The series follows an outspoken woman, Chelsea Newman (a character based on the real Chelsea Handler and the show's main protagonist) and her circle of working-class twenty-something friends in New Jersey. Through the narration and observations of the fictional Chelsea, most of the situations were inspirations from Handler's book, which is based on her early career in her twenties.

作为一名资深“软饭男”，好吃懒做的李勇长期寄生在妻子青青的生活里——不仅心安理得花着对方的工资，还出轨假白富美，落入对方精心设计的杀猪盘。假白富美百合盯上吴天，不仅频繁送他‘奢侈品’，更主动提出资助他“创业”。李勇白日做梦以为自己遇到真千金，殊不知百合正是跨境杀猪盘团伙的核心成员，她精心设计的“富婆人设”背后，是一整套通过情感操控实施诈骗的成熟套路。待李勇发现真相后已落得妻离子散的境地，他为了追回被骗的钱款假意加大投资引百合和天哥上钩，吴天将2人绑架准备鱼死网破，好在前妻青青带警察前来阻止，才避免软饭男李勇铸成大祸。

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

Earth Corps, a team of scientists specializing in subterranean exploration, would prefer to simply go about their work. However, this changes when a horde of monsters from below called Inhumanoids, collaborated by the evil human traitor, Blackthorne Shore, begin to attack the surface world. Against this threat, the team, and allied monster species they meet are forced to oppose them with whatever skills and equipment are useful. Written by Kenneth Chisholm {[email protected]}

一个三口之家在太空旅行，当他们遇到一艘搁浅的宇宙飞船。他们设法救出了一名震惊的幸存者(Grieco)。然而，当父亲继续调查这艘船时，他发现每个人都被谋杀了。突然间，这个陌生人把他留在了受损的飞船上，开始恐吓他的妻子和女儿，因为事实证明，这个陌生人实际上是一个情绪不稳定的机器人，没有道德的程序，让他疯狂地暴跳如雷。谁将生存?

由尼尔·盖曼创作的DC漫画，故事讲述无尽(主宰梦境的组织)中的梦的故事。尼尔·盖曼还将担任该剧旁白。

由尼尔·盖曼创作的DC漫画，故事讲述无尽(主宰梦境的组织)中的梦的故事。尼尔·盖曼还将担任该剧旁白。

一位名为Mister Sleep的杀手对一群失眠患者展开了可怕的追杀，他认为这些人偷走了属于他的记忆。