Lewis Clark is a brilliant author who stumbles upon a world of Magic after the disappearance of his two young children. He begins a quest to try to stop the insidious evil that threatens to destroy both his new world and his old one.

Lewis Clark is a brilliant author who stumbles upon a world of Magic after the disappearance of his two young children. He begins a quest to try to stop the insidious evil that threatens to destroy both his new world and his old one.

在很久以前就开始统治魔法世界的伶可王室,将魔法世界治理得和平又稳定,但是,热爱厌恶,猜忌与嫉妒的“黑暗家族”却总是不择手段地想让魔法世界陷入黑暗之中,从而接手统治,因为黑暗家族的黑暗魔法存在,魔法世界百姓们的性格渐渐开始变得邪恶起来,黑暗势力也极速扩散开来。3年前,魔法世界的国王在生日那天吃了被施展了黑暗魔法的蛋糕后,变成了小狗coco ,因为一直没能找到解毒剂,已经以coco管家的身份生活了三年了,而百姓们都以为国王是因为生病住进了医院里,就这样,为了拯救陷入危机的魔法世界、小伶公主隐藏起了自己的身份,来到了怜可魔法学校。来到学校的小伶公主接到了一个特殊的使命,“在伶可歌唱大赛上胜出吧！”,要阻止黑暗家族在伶可歌唱大赛获得胜利。如果黑暗家族赢得胜利的话,伶可学校(象征着魔法世界的伶可学校的百年历史与传统都将消失)就会陷入危险的境地。另一边,在伶可学校成为好朋友的小伶,summer和悦儿决定组成一支团队,参加伶可歌唱大赛。究竟小伶能够在大上胜利,拯救魔法世界吗?魔法世界继承人小伶公主的成长记！

The series follows an outspoken woman, Chelsea Newman (a character based on the real Chelsea Handler and the show's main protagonist) and her circle of working-class twenty-something friends in New Jersey. Through the narration and observations of the fictional Chelsea, most of the situations were inspirations from Handler's book, which is based on her early career in her twenties.

一張有神奇魔力的紅椅子，找到了菲力、托絲卡和古奇當自己的主人，只要他們做在椅子上，任何願望都可以實現。在他們尋找父母的旅途上，面臨了許多危險，幸虧有紅椅的魔力一一化解，最後他們是否能找到父母一家團聚呢？劇情超乎觀眾預期，以流暢的數位動畫詮釋出狂野的想像力，營造出輕鬆、活潑的奇想魔幻世界。 　　Once upon a time, there was a magic tree – a huge, old oak-tree. But people not aware of its power cut it off and made hundreds of objects out of its wood. Still, the magic power was kept and strange things began to happen. A red chair made out of the magic oak gets into one home. It can walk, fight and fulfill the wishes of everyone sitting on it. An accidentally expressed wish starts a series of incredible events…

梦幻镇之魔法世界

梦幻镇之魔法世界

作为一名资深“软饭男”，好吃懒做的李勇长期寄生在妻子青青的生活里——不仅心安理得花着对方的工资，还出轨假白富美，落入对方精心设计的杀猪盘。假白富美百合盯上吴天，不仅频繁送他‘奢侈品’，更主动提出资助他“创业”。李勇白日做梦以为自己遇到真千金，殊不知百合正是跨境杀猪盘团伙的核心成员，她精心设计的“富婆人设”背后，是一整套通过情感操控实施诈骗的成熟套路。待李勇发现真相后已落得妻离子散的境地，他为了追回被骗的钱款假意加大投资引百合和天哥上钩，吴天将2人绑架准备鱼死网破，好在前妻青青带警察前来阻止，才避免软饭男李勇铸成大祸。

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”