Uncertain what to say, the priest who has come to visit clasps the grieving mother's hands. When she closes her eyes, she sees her young son settling the baby into the bathtub, as the water is running. And then the water is everywhere. - A cancer patient grown mad at God; a Ku Klux Klansman seeking redemption; an elderly woman who was never not in love; an inmate who's been waiting weeks in his cell for a letter; the mother blamed for her baby's death. Unscripted, shaped from a dozen life stories, both documentary and fiction, Thy Kingdom Come reveals life in a small mid-America town as alternately precious and harsh, wanting and hopeful.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

一个年轻的商业律师，发现他家楼下无家可归的罗马尼亚老人与他的祖母相像。有天晚上，他为老人做了一个纸牌儿：我可以做你的祖母。过往的人突然变得慷慨起来。其他无家可归的人也来向他要纸牌儿，让这个年轻人应接不暇…… 　　Un jeune avocat d'affaires trouve que la vieille SFD roumaine en bas de chez lui ressemble à sa grand-mère. Une nuit, il lui fabrique une pancarte en carton : Je pourrais être votre grand-mère. Les passants se montrent soudain très généreux. D'autres SDF lui réclament une pancarte. Le jeune homme est rapidement dépassé par la demande.

一个年轻的商业律师，发现他家楼下无家可归的罗马尼亚老人与他的祖母相像。有天晚上，他为老人做了一个纸牌儿：我可以做你的祖母。过往的人突然变得慷慨起来。其他无家可归的人也来向他要纸牌儿，让这个年轻人应接不暇…… 　　Un jeune avocat d'affaires trouve que la vieille SFD roumaine en bas de chez lui ressemble à sa grand-mère. Une nuit, il lui fabrique une pancarte en carton : Je pourrais être votre grand-mère. Les passants se montrent soudain très généreux. D'autres SDF lui réclament une pancarte. Le jeune homme est rapidement dépassé par la demande.

男主宁凡在前世因爱错人而家破人亡，重生后决定与前妻林心晴划清界限，凭借自己的才华和智慧重新崛起。他与师妹陈诺雅合伙创业，击败前妻的公司，赢得投资，最终建立自己的商业帝国。女主林心晴在经历一系列挫折后，才意识到宁凡的优秀，但为时已晚。

女主角是自美国回港的富孀，想寻找旧情人周。但在此期间，她为了财、为继承权的问题希望生一个儿子，并为此愿出二百万重酬，导致彭律师见财起心，向郑展开追求。另一方面，开设私家侦探社的周正在调查彭与奸商曾合谋骗取别人工厂的阴谋，乃说服郑从中帮忙布下陷阱将工厂骗回……

女主角是自美国回港的富孀，想寻找旧情人周。但在此期间，她为了财、为继承权的问题希望生一个儿子，并为此愿出二百万重酬，导致彭律师见财起心，向郑展开追求。另一方面，开设私家侦探社的周正在调查彭与奸商曾合谋骗取别人工厂的阴谋，乃说服郑从中帮忙布下陷阱将工厂骗回……

一位年轻的俄罗斯语言和文学教师安娜-费多罗娃来到游艇上与老朋友们的聚会。早上，安娜趁其他人还在睡觉时跳进了海里。女孩穿着湿漉漉的衣服，赤着脚，身上有淤青和擦伤，她到达警察局，写下了一份强奸投诉。她指责她的朋友，也就是镇上的有权势的人，犯了罪。此案成为一个巨大的宣传噱头，调查揭示了每个人的过去。受到公众谴责的并不是那些被指控的强奸犯，而是安娜本人。

女同志电影《洁米的五十道阴影》：BDSM实验教室 & 多重伴侣考验 　　洁米与吉儿从不欢而散到重新开始，现在更进一步同居生活，两人的关系更加亲密，此时，浸淫于幸福之中的洁米感到一丝不安：「如果我们生活乏味了，该怎么办？人在幸福顶端时，总是担心走下坡......洁米使出浑身解数，一定要找出维持幸福的秘诀！ 　　——橘里橘气字幕组 &沙鸥Larus字幕组