影片是一部面向年轻人的公路题材励志电影，以半喜剧的形式讲述了主人公白勤奋与一位长相酷似自己父亲的老人周建功在旅途中发生的故事。

A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.

Goff in the Desert presents 62 buildings from the American architect Bruce Goff (1904-1982) – from the smallest cottage to an impressive museum pavilion – and is the only cinematographic collection of almost all of his buildings still in existence. Bruce Goff is considered to be one of the ”greatest unknowns“ of American architecture. As a determined experimenter, his works and designs were often in significant contrast to the ”International Style“ movement.

A killer on the run demands help from 2 cantankerous Western prospectors, when his car breaks down near their remote shack. The old couple already face eviction unless they can demonstrate that they are homesteading, but in a patch of Nevada desert which can barely support a juniper tree, how can they ?

Sarcastic & complicated Jessie and her free-spirited girlfriend, Alex couldn't be any more different from each other, but cupid's arrow is blind, and it was love at first sight. After a year of dating paradise, things go awry when Jessie's parents, who are unaware that Alex is a girl, arrive to town for their anniversary. At a crossroads, she must decide between revealing her sexuality to her parents, or losing the love of her life.

本片是西班牙超现实主义电影大师路易斯·布努艾尔的“宗教三部曲”之一。苦行僧西蒙（克劳迪奥·布鲁克 Claudio Brook 饰）为了靠近上帝，来到人烟稀少的沙漠地带，不顾自己母亲（Hortensia Santoveña 饰）的乞求，站到柱子顶端日夜祈祷赎罪。当地民众感谢西蒙的虔诚，特意建了一个更高的柱子送给他。很多民众听说了西蒙的神迹，不远千里赶来向他祈求帮助，一位被截去双手的农民（Enrique del Castillo 饰）果然见证奇迹，双手重生。魔鬼（比那尔·希尔维亚 Silvia Pinal 饰）化作各种形象诱惑西蒙、侮辱他、冤枉他，甚至将他带去了罪恶丛生的大城市，考验他的意志…… 　　本片被提名1965年威尼斯电影节金狮奖，并获评审团大奖及国际影评人费西比奖。

剧情：商人长井（三上博史饰）表面风光无限、事业成功，实则经济上已陷入困境，公司虽已上市，但他却受股东的限制，妻儿的离去使他更雪上加霜，他所渴求的东西正如荒漠之月，完美、苍凉而不可企…… 　　评论：青山真治生于日本战后的60年代，是复苏后的日本电影的代表性人物，他擅于发掘家庭题材的影片，去年凭借《寻获人生》（Eureka）摘取了戛纳评委会奖。《寻获人生》中，青山真治通过表象来阐述了一个现代家庭的幻灭，而在《荒漠之月》中，他是从家庭内部进行解析，进行了更深层面的阐明。

《沙漠中的最后时日》讲述了由伊万·麦克格雷格饰演的耶稣在沙漠中斋戒40天，遭到恶魔蛊惑后，重新找回人性的故事，影片并非源自《圣经》，而是影片导演兼编剧罗德里格·加西亚想象出来的故事。值得一提的是，罗德里格·加西亚是已故文坛巨匠，《百年孤独》作者加西亚·马尔克斯的儿子，曾执导过口碑不俗的影片《雌雄莫辩》。

姜牧穿成假扮天子的傀儡皇帝，内有太后、皇叔虎视眈眈，外有金国兵临城下。在这个内外夹击的情况之下，危机四伏，命运不定......既然他来了，那么假的便是真的，皇帝的位子一定要坐稳，权利和美人，都是朕的！

由于心脏病发作，贾克斯（布莱恩·考克斯 Brian Cox 饰）又一次的住进了医院，躺在病床上的他明白自己时日无多，可他经营的酒吧却后继无人。在医院里，贾克斯结识了神情萎靡颓废而又沮丧的年轻人卢卡斯（保罗·达诺 Paul Dano 饰），他来到这里的原因是自杀未遂。卢卡斯的境遇让贾克斯很是感慨，在一股不知所以然的冲动下，卢卡斯成为了贾克斯心目中的继承人选。 　　贾克斯收留了卢卡斯，一步步的教他如何管理一间酒吧，卢卡斯聪明勤奋，很快便能独当一面，与此同时，他和贾克斯之间也产生了坚实而又真诚的友谊。某天，一个名叫爱普尔（伊希尔·勒·贝斯柯 Isild Le Besco 饰）的美丽女子出现在了酒吧里，她乞求贾克斯和卢卡斯为她提供一个藏身之地，可是，这显然违反了贾克斯“不许女人进入酒吧”的条例，但卢卡斯却不这么想，两人的关系就此陷入了僵局。