This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home.

A new type of discourse about documentary filmmaking sprang up, initially from two filmmakers, Alexandru Solomon and Florin Iepan, who, in the early 2000s, had been attached to a European training initiative (Discovery Masterschool), which strove to facilitate access to the international market for documentary professionals experienced in smaller national markets. Their films, The Great Communist Bank Robbery ( Marele jaf communist ; dir. Solomon, 2004) and Children of the Decree (Decreteii; dir. Iepan, 2004) were commissioned by major international producers and broadcasters (BBC4, Arte, and Finnish Yle TV for Solomon; Westend, ARTE, WDR-TV Ontario, and Romanian television for Iepan) while they were at the Discovery Masterschool, and were developed in co-production with Romania's National Film Center. Both films engaged with exceptional episodes from Romania's communist past and addressed the tensions between social and individual memory.

Alex和Greg对他们年仅四岁却偏爱公主和童话故事的儿子杰克有着很高的期望。当他们发现自己无法承担纽约市私立学校的高昂学费时，杰克的幼儿园老师Judy建议他们利用杰克的心理问题去赢取奖学金。面对来自社会、学校、家庭、教育的令人哭笑不得的多重压力，他们能够接受儿子杰克最本真的自我吗？

This film shows the daily routine of a group of homeless Romanian children living in a train station. Anyone who has ever seen or read about the homeless knows how depressing it is, and seeing children in this state of affairs only heightens it. The children here are addicted to Aurolac paint, which they inhale to get high. While the subject matter couldn't be any more depressing, Children Underground is very well made and holds one's attention.

在一个独特的男孩学校，一个新的健身教师被吸引到两个老教练之间的争斗，他发现学校里的一切都不像看起来那么干净。

讲述华裔移民之女马琳·李的成长故事：1983年，她参加了一个全白人女孩夏令营。为融入集体并取悦新朋友查琳，马琳越过了道德界限，这个抉择彻底改变了她的人生轨迹。时光流转至2024年，已成为成功政界人士的成年马琳致力于推动社会变革。就在她即将赢得关键选举之际，当与查琳被迫重新联系时，尘封41年的往事如幽灵般再度浮现。

安迪的生活是为了他的家，他的三个孩子和他仍然爱的女人而持续的战斗。他只有两周时间偿还她借的5000欧元。当他失去工作时，业余拳击赛看起来是唯一的解决办法。

讲述华裔移民之女马琳·李的成长故事：1983年，她参加了一个全白人女孩夏令营。为融入集体并取悦新朋友查琳，马琳越过了道德界限，这个抉择彻底改变了她的人生轨迹。时光流转至2024年，已成为成功政界人士的成年马琳致力于推动社会变革。就在她即将赢得关键选举之际，当与查琳被迫重新联系时，尘封41年的往事如幽灵般再度浮现。

当妻子爱丽克丝（克莱尔·丹妮斯饰）和丈夫格雷格（吉姆·帕森斯饰）与四岁大的宝贝儿子杰克（利奥·詹姆斯·戴维斯饰）的幸福生活正如约进行时，夫妻二…

影片讲述了被遗弃的小男孩孔德尔（彼得·贾戈尔斯基 Piotr Jagielski 饰）不断寻求自身归属感，找寻精神家园的命运故事。从小被母亲遗弃的孔德尔，在孤儿院的生活充满压抑和克制。母亲一心寻找所谓的真爱，嫌弃孔德尔是自己的累赘，非但不收留儿子，反而置自己的亲生骨肉于不顾。面对母亲的抛弃，小孔德尔失声痛哭。终于，才十一岁大的孔德尔毅然逃离孤儿院，去追寻属于自己的家园。孔德尔开始了他的流浪生活，寄住在一艘废弃的破船上，于此有了一个“家”。弃船对面住着一户富裕人家，小女孩跟他年纪相仿，受过良好的教育生活条件优越。然而因为长相难看，总是受到排挤和冷落，直到遇见一样孤独的孔德尔，幼小的心灵自此有了彼此的慰藉。 　　本片荣获2006年柏林电影节特别致意最佳影片奖。