A rare, hysterical gem from early Soviet cinema. CHEMI BEBIA (MY GRANDMOTHER) is a Georgian avant-garde slapstick silent comedy that was banned in the Soviet Union for almost 50 years. And it's pretty easy to see why. Whereas later Georgian filmmakers became rather adept at slipping political criticism under the noses of the Soviet censors, this film ends with a completely unambiguous rallying call for the death of bureaucrats. Lots of the creative techniques one associates with early Soviet cinema are on display here, but they are filtered through a sieve of early American slapstick and used mostly (and most successfully) for comedy. Imagine Harold Lloyd starring in Terry Gilliam's BRAZIL and you'll start to get an idea of what MY GRANDMOTHER is like. It's hilarious, and historically it's interesting to watch in that it's just as politically obvious as any other early Soviet film, but in an entirely different way. Imaginative, innovative, amazing! This is a wonderful film that works on so many levels. As a farce, it's up there with Charlie Chaplin or Monsieur Hulot. It's really funny. The score is absolutely brilliant. The acting is top-notch. As a satire on corruption and bureaucracy, it hits the nail on the head. The elements of surrealism work tremendously well in acting, sets and scenes: just extreme enough to make the point well without losing touch with the underlying reality. Through all this, key themes are maintained. The director also plays effortlessly with gender, age and hierarchical roles, switching and undermining them relentlessly. Innovative film techniques, too, are used exceptionally well: puppetry, collage, distortion plus many more. One could doubtless see this film a dozen times and still find something new.

跨国女总裁沈曼回国探亲，却不知外婆早已被害死，遗体藏于冰柜！为骗取巨额家产，他们竟雇流浪老妪冒充外婆。沈曼识破骗局隐而不发，以十亿家产为饵布下天罗地网，步步紧逼。贪婪的舅舅深陷高利贷、反派内讧自相残杀，最终沈曼亲手撕碎所有伪装，将恶人送入万劫不复的深渊！

小曼达被强奸后被丢弃在贫民窟的垃圾堆里，强奸犯是当地政客儿子，警察选择包庇罪犯，曼达的父母关心的是自己尊严，但外婆不会接受这种不公。

暂无剧情简介

蓝天、小溪、梨树、玩伴……这些景象时常浮现在天佑的梦中。梦里，唱着主歌的外婆坐在油菜花丛中；梦里，曾经住过的房子都倒塌了……大学生天佑在寒假的时候从深圳回到了他小时候生活过10多年的豫西南伏牛山脚下的外婆家。村子里住着他小时候的玩伴们：离了婚的表哥王三；爱喝酒的淼子；做着“羊老板梦”的海洋……时光荏苒，十多年后再次面对外婆和儿时玩伴的天佑，心灵悄悄发生着异样的变化……本片根据四川 泸州作家涂代祥小小说作品《乡下外婆》改编10岁的马超从来没有见过乡下的外婆，妈妈从小跟他讲外婆的故事，在马超的心里，外婆是很神圣的。当马超见到真正的外婆后非常失望，离心中的外婆形象太远了。马超想尽办法整外婆，想驱赶走外婆，结果却被外婆的包容与坚强感动了，最终马超的心灵得到了感化。影片通过巧妙的故事结构、优美的画面和动听的音乐，刻画了乡下外婆慈祥坚毅的形象，成功表现了马超对外婆情感的微妙变化。

五十岁的农村妇女陈翠花（本名林明珠），大半生都在王家当牛做马，被丈夫王建国嫌弃，被儿子王强压榨，甚至在孙子王耀祖需要输血时，被儿媳李翠芬强行抽血导致昏迷，随后被扔在医院自生自灭。然而，这次抽血却意外揭开了她隐藏五十年的身世——她竟是上海首富林氏集团当年被抱错的真千金。 被林家找回后，王家人不仅没有丝毫愧疚，反而厚颜无耻地跟着来到上海，妄图继续吸血，甚至提出要别墅、要公司、要假千金林晚晴做补偿。

操劳半生的林明珠常年遭婆家苛待，昏迷后，意外查清身世，是别人失散的女儿。亲生家人将她接回享福，前夫一家毫无悔意，赶赴索要财物，妄图继续依附她索取好处。

Upon hearing about her favorite grandson’s impending engagement to a woman, Grandma Nai ventures out of her tomb to stop the arrangement and help her grandson stand up for himself.

一部关于去世的外祖母的影片，在两个国家之间的记忆。

外婆离世当晚，秦舒瑶莫名长出一颗与外婆同款的尖牙，还发现外婆留下的字条：此牙能预警害她之人。可尖牙每次剧痛，都指向疼爱自己的妈妈，让她陷入恐惧与困惑。她意外被村混混胡一舟绑架，却发现对方并无恶意，反而暗中保护她。随着被卷入人口贩卖阴谋，一个伪装成妈妈的诡异存在步步紧逼，尖牙的预警一次次印证危机。真相层层揭开，妈妈早已死亡，靠近她的是来自神秘组织的攻略者，而外婆的尖牙，是用生命为她布下的最后守护。继承外婆力量的她，终将直面更可怕的威胁，用爱与勇气守护余生。