This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home.

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home.

脆皮大学生郝相姒穿书《晚后心计》，被迫攻略暴君时景焱。开局替女主背锅杖毙，却觉醒读档能力。暴君被迫反复救她，痛并心动。二人联手对抗原书男女主的阴谋，读档重开中情愫暗生，最终携手破局，终成眷属。

脆皮大学生郝相姒穿书《晚后心计》，被迫攻略暴君时景焱。开局替女主背锅杖毙，却觉醒读档能力。暴君被迫反复救她，痛并心动。二人联手对抗原书男女主的阴谋，读档重开中情愫暗生，最终携手破局，终成眷属。

为了感化疯批反派魏栩，宋茹呕心沥血，即将成功时，却因为系统故障，莫名下线。再次睁眼，宋茹来到了十一年后，成为了宋家三小姐宋清如。而魏栩却因为宋茹的逝去，变得孤独、疯狂，成为人见人怕的白发国师。为了完成任务，宋清如只能再次踏上攻略反派的道路，只是这次的魏栩比十一年前，更加收起难以对付..

影片讲述了被遗弃的小男孩孔德尔（彼得·贾戈尔斯基 Piotr Jagielski 饰）不断寻求自身归属感，找寻精神家园的命运故事。从小被母亲遗弃的孔德尔，在孤儿院的生活充满压抑和克制。母亲一心寻找所谓的真爱，嫌弃孔德尔是自己的累赘，非但不收留儿子，反而置自己的亲生骨肉于不顾。面对母亲的抛弃，小孔德尔失声痛哭。终于，才十一岁大的孔德尔毅然逃离孤儿院，去追寻属于自己的家园。孔德尔开始了他的流浪生活，寄住在一艘废弃的破船上，于此有了一个“家”。弃船对面住着一户富裕人家，小女孩跟他年纪相仿，受过良好的教育生活条件优越。然而因为长相难看，总是受到排挤和冷落，直到遇见一样孤独的孔德尔，幼小的心灵自此有了彼此的慰藉。 　　本片荣获2006年柏林电影节特别致意最佳影片奖。

影片讲述了被遗弃的小男孩孔德尔（彼得·贾戈尔斯基 Piotr Jagielski 饰）不断寻求自身归属感，找寻精神家园的命运故事。从小被母亲遗弃的孔德尔，在孤儿院的生活充满压抑和克制。母亲一心寻找所谓的真爱，嫌弃孔德尔是自己的累赘，非但不收留儿子，反而置自己的亲生骨肉于不顾。面对母亲的抛弃，小孔德尔失声痛哭。终于，才十一岁大的孔德尔毅然逃离孤儿院，去追寻属于自己的家园。孔德尔开始了他的流浪生活，寄住在一艘废弃的破船上，于此有了一个“家”。弃船对面住着一户富裕人家，小女孩跟他年纪相仿，受过良好的教育生活条件优越。然而因为长相难看，总是受到排挤和冷落，直到遇见一样孤独的孔德尔，幼小的心灵自此有了彼此的慰藉。 　　本片荣获2006年柏林电影节特别致意最佳影片奖。

这是一个多段式故事，四个人的命运相互交织，却各自有着不为人知的秘密。所有的人一边找寻着尊严，一边战胜着恐惧。

A close look at the life of some spanish teenage "delincuentes" at Madrid during the 80s. This is one of Eloy de la Iglesia's best films and a great look at Madrid's 80s, a troublesome and mythical era much funnier than the boring present. 　　Eloy de la Iglesia, who passed away last year, was a cult film maker that focused on the low life of young criminals and petty thieves of Madrid's slums as well as class conflicts and social issues. His movies are strong and full of powerful images despite the sometimes terrible acting (sometimes the real delinquents acted their own characters) and low budget.

A close look at the life of some spanish teenage "delincuentes" at Madrid during the 80s. This is one of Eloy de la Iglesia's best films and a great look at Madrid's 80s, a troublesome and mythical era much funnier than the boring present. 　　Eloy de la Iglesia, who passed away last year, was a cult film maker that focused on the low life of young criminals and petty thieves of Madrid's slums as well as class conflicts and social issues. His movies are strong and full of powerful images despite the sometimes terrible acting (sometimes the real delinquents acted their own characters) and low budget.