Toto and his two elder sisters come from a Roma family of junkies and drug dealers. Their troubled mother is again in prison, and little Toto is again waiting for her to come back. A tender, subtle observation of childhood, family relations and love. Non-sentimental and heartbreaking documentary. 　　The camera is there when the fatherless Roma children visit their mother in prison. She’s been sentenced for selling drugs. It's also there when the two uncles, who now have to look after young Toto (10) and his sisters Andreea (14) and Ana (17), shoot heroin in their cramped apartment in Bucharest. And when Ana breaks her promise and starts using again. 　　The documentary immerses us (without comment) in the intense life of Andreea in particular. Like a surrogate mother, she tries to keep Ana and Toto on the rails. Sometimes she expresses her feelings in front of the camera in a video diary. 　　Hope comes from Romanian institutions: a training course that uses tolerance to help the semi-illiterate Andreea and completely illiterate Toto focus on the lessons; an orphanage that offers a safer haven than the filthy drug den at home; and above all a hip-hop dance group that taps hidden talents in Toto. With Critics' Talk on Wed 28-1 in the lobby.

Toto and his two elder sisters come from a Roma family of junkies and drug dealers. Their troubled mother is again in prison, and little Toto is again waiting for her to come back. A tender, subtle observation of childhood, family relations and love. Non-sentimental and heartbreaking documentary. 　　The camera is there when the fatherless Roma children visit their mother in prison. She’s been sentenced for selling drugs. It's also there when the two uncles, who now have to look after young Toto (10) and his sisters Andreea (14) and Ana (17), shoot heroin in their cramped apartment in Bucharest. And when Ana breaks her promise and starts using again. 　　The documentary immerses us (without comment) in the intense life of Andreea in particular. Like a surrogate mother, she tries to keep Ana and Toto on the rails. Sometimes she expresses her feelings in front of the camera in a video diary. 　　Hope comes from Romanian institutions: a training course that uses tolerance to help the semi-illiterate Andreea and completely illiterate Toto focus on the lessons; an orphanage that offers a safer haven than the filthy drug den at home; and above all a hip-hop dance group that taps hidden talents in Toto. With Critics' Talk on Wed 28-1 in the lobby.

编剧兼导演阿扎泽·雅各布斯（《法式出口》、《那些爱人》）执导了这部苦乐参半且趣味横生的故事，讲述了一位年迈的家长和三个成年女儿在他生命的最后几天陪伴在他身边的故事。凯蒂（凯莉·库恩饰）是一位控制欲极强的布鲁克林母亲，每日忙于应对处于青春期的叛逆女儿；自由奔放的克里斯蒂娜（伊丽莎白·奥尔森饰）是一位与众不同的母亲，这是她首次与孩子分开；瑞秋（娜塔莎·雷昂饰）是一名体育博彩瘾君子，从未离开过父亲的公寓 — 这令她同父异母的姐姐们非常恼火，因为她们有着不同的母亲和世界观。在三姐妹的日常相处中，雅各布斯继续敏锐地探索亲密空间中的家庭动态，在三天动荡的日子里，在死亡阴影下，怨恨爆发，爱从支离破碎的家庭中渗透出来。

编剧兼导演阿扎泽·雅各布斯（《法式出口》、《那些爱人》）执导了这部苦乐参半且趣味横生的故事，讲述了一位年迈的家长和三个成年女儿在他生命的最后几天陪伴在他身边的故事。凯蒂（凯莉·库恩饰）是一位控制欲极强的布鲁克林母亲，每日忙于应对处于青春期的叛逆女儿；自由奔放的克里斯蒂娜（伊丽莎白·奥尔森饰）是一位与众不同的母亲，这是她首次与孩子分开；瑞秋（娜塔莎·雷昂饰）是一名体育博彩瘾君子，从未离开过父亲的公寓 — 这令她同父异母的姐姐们非常恼火，因为她们有着不同的母亲和世界观。在三姐妹的日常相处中，雅各布斯继续敏锐地探索亲密空间中的家庭动态，在三天动荡的日子里，在死亡阴影下，怨恨爆发，爱从支离破碎的家庭中渗透出来。

上世纪九十年代末北方某小城里，韩家三姐一弟原本亲密相处，却因为一场家族的利益争端出现裂痕。喜欢贪小便宜却甘心为家庭付出的大姐韩爱梅，有魄力有担当的二姐韩爱兰，聪明磊落的三姐韩爱竹，心地善良追求公正的四弟韩爱松，以及一心想把酒厂做好的大姐夫许宝来、城府颇深的二姐夫赵金志，在社会变革的浪潮下围绕如何将酒厂继续发展下去有着各自的观点和立场。家事公事剪不断理还乱，在一次次危机面前，大家做出自己认为正确的抉择，也时常因意见不合对彼此造成伤害。最终在困难面前，一家人重新凝聚在一起，大家也明白了生活和工作中真正重要的是什么，韩家人齐心协力终于为酒厂找到了一条健康发展的路。

该剧讲述上世纪九十年代北方小城，在社会改革大浪潮下，一个普通家庭为老酒厂改制上演了一幕幕啼笑皆非的闹剧。最终，一家人于危机面前重新凝聚在一起，找回弥足珍贵的亲情。

彬仔今年7岁了，天生异常顽皮捣蛋的他并不受人欢迎，被他捉弄得团团转的老师同学都拿他没办法。彬仔的父亲十分讨厌这个捣蛋鬼，但他母亲细毛却十分疼爱彬仔。这次，彬仔闯了大祸。他贪玩无意中偷了黑帮的花名册，黑帮找不到名册只好把他绑架了。彬仔的失踪并没有引起其父的注意，他认为一定是彬仔贪玩自己走远了。 寻子心切的细毛只好找到去世的姐姐生前的两个男友恶宝和黄记者，骗他们说彬仔其实是姐姐和他们所生的儿子，恳求他们四出寻找彬仔。两人忽然成了父亲，儿子还不见了。这一下，一出闹剧上演了。

彬仔今年7岁了，天生异常顽皮捣蛋的他并不受人欢迎，被他捉弄得团团转的老师同学都拿他没办法。彬仔的父亲十分讨厌这个捣蛋鬼，但他母亲细毛却十分疼爱彬仔。这次，彬仔闯了大祸。他贪玩无意中偷了黑帮的花名册，黑帮找不到名册只好把他绑架了。彬仔的失踪并没有引起其父的注意，他认为一定是彬仔贪玩自己走远了。 寻子心切的细毛只好找到去世的姐姐生前的两个男友恶宝和黄记者，骗他们说彬仔其实是姐姐和他们所生的儿子，恳求他们四出寻找彬仔。两人忽然成了父亲，儿子还不见了。这一下，一出闹剧上演了。