保罗和安娜本来过着幸福的生活，但当他们的儿子突发疾病时，这个表面看似幸福的家庭完全崩塌了，就像无法再粘合的易碎瓷器⼀样。 　　荣获2020荷兰电影节金牛犊最佳制作设计提名，2021 Cinefantasy国际奇幻电影节最佳导演，2021雨舞电影节最佳影⽚提名。

On a remote German island, the inhabitants of a village come together to celebrate a traditional eve-of-wedding party. As the shards of the crockery smashed by the guests pile up, ten-year-old Fina struggles to keep a piece of herself intact.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. 　　This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

新疆乌恰县医院院长吴登云，是从南方城市扬州来支援边疆的，他带着妻子女儿在乌恰扎下了根。 吴院长长年累月地巡回医疗，很少同妻子女儿团聚。妻子阿芬强忍着孤寂和思乡之情。一年的大年除夕，阿芬想给女儿燕子买一件新衣服，没想到，她辛辛苦苦积攒的钱都不见了，原来是吴登云拿去帮助了无钱买药的病人。吴院长经常这样做，使得家中生活十分窘迫。 一个生命垂危的烧伤儿童，需要植皮。在没有麻药的情况下，吴登云强忍巨大的疼痛割下自己的皮植给儿童。吴登云还经常把自己的鲜血输给病人，他心中只有病人，完全没有自己。 女儿燕子长大了，想离开乌恰去与男朋友团聚。可乌恰特别需要她这样的医务骨干，一面是女儿的幸福，一面是缺医少药的穷苦牧民，吴登云狠心要女儿留下来。 离开家乡二十多年，吴登云第一次回扬州看望病重的父亲。父亲恳求他留下，可他坚决地还要回边疆，父亲明白这次与儿子是永诀了，伤心地呜咽着。 矿工艾力江曾受到过吴登云五天五夜不合眼地抢救，病好后他带着未婚妻前来看望吴院长，深情地呼唤着他“爸爸”。 　　(以下为人物真实资料)吴登云，一个江南普通农民的儿子，二十世纪六十年代毕业于扬州医学专科学校。1963年，他从瘦西湖畔来到了被称为“万山之祖”的新疆帕米尔高原，将自己的青春投身于边疆的医疗事业，在乌恰一干就是37年。在这37年中，他用自己的身心和血肉挽救了一批批生命垂危的病人，培养出一批批土生土长的柯尔克孜族医生，创建了一座园林式医院。他可歌可泣的人生历程，赢得了边疆人民由衷的爱戴和赞誉。吴登云忠实履行了人民医生救死扶伤的崇高职责，他为边疆人民的健康，为边疆的改革与发展做出了巨大的贡献，他是人民心中的白衣圣人。

纪录片《瓷路》全片共分为六集，每集 50分钟，在这条神奇的瓷器之路上，充满了 探险、财富、人性、生死、战争和沉船的精 彩故事，从中可以寻找中国文明和世界文明 交流碰撞的火花。

纪录片《瓷路》全片共分为六集，每集 50分钟，在这条神奇的瓷器之路上，充满了 探险、财富、人性、生死、战争和沉船的精 彩故事，从中可以寻找中国文明和世界文明 交流碰撞的火花。

瓷，流传千年，造就一段文明的传奇。它走向全球，成为一个国家的名字。 　　央视纪录频道联合大英博物馆和V&A博物馆共同制作的两集高清纪录片《china•瓷》即将登陆央视。这是中英两国第一次实现横跨电视媒体与两国博物馆之间携手打造纪录片的合作。 　　本片从一次展览出发，讲述中国外销瓷，特别是明清之际与整个世界接触与相互影响的故事。将深入探讨瓷器在世界历史中扮演的角色，西方世界如何将中国瓷纳入自身的社会生活艺术、宗教、政治和经济之中。 　　一把瓷土搅动地球。瓷器不但集工艺、美学、商贸之大成，更是在东西美学的相互影响之下的第一件全球化商品。本片既关注文物细节，又聚焦全球主题：瓷作为第一件全球化商品如何将世界相联。 　　此外，这部由纪录频道一流创作团队打造的《china·瓷》，选取了“中国人看中国与世界的关系”这一独特视角，将宏大的历史叙事和精致的细节展示融为一体，唯美的画面，诗意的解说，都会带给观众耳目一新的视听感受。

瓷，流传千年，造就一段文明的传奇。它走向全球，成为一个国家的名字。 　　央视纪录频道联合大英博物馆和V&A博物馆共同制作的两集高清纪录片《china•瓷》即将登陆央视。这是中英两国第一次实现横跨电视媒体与两国博物馆之间携手打造纪录片的合作。 　　本片从一次展览出发，讲述中国外销瓷，特别是明清之际与整个世界接触与相互影响的故事。将深入探讨瓷器在世界历史中扮演的角色，西方世界如何将中国瓷纳入自身的社会生活艺术、宗教、政治和经济之中。 　　一把瓷土搅动地球。瓷器不但集工艺、美学、商贸之大成，更是在东西美学的相互影响之下的第一件全球化商品。本片既关注文物细节，又聚焦全球主题：瓷作为第一件全球化商品如何将世界相联。 　　此外，这部由纪录频道一流创作团队打造的《china·瓷》，选取了“中国人看中国与世界的关系”这一独特视角，将宏大的历史叙事和精致的细节展示融为一体，唯美的画面，诗意的解说，都会带给观众耳目一新的视听感受。

冬至，合家团圆。外婆和妈妈和着面，做着团子；外公，爸爸用金箔纸折成元宝；儿子带着心事穿梭在大人之间。家人之间聊着衣食住行，家长里短；聊着不联系的朋友，自相残杀的鸽子，修复的瓷器。团子皮破，元宝化成灰，锔过的瓷器愈加易碎。 　　这是一部过程电影。在连续的一天里，在不停歇的家务中，一个家庭分裂，修复，和好如初，又再次崩溃。就像锔瓷这门传统手艺一样，家庭的碎片被锔钉紧贴在一起，破碎又完整。