两人未来还是在一起了!为了放过她，他选择自杀。

两个时空重叠，只一眼，18岁的少年就明白未来30岁的自己辜负了深爱的她！听完她未来受的所有委屈后，他说：“不要原谅他”，然后强忍痛苦抹去了跟她的一切回忆！只愿她未来没有自己以后她能过的更幸福！可是没想到两人未来还是在一起了!为了放过她，他选择自杀。

起先我以为是70年代色情片，但是看完了发现不是，至少不是其他“艾曼妞”系列那种东西-_- 　　总而言之，值得看看的东西...由于简介与条目都被归类于情色片，so，以下的废话不看也罢，会被误导...... 　　By Redwolf 　　—————————————————— 　　In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year old publisher. When he drops her for her older sister, should she seek revenge or recapture? In subplots, she gets along badly with her sister and her father, and she encourages her mother's affair with dad's sister. Axel has problems too besides the determined Sibylle: he must come to terms with the drowning death of his mother years ago.

起先我以为是70年代色情片，但是看完了发现不是，至少不是其他“艾曼妞”系列那种东西-_- 　　总而言之，值得看看的东西...由于简介与条目都被归类于情色片，so，以下的废话不看也罢，会被误导...... 　　By Redwolf 　　—————————————————— 　　In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year old publisher. When he drops her for her older sister, should she seek revenge or recapture? In subplots, she gets along badly with her sister and her father, and she encourages her mother's affair with dad's sister. Axel has problems too besides the determined Sibylle: he must come to terms with the drowning death of his mother years ago.

Athens, today. Seventeen-year-old Aria, who is working at Jimmy’s local kebab place is waiting for a driving lesson with her father. When he finally arrives, it is not to go for a drive; on the contrary, he confides in her the care of a young Chinese immigrant who speaks neither Greek nor English. 　　DIRECTOR’S STATEMENT 　　A film, for me, is a collection of moments, which fall into place to create a whole. Sounds, looks, movements, the colors of Athens today tell the story of Aria, Lu and Petros. Image by image, I await the moment that I merge with them through their journey, just as they merge into mine—together accepting that our freedom exists in merely an instant.